Latin American Architecture: The Latest Architecture and News

Happening throughout 8 days across 12 cities from north to south of Ecuador, the "no-bienal" biennale is holding its second edition from March 25 to April 1, 2025. Its unique name is devised to stand in opposition to the competitive structure that characterizes traditional biennials in the discipline. One of the objectives of this new edition is to demonstrate that there is unity in Ecuador, resisting the political strategies of division. Escuela Radical, the educational collective at the center of the event's organization, asserts that "it is not about centralization or decentralization, but simply about sharing without competing."

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The national exhibition of Uruguay at the 2025 Venice Architecture Biennale, titled "53.86% Uruguay, Land of Water," explores the intrinsic relationship between architecture, territory, and water. Curated by architects Katia Sei Fong and Ken Sei Fong, along with visual artist Luis Sei Fong, the exhibition proposes that we may be entering the age of water, the "Hydrocene", and that the way humanity manages and conserves this resource will shape its future. In this context, the project highlights that Uruguay's maritime territory (53.86%) is larger than its land territory. Water, therefore, is not only a natural resource but a fundamental element of the country's history and culture, essential to its development.

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A year after the Viña del Mar mega-fire in Chile and with reconstruction efforts progressing at just 26%, the architecture firm ELEMENTAL and local authorities have begun construction on a prefabricated housing project in one of the residential neighborhoods most affected by the disaster. The project consists of a mid-density residential building with a modular steel structure, intended as a starting point for similar initiatives in response to what is now considered one of the most catastrophic events in Chile's recent history. As stated by Alejandro Aravena and the city's mayor, Macarena Ripamonti, the goal is for the technology and management model behind this project to set a precedent for delivering rapid and permanent housing solutions in emergency situations.

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In October 2025, the Fernando Romero Foundation will officially open the doors of La Cuadra San Cristóbal, one of the late projects of Mexican architect and Pritzker Prize winner Luis Barragán. The goal is to transform the architectural complex into a cultural campus open to the public, with a curatorial program focused on exploring the dynamic interaction between architecture and art.

The project, known as Cuadra San Cristóbal, was built between 1966 and 1968 and includes a house, a stables building, and auxiliary facilities such as the Fuente de los Amantes (Fountain of the Lovers). The complex showcases characteristic elements of Barragán's Latin American modernism, including his use of color and the integration of shadows, textures, and sounds into the experience of space.

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In 1975, Honduras was under a military regime that had been in power for over a decade, led at the time by General Juan Alberto Melgar Castro. During this period, Tegucigalpa underwent several big and unprecedented changes. The influx of people from various parts of the country due to rural migration transformed the city from a compact urban area into an expanding metropolis. This unexpected growth prompted the government to implement a municipal development and planning scheme, a project that would define the city's future and the evolution of its old town. This article was developed with the collaboration of the Honduran architect Lisandro Calderón, who specializes in Urban Planning and is currently a professor at the Central American Technological University (UNITEC), located in Tegucigalpa, Honduras.

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The Latin American Architecture Biennial (BAL), which has gained significant relevance in the contemporary architectural scene, will celebrate its ninth edition next year. This meeting gathers emerging Latin American architecture studios in Pamplona, Spain, to share their work, fostering dialogue and debate about the current state of the discipline, as well as acting as a bridge between the Latin American continent and the Spanish context. In this edition, Costa Rica will be the guest country, accompanied by Honduras, El Salvador, Panama, Guatemala, and Nicaragua. As part of this invitation, there will be an exhibition and specific seminars dedicated to analyzing the situation of architecture in these countries.

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A look at most of the cities within Latin America reveals striking commonalities across countries, from Mexico down to Argentina: most cities have a well-defined area known as "El Centro" (The Center), anchored by a main plaza (Plaza Mayor), flanked by a church on one side and key buildings like the city hall on another. This is no coincidence, as it can be traced back to an urban planning system established during the Spanish colonization of the Americas in the 17th and 18th centuries. It gave standardized guidelines for city design across its viceroyalties. Unlike French and English colonies, Spanish settlements adhered to regulations that contributed to the emergence of a shared urban identity, with cities displaying similar spatial logic and architectural cohesion despite differing scales and contexts.

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From December 2 to 6, the XIII Ibero-American Biennial of Architecture and Urbanism (BIAU) will be held in Lima, Peru, under the theme CLIMATE: Actions for Good Living. Since 1998, the BIAU, promoted by the government of Spain through the Ministry of Housing and Urban Agenda (MIVAU), in collaboration with the Higher Council of the Colleges of Architects of Spain and with the support of the ARQUIA Foundation, aims to disseminate good practices in architecture and urbanism in Ibero-America, fostering a space for discussion around contemporary challenges shared between Spain and Latin America. Weaving bridges of knowledge between both continents, the BIAU opens its doors once again, now in Lima.

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Located in the Central Mountains of Honduras, Tegucigalpa stands as the country's largest city. Being home to approximately 1.5 million residents, it is also one of the biggest urban centers in Central America, with origins that date back to 1578 when it was founded by Spanish colonizers. It was declared the capital in 1880 and has since developed into the political, cultural, and economic heart of Honduras. This history has endowed the city with a diverse architectural heritage, showcasing styles from various periods and influences.

Styles that range from colonial Baroque, Neoclassical, and Art Deco to Modernism and Post-Modernism, reflect its dynamic history. It is also home to several museums that celebrate both traditional and contemporary Honduran arts, such as the Museum of National Identity (MIN) and the National Gallery of Art. Beyond its urban attractions, the city's surrounding mountains are home to the hiking trails of La Tigra National Park and several colonial silver mining towns, which make it a great city to visit while traveling through Central America.

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