The Diriyah Biennale Foundation has announced Lebanon-based EAST Architecture Studio, in collaboration with artist Rayyane Tabet and engineering firm AKT II, as the winners of the inaugural AlMusalla Prize, a significant new architectural competition launched as part of the Islamic Arts Biennale. Their winning design, a modular structure inspired by regional weaving traditions, uses sustainable materials derived from local date palm waste, including palm fronds and fibers. After the four-month Biennale, the Musalla will be dismantled and reassembled at a new location.
The Aga Khan Award for Architecture has announced the Master Jury for the 16th award cycle. The independent panel includes Pritzker Prize laureate Yvonne Farrell, ArchDaily founder David Basulto, and Lucia Allais, director of the Buell Center. Established in 1977 by Aga Khan IV, this competition set out to highlight architectural projects that have a significant positive impact on Islamic communities worldwide. The Award is presented in three-year cycles and has a monetary prize totaling US$1 million.
The 2023 Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport. Image Courtesy of Diriyah Biennale Foundation
The Diriyah Biennale Foundation has revealed the theme and title for the 2025 Islamic Arts Biennale: And all that is in between. Scheduled from January 25 to May 25, 2025, at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, this second edition will explore how faith is experienced, expressed, and celebrated through the acts of feeling, thinking, and making.
The Diriyah Biennale Foundation has just unveiled the competition details for the AlMusalla Prize, along with the shortlisted architecture studios and the jury. An addition to the Islamic Arts Biennale, this international architecture competition focuses on designing a musalla, a flexible space for prayer and reflection accessible to people of all faiths. Situated in the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia, the musalla will be an integral part of the Biennale’s upcoming edition. The winner of the competition will be announced later this year, and the opening of the musalla will be held on January 25th, 2025.
The State of Kuwait has revealed the design of the upcoming Kuwait Pavilion to take shape at World Expo 2025 in Osaka. Designed by architectural firm LAVA (Laboratory for Visionary Architecture), the temporary structure is envisioned as a “Visionary Lighthouse” representing Kuwait’s embrace of Arab cultures, arts, and social works. The pavilion, developed with main partner and contractor NUSSLI, also offers a response to the exhibition’s overarching theme, "Designing Future Society for our Lives", striving to strengthen the relationship between Kuwait and Japan and foster conversations about visions of a sustainable future.
For centuries, arid environments have solved the problem of light, privacy, and heat through a statement architectural feature of Islamic and Arab architecture, the mashrabiya. Crafted from geometric patterns traditionally made from short lengths of turned wood, the mashrabiya features lattice-like patterns that form large areas. Traditionally, it was used to catch wind and offer passive cooling in the dry Middle Eastern desert heat. Frequently used on the side street of a built structure, water jars, and basins were placed inside it to activate evaporative cooling. The cool air from the street would pass through the wooden screen, providing air movement for the occupants.
Similar to the Indian jali, the vernacular language also offers a playful experience with daylight while still maintaining a certain degree of privacy. Traced back to Ottoman origins, the perforated screens protected occupants’ from the sun while simultaneously letting daylight through in calculated doses. Although the mashrabiya was a statement in arab and Islamic architecture languages, it wasn’t until 1987 that the archetypal element began appearing with a revised contemporary application.
Sumaya Dabbagh, the founder of Dabbagh Architects, based in the UAE, stands at the forefront of architectural innovation with a focus on identity and connection to place. Her recent participation in the Sharjah Architecture Triennial’s second edition “Earth to Earth" is a showcase of cumulative ideas that Dabbagh Architects has been fostering through their projects. Onsite in Sharjah, ArchDaily had the chance to speak to the architect about her exploration at the Triennial, as well as her broader architecture practice and its impact on the Global South.
The Climat de France is a French colonial social housing project in Algeria designed by Fernand Pouillon and currently renamed Oued Koriche. Located approximately 8km west of the country’s capital, Algiers, it was built from 1954 to 1957, right in the middle of the Algerian War of Independence. The project has several buildings with different scales. Its most prominent structure is a large rectangular building that houses 3000 dwellings, along with a spacious interior square similar to a Roman forum and exterior windows inspired by the mosaics found in Islamic architecture.
This social housing scheme has a complex history, involving the integration of Algerians into the French lifestyle, the use of modern architecture to challenge traditional Muslim ways of living, and the transformation of its collective square into a site of protest and rebellion.
Sub-Saharan Africa is home to an enormous number of religious adherents – within which there is extraordinary diversity in religious expression. Iconic buildings serving a religious purpose are found throughout the continent, such as The Cathedral Basilica of the Holy Family in central Nairobi or the Hare Krishna Temple in South Africa. What is evident is that architecture that hosts religious gatherings makes up a key part of the urban fabric of sub-Saharan African cities and that in a lot of cases, religious structures go against the grain – leaving aside or tweaking classical models in favor of a unique architectural approach.
Beit Rumman Hotel, Damascus. Image via Tumblr Account syrian-courtyard
We have seen in recent residential projects the need for bringing the outdoors inside, whether it's through green walls, biophilic designs, or interior courtyards, especially in countries with dry and hot climates. When it comes to countries of the Arab world, creating these outdoor-inspired inner spaces is a lot more than just bringing in some sunlight and fresh air, it is an architectural expression of a rich culture that transcended generations and inspired nations beyond their borders. In this article, we will explore how cultural and social norms influenced the creation of traditional courtyard houses in Arabian countries and how their unique architectural features were reimagined in modern contexts.
