The Architectural Review: The Latest Architecture and News

Photorealistic renderings today are the standard. They can be done quickly, cheaply, and clients expect them. But are these renderings truly accomplishing what they set out to do? Those on the forefront of new 3D design techniques argue that, as an industry, we’ve gotten stuck on conveying information, when what we should really bring to the table is emotion. Now that the playing field has evened in terms of technological capability and hyper-realism, what’s the next step? By introducing an emotional layer and creating a sense of place, renderings can provide even more value to a project, firm, client, and community.

The Architectural Review has chosen a Habitat for Orphan Girls in Iran by ZAV Architects as the 2018 House of the Year. A competition staged by the publication every year, the AR House Awards identify “originality and excellence in the design of dwellings,” recognizing private houses which go beyond the core function of shelter, and become “an object of fantasy, a source of delight, a talisman, and a testing ground.

The ninth edition of the awards saw six projects chosen from a shortlist of 16, which contained schemes from the UK, Ireland, Spain, Scandinavia, Canada, Latin America, Iran, Vietnam, India, Nepal, and Japan. Previous winners have included David Chipperfield’s Fayland House in 2015, UID Architects’ Cosmic House in 2016, and the anti-seismic prototype in 2017 by Edward Ng, Wan Li and Xinan Chi.

British architect Amanda Levete has been selected as the recipient of the 2018 Jane Drew Prize, recognizing “an architectural designer who, through their work and commitment to design excellence, has raised the profile of women in architecture.”

Founder of London-based practice AL_A, Levete rose to promise as one half of Stirling Prize-winning practice Future Systems, which she ran with then-husband Jan Kaplický. Together, they completed paradigm-shifting and critically acclaimed works such as the Birmingham Selfridges and the Lord’s Media Centre, winner of the 1999 RIBA Stirling Prize.

Levete left Future Systems to form AL_A in 2009, where she found continued success designing cultural venues with bold materiality. Some of the firm’s best known works include the Museum of Art, Architecture and Technology (MAAT) in Lisbon, the Central Embassy Shopping Center in Bangkok, the 2015 MPavilion in Melbourne, and the recently-opened addition to the V&A museum in London.

The winners of the 2017 Architectural Review MIPIM Future Project Awards have been announced. Prizes span across 11 categories and were awarded to projects from eight countries, from projects under construction to competition entries and conceptual designs.

"Successful projects this year include a thermal bath and resort in the Baltic, a new ecclesiastical library for the Church of England, a rural women’s community center in Turkey and a ‘dematerializing’ office building in the US Capitol city, all demonstrating the dynamism and creativity at the heart of the architectural professional internationally," explained the awards organizers in a press release.

The winners of the 2017 Architectural Review MIPIM Future Project Awards are:

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ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the December – January 2017 issue—the magazine's celebration of its 120th anniversary—Editor Christine Murray discusses the legacy that comes from more than a century being one of architecture's most respected magazines, and looks forward to the future of the publication. "Looking forward, we are committed to doing things differently – which, paradoxically, is what we’ve always done," she explains.

The archive of The Architectural Review is a great cabinet of curiosities – a cacophony of voices, styles, illustrations and photographs, Outrages and Delights, personalities and proclivities, polemics, failures and fetishes. In creating this anniversary edition celebrating 120 years of criticism, we wanted to capture the diversity and eccentricity of this ongoing architectural conversation. As such, the archive content is organized not chronologically, but in perennial themes that have echoed and evolved across the decades, from technology to education – forces that have shaped the profession.

Artist Rachel Whiteread has won the 2017 Ada Louise Huxtable Prize, which recognizes individuals working in the wider architectural industry who have made a significant contribution to architecture and the built environment. Whiteread was selected by respondents to the Architectural Review’s Women In Architecture: Working in Architecture survey.

Some of Whiteread’s notable work includes her 1993 Turner Prize-winning House, her collaboration with architects like Caruso St John on the UK Holocaust Memorial International Design Competition, and her participation on the RIBA Stirling Prize 2016 jury.

