When architects were asked to re-imagine Chicago’s neglected buildings for an exhibition, Dirk Lohan designed a revitalization plan for Louis Sullivan's Pilgrim Baptist Church. Soon Sullivan’s landmark building will become the nation’s first National Museum of Gospel Music, complete with a cafe, retail store, event space, research and listening library, and a 350-seat auditorium.
The Chicago Tribune Tower is at the center of a $1 billion development seeking to bring over 700 residential units to the city center. Developers CIM and Golub have unveiled a proposal which would see the redevelopment of the neo-Gothic tower into 163 condominiums, and the construction of a tapering skyscraper only 30 feet shorter than the Willis Tower, Chicago’s tallest building.
At the meeting point of the Grand Canal and the Giudecca Canal in Venice is a triangular plot of land, the Punta Della Dogana. On the site sits a long, low-slung 17th-century structure punctuated at its tip by a squat tower topped with an ornamental green and gold weather vane representing fortune. This former customs house of Venice, the Dogana da Mar, was purchased in 2007 by François Pinault with the intention of converting the structure into an art museum, a task he entrusted to Tadao Ando.
While the Japanese architect may not have been the obvious choice to work with a historic Italian building, Ando's solution combined a total respect for the existing building with the sharp minimalism for which he is known. Stripping back centuries of additions, the building was largely restored to its original structure. At the heart of the building's deep plan, a pure concrete volume hints at the architect of the restoration, serving to organize the spaces around it. In 2013, the building was photographed by Luca Girardini on the occasion of the exhibition "Elogio del dubbio."
Herzog & de Meuron has released images of their proposed scheme for the redevelopment of an old brewery site on the banks of the Moscow River. The Badaevskiy Brewery project will see the transformation of a largely abandoned cluster of historic, industrial buildings, a delicate restoration project contrasting with the contemporary addition of a residential “Horizontal Skyscraper.” With this bold addition elevated on tall, slender stilts, a new ground-level public park is created to strengthen ties between the brewery site and adjacent river.
In the Lujiazui financial district in Pudong, Shanghai, Kengo Kuma has reimagined a 1972 shipyard into a new 9,000-square-meter multi-use complex, named Shipyard 1862. Behind original, rugged brick walls, the old shipyard was once defined by a 12 by 30-meter grid, which allowed for massive interior spaces to hold ships. In this industrial-style adaptive reuse project, Kuma was careful to preserve the building’s structural and material integrity. These photographs provided by Julien Lanoo show how the industrial shell has been transformed by the refurbishment project.
This article was originally published by Common Edge as "How the Restoration of Louis Kahn’s Yale Art Gallery Helped Kickstart Modern Preservation."
I have a distinct memory from my days as an architecture student at the University of California Berkeley in the late ‘80s. During an architectural survey class taught by Spiro Kostof, Louis I Kahn’s Yale University Art Gallery popped up in the slideshow. “Nice building,” I thought, “but what’s with those windows?”
Fifteen years later at Polshek Partnership (now Ennead Architects), I would become the project architect for the construction phase overseeing the rehabilitation of that classic building—the most challenging aspect of which was to replace “those windows.” I came to understand, intimately, how the double-paned window wall had failed almost as soon as construction was complete. Condensation accumulated between the panes, creating the foggy effect that marred my first impression of this groundbreaking building.
Ever wanted to spend the night in a classic Frank Lloyd Wright house? Here’s your chance.
The Eppstein House, one of Wright’s Usonian designs built in 1953, has been restored to its original beauty by owners Marika Broere and Tony Hillebrandt and is now accepting visitors for a limited time through Airbnb. Located in Galesburg, Michigan, the house was originally designed as part of a planned Usonian community intended to contain 21 homes, though just four ended up being built.
A Spanish tourist has been killed by a piece of falling masonry in the Basilica of Santa Croce in Florence, Italy. As reported by The Guardian, the 52-year old victim was hit by "a piece of decorative stone that fell from a height of 20 metres (66 ft) as he visited the religious building with his wife." Reports suggest that the fragment was around 15cm by 15cm (6 by 6 inches) in size; according to Yahoo, the fragment "had supported a beam in the right transept of the Basilica."
Following the incident, the attraction has been closed to visitors indefinitely.
Broken gargoyles and fallen balustrades replaced by plastic pipes and wooden planks. Flying buttresses darkened by pollution and eroded by rainwater. Pinnacles propped up by beams and held together with straps.
According to the Friends of Notre-Dame de Paris, the iconic Parisian cathedral is in "desperate need of attention." Perhaps more concerningly, the holy site and French national monument is also in "a worrisome state of preservation." Built of limestone—a material notoriously susceptible to erosion—the building is in an accelerating state of wear-and-tear, demanding renewed funding efforts and expertise to secure its immediate and long-term future. From the lead roof to the stone buttresses, the world-renowned gargoyles to the stained glass windows, every inch of the structure requires differing levels of attention.
