Latin American Architecture: The Latest Architecture and News

The Latin American Architecture Biennial (BAL), which has gained significant relevance in the contemporary architectural scene, will celebrate its ninth edition next year. This meeting gathers emerging Latin American architecture studios in Pamplona, Spain, to share their work, fostering dialogue and debate about the current state of the discipline, as well as acting as a bridge between the Latin American continent and the Spanish context. In this edition, Costa Rica will be the guest country, accompanied by Honduras, El Salvador, Panama, Guatemala, and Nicaragua. As part of this invitation, there will be an exhibition and specific seminars dedicated to analyzing the situation of architecture in these countries.

+ 8

A look at most of the cities within Latin America reveals striking commonalities across countries, from Mexico down to Argentina: most cities have a well-defined area known as "El Centro" (The Center), anchored by a main plaza (Plaza Mayor), flanked by a church on one side and key buildings like the city hall on another. This is no coincidence, as it can be traced back to an urban planning system established during the Spanish colonization of the Americas in the 17th and 18th centuries. It gave standardized guidelines for city design across its viceroyalties. Unlike French and English colonies, Spanish settlements adhered to regulations that contributed to the emergence of a shared urban identity, with cities displaying similar spatial logic and architectural cohesion despite differing scales and contexts.

+ 9

From December 2 to 6, the XIII Ibero-American Biennial of Architecture and Urbanism (BIAU) will be held in Lima, Peru, under the theme CLIMATE: Actions for Good Living. Since 1998, the BIAU, promoted by the government of Spain through the Ministry of Housing and Urban Agenda (MIVAU), in collaboration with the Higher Council of the Colleges of Architects of Spain and with the support of the ARQUIA Foundation, aims to disseminate good practices in architecture and urbanism in Ibero-America, fostering a space for discussion around contemporary challenges shared between Spain and Latin America. Weaving bridges of knowledge between both continents, the BIAU opens its doors once again, now in Lima.

+ 8

Located in the Central Mountains of Honduras, Tegucigalpa stands as the country's largest city. Being home to approximately 1.5 million residents, it is also one of the biggest urban centers in Central America, with origins that date back to 1578 when it was founded by Spanish colonizers. It was declared the capital in 1880 and has since developed into the political, cultural, and economic heart of Honduras. This history has endowed the city with a diverse architectural heritage, showcasing styles from various periods and influences.

Styles that range from colonial Baroque, Neoclassical, and Art Deco to Modernism and Post-Modernism, reflect its dynamic history. It is also home to several museums that celebrate both traditional and contemporary Honduran arts, such as the Museum of National Identity (MIN) and the National Gallery of Art. Beyond its urban attractions, the city's surrounding mountains are home to the hiking trails of La Tigra National Park and several colonial silver mining towns, which make it a great city to visit while traveling through Central America.

+ 14

Although the circular economy involves other principles such as the regeneration of natural systems, the reuse or recycling of materials plays an important role in contributing to the reduction of waste generation by giving a second useful life to elements that could be considered waste. Wood, metal sheets, bricks, and stones, among others, can be reused, bringing sustainability and efficiency criteria to the projects, helping to consolidate this concept that still has a long way to go.

Within the Latin American territory, many architecture professionals have proposed to apply in their design and construction processes the implementation of strategies that collaborate with the use of resources, either by reusing, recycling, or restoring different materials and elements in search of satisfying the needs and concerns of those who inhabit the spaces.

This article was originally published on Common Edge.

Arquitectonica has refuted Koolhaas’ accusation that “Modern architecture had never achieved the promised alchemy of quantity and quality,” and Alistair Gordon’s enormous compendium of the firm’s work certainly disproves it.

But what of Rossi’s backhanded praise: “In America … quantity is quality!”? Although absolutely deserving of praise, the quantity of the work is not the basis for Arquitectonica’s achievement—even when associated with the virtuosity of design. The importance of Arquitectonica derives from certain specific contributions to modern architecture in the United States.

What are the stories of the first Ibero-American women architects? This is the main question we seek to answer in celebration of ArchDaily's theme: Women in Architecture.

Seeking to put their motivations, inspirations, and trajectories on the table, we carried out a research project to make visible and highlight some names that have not had their deserved recognition. Meet Doris Clark Núñez, Guadalupe Ibarra, Matilde Ucelay Maórtua, Filandia Pizzul, Dora Riedel, Luz Amorocho, María Luisa Dehesa, Arinda da Cruz Sobral, and Julia Guarino, below.