Denise Scott Brown has won the 2017 Jane Drew Prize, an award that recognizes an architectural designer who has “raised the profile of women in architecture” through their work and commitment to design excellence, as a part of The Architectural Review’s (AR) Women in Architecture Awards.

Scott Brown’s receipt of the prize is a culmination of the grassroots drive to see her contribution to the profession adequately recognized – a movement that sprung from the Women in Architecture campaign in 2013–a quarter of a century after her partner Robert Venturi was awarded the Pritzker.

“Things have happened which have made me very happy in my old age and one of those is this prize,” said Scott Brown.

Previous winners of the Drew prize, named after advocate Jane Drew, include Odile Decq, Yvonne Farrell, Shelley McNamara, and Zaha Hadid.

In its recent issues, The Architectural Review has been on a mission, highlighting a phenomenon that they have named "Notopia." Characterized by a "loss of identity and cultural vibrancy" and "a global pandemic of generic buildings," Notopia is - in overly simplistic terms - a consequence of the cold logic of market forces combined with a disinterested populace. The AR's campaign therefore aims to analyze this "thing of terror" and push back by raising public awareness and by proposing alternatives. And they need your help.

Julia Peyton-Jones has won the 2016 Ada Louise Huxtable Prize. Awarded as part of the Architectural Review's (AR) annual Women in Architecture Awards, the prize honors Peyton-Jones' "incredible global impact achieved with limited resources – and as someone who has done so much to nurture architectural vision and make architecture available to many people."

Peyton-Jones has serves as the Serpentine Gallery co-director for the past 25 years, overseeing the start of the Serpentine Gallery Pavillon commissions and opening of Zaha Hadid Architects' Serpentine Sackler Gallery. She will step down from her longstanding position this summer.

Odile Decq has won the 2016 Jane Drew Prize as part of the Architectural Review's (AR) annual Women in Architecture Awards. Co-founder of Studio Odile Decq, the French architect was awarded for being a "a creative powerhouse, spirited breaker of rules and advocate of equality." Her diverse portfolio ranges from art galleries and museums, to social housing and infrastructure. She is best known for the Cargo incubator building in Paris and the Fangshan Tangshan National Geopark Museum in Nanjing, China.

The Architectural Review (AR) has unveiled the candidates for its 2016 Woman Architect of the Year and the Moira Gemmill Prize for Emerging Architecture awards. Tatiana Bilbao, Jeanne Gang, Kazuyo Sejima and Charlotte Skene Catling are all being considered as the woman of the year for their impact and ability to inspire change within the profession.

Eleven women are being considered for the Moira Gemmill Prize for Emerging Architecture prize for their "use of innovative architecture to effect positive social change." Read on to see them all. 

Videos

The Architectural Review have selected the winners of the 2015 AR Emerging Architecture Awards, billed as “the world's most popular and prestigious prize for up-and-coming architects, giving emerging practices invaluable impetus on their trajectory to wider recognition and success.” Previous award winners include Sou Fujimoto, Thomas Heatherwick, Sean Godsell, Jurgen Mayer H. and Li Xiaodong.

The award is given to completed projects, with entries consisting of buildings, interiors, landscaping, refurbishment, urban projects, temporary installations, furniture and product design. For its 17th year, the jury was comprised of architects Odile Decq, David Adjaye and Sir Peter Cook, and together they searched for what they referred to as the most “resistant” design.

Read on to see this year’s Emerging Architecture Award winners and a video with the jury on the selection process.

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For its fall season of architecture events, the Royal Academy’s working theme is “Architecture and Freedom: a changing connection,” in a program conceived and organized by Architecture Programme Curator, Owen Hopkins. One of these events was a recent lecture by Patrik Schumacher, Director of Zaha Hadid Architects, and ardent promoter of Parametricism. In his lecture, what starts out with a brief exercise in damage control over the barrage of criticism recently endured by the firm, emerges as an impassioned discussion of architectural politics, design philosophies, and social imperatives.