The Islamic Architecture style has a diverse history, spanning over a millennium, stretching from Western Africa to Europe to Eastern Asia. Beginning in early 7th century Arabia, this form of architecture emerged with the rise of the Islamic civilization. In fact, Al Masjid Al Nabawi, the first Mosque to ever be constructed was built in 622, in Medina, Saudi Arabia. Moreover, early Islamic architecture was influenced by the pre-existing styles around the region, such as Roman, Byzantine, and Persian qualities.
Today, Islamic architecture is known for its acute attention to detail, craftsmanship, and its spiritual symbolism. Furthermore, as color plays an essential role in architecture, influencing the emotional experience of the space, different colors have been utilized over the years in Islamic Architecture to evoke certain meanings. In Islamic Architecture, colors hold significant spiritual symbolism, reflecting the values and beliefs of the Islamic faith. Four core colors, Green, Blue, Gold, and White, are each used to convey various cultural, religious, and symbolic meanings.
Read on to discover the use of these colors in various Islamic architectural icons around the world.
There is often an intricate relationship between architecture and the environment. Each part of the world has defined its own architectural techniques based on its unique climatic conditions. However, environmental concerns in the 21st century provoked new techniques, implementing solutions to preserve natural resources and provide thermal comfort. While some opted for a futuristic approach with mechanical and technologically-advanced solutions, others decided to go back in time and explore how civilizations protected their people, architecture, and environment when they had nothing else to resort to but the environment itself. In this article, we look at how Musharrabiyas found their way back into modern-day architecture as significant vernacular features.
The mosque; the Islamic holy place of prayer, carries a distinct structural characteristic and identity. It is a serene and spiritual architecture that brings individuals closer to their faith and divine entity. Prophet Muhammad's original house in Medina (in present-day Saudi Arabia) is believed to be the first place of prayer, and served as a model for early mosque architecture; a mud-brick structure with living quarters on one side of an enclosed rectangular courtyard. Soon after, the allocation of open spaces in the center of towns where Muslims could gather and pray became more frequent, resulting in several spaces of worship with a universal spatial characteristic: their orientation towards Mecca.
The design process of the mosque started with a single enclosed geometric form, reinforcing the idea of spirituality and seclusion. Soon after, this simple spatial prototype evolved into the first formal hypostyle mosque, known for its vast prayer hall and series or arcades. Variations of this model saw the first mosque in Medina, known as the Quba Mosque (622 CE), the Kairouan Mosque in Tunis (670 CE), and the Umayyad mosque in Damascus (715 CE), some of which incorporated column details from ancient Greek and Roman architecture. However, the role of mosques evolved throughout the years from just a place of worship to an architecture that helps in re-establishing the values of Islam and offers contributions to society, including educational, civic, and ceremonial.
Ramadan Pavilion. Image Courtesy of Victoria & Albert Museum
Ramadan Tent Project and V&A present the Ramadan Pavilion 2023, an architectural installation inspired by the holy month of Ramadan, which starts today. The Ramadan Pavilion 2023 is designed by architect Shahed Saleem and will be open to the public at the Exhibition Road Courtyard of the V&A South Kensington until May 1, 2023. As part of the annual festival, the pavilion is accompanied by a series of events, performances, and workshops curated by the Ramadan Tent Project.
Under the theme of "Mosque: a cross-cultural building", the 4th cycle of the Abdullatif Alfozan Award for Mosque Architecture (2020-2023) has announced its 5 winning projects hailing from Australia, Turkey, Serbia, Slovenia, and Mozambique. The award ceremony took place at the Riyadh National Museum on March 5th, 2023, followed by a 2-day architectural seminar in which the architects explained the design process behind their winning projects.
Looking into mosques between the past, present, and future, the selection took into account each project's contextuality, privacy, its religious and architectural significance, and contribution to the community. Over 200 mosque were submitted from across the world, narrowed down to a shortlist of 22 projects. The five winning mosques, however, were commended for looking beyond common mosque typologies, as they explored the importance of feeling within a religious space, their value as "urban communication tools", and how their architectural languages are re-establishing the values of the religion.
The Islamic Arts Biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport in Jeddah, Saudi Arabia, as a cultural space to create an evocative journey to explore Islamic heritage. The terminal, designed by Skidmore, Owings & Merrill and a winner of the 1983 Aga Khan Award, will be extended and complemented to create the setting for the event. Through the contributions of over 60 artists from over 20 countries, the biennale aims to become a platform to explore and reflect the diversity of the Muslim experience worldwide. Themed Awwal Bait, or The First House, the event intertwines commissioned works with never-before exhibited historical artifacts to convey a holistic perspective of the Islamic arts. The Biennale, curated by Sumayya Vally, now in its inaugural edition, will be open from January 2023 to April 2023.
Organized by the Abdullatif Alfozan Award for Mosque Architecture and the College of Architecture at Kuwait University, the 3rd International Conference on Mosque Architecture was held in Kuwait on 14-16 November 2022. Under the theme of “Mosque: a cross cultural building,” 101 architects participated in this year’s edition, showcasing their state-of-the-art designs and how they reimagined religious buildings in a more contemporary context, taking into account the importance of community, privacy, its religious significance, and the environment.
Syrian architects Marwa Al-Sabouni and Ghassan Jansiz bring an Arabic-inspired architectural element to the seafront of Hove as part of this year’s Brighton Festival. The temporary pavilion is built in the shape of the traditional arcade called The Riwaq. Conceived as a place that brings people together, the installation will host free cultural and community events, all organized as part of England’s largest annual multi-arts festival. Established in 1967, the Brighton Festival celebrates music, theatre, dance, art, film, literature, debate, and outdoor events in various locations across Brighton, Hove, and East Sussex.
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