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Architects: Selective-Amplification
- Area: 230 m²
- Year: 2018
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Manufacturers: Anodized
Designers Studio Ohk have released details of their architecturally-inspired “Urban Soaps” range, reflecting built fragments of the South Korean capital Seoul. The four designs reference traditional and modern architectural elements in Seoul through their shapes and colors, “curated and blended by the team to highlight the city’s personality.”
The products began with an idea of “delivering regional stories, images, and experiences through an accessible medium” with soap chosen ultimately for its flexibility, and its appeal to multiple senses, such as sight, scent, and touch.
The downtown skyline of a city is perhaps its most symbolic feature. The iconic cityscapes that we know and love are typically formed by skyscrapers, but much of the surrounding context is made up of other high-rise buildings. Yes, there is a difference between a skyscraper and a high-rise. Research company Emporis defines a high-rise as a building at least 35 meters (115 feet) or 12 stories tall. These high-rise buildings play a major role in the more sprawled urban context of larger cities today.
Read on for Emporis' list of the 20 cities in the world with the most high-rises. You might be surprised by which cities made the cut.
Built before the 1988 Summer Olympics, the Seoul Olympic Stadium in the Korean capital city’s Songpa District remains an active and treasured institution. Designed by Kim Swoo-geun, the stadium represents a significant moment in Korea’s modern history and remains a venue for large concerts and the home of Seoul E-Land FC.
While the Olympic Stadium itself will stand visibly intact in its original form, this spring the Korea National Urban Planning Association staged a competition for a new design of the Jamsil Sports Complex, which includes several sporting venues and buildings adjacent to the stadium, as well as almost 160,000 square meters of total area. Following the deadline earlier this month, the jury has announced NOW Architects in collaboration with NBBJ and SAMOO, as the winners of the competition.
Colombian professor Francisco Sanin and South Korean architect Lim Jaeyong were appointed as co-directors for the 2019 Seoul Biennale of Architecture and Urbanism. The announcement is followed by an inaugural edition held in 2017 with 460,000 visitors in total.
Born in Medellin, Colombia, Sanin earned his degree at the Universidad Pontificia Bolivariana. He had a crucial role in Medellin's urban transformation, working alongside former governor of Antioquia Sergio Fajardo, and was co-commissioner of the Korean Pavilion at the 2008 Venice Biennale. Currently, Sanin is an architecture professor at Syracuse University School of Architecture. Also, a practicing architect with works in Colombia, South Korea, and China.
In the bustling streets of Seoul, the Dongdaemun Design Plaza by Zaha Hadid Architects has become a landmark for its atypical architecture. A complex yet effortless building, the Design Plaza encapsulates the energy of the cultural hub in Dongdaemun, an area that has itself earned the nickname of the "town that never sleeps" thanks to its late-night fashion market.
Investigating the building's twists and turns, Andres Gallardo has photographed the structure's fluid compositions. Although his photographs display little human presence, the building itself expresses the activity that occurs throughout day and night. Beneath the walkable park on the roof, Dongdaemun Design Plaza includes large global exhibition spaces, a design museum, 24-hour retail stores and a media center, among many other facilities that intertwine across the levels.
Amorepacific, Korea's largest beauty company, occupies a site in the centre of Seoul, Korea. Their headquarters was designed by David Chipperfield Architects as a single clear volume, with large urban openings and a central void. In the middle of a bustling downtown landscape, the building strikes a bright, open figure.
The Amorepacific HQ took three years to complete and opened in 2017. The firm described the building as "abstract and gestural," with hanging gardens that provide dramatic views over the city and the mountains in the distance. The design echoes aspirations of mediating between local and global, private and public, collective and individual, formal and informal. Laurian Ghinitoiu captures the identity of this dynamic headquarters.