Throughout 2024, ArchDaily, in collaboration with the Open House Europe architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely shared narratives enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although part of citizens' daily lives, often go unnoticed amidst the routine automation of everyday life.
These narratives explored projects of different scales, uses, and contexts, revealing everything from religious buildings, to remarkable examples of adaptive reuse of old industrial structures, now taking on new roles within their communities. Each story uncovered the many layers that make up a building – from its initial design to the new meanings it has acquired over time.
As the AI fervor continues to reshape how people see the world, 2025 looms as yet another year in the march toward technological advancement. While some worry about the dominance of technology in society, architects are shifting their attention to the foundations of a digital future: data centers. The design of data centers challenges designers to reconcile the demands of technological functionality with the principles of architectural excellence. As the dependence on cloud computing, IoT ecosystems, and big data analytics deepens, data center architecture demands more attention. As data consumption skyrockets, data center consumption rates match the demand. These structures were once relegated to nondescript industrial zones, but are now becoming integral components of urban and suburban environments. While some community members are upset about the encroachment of data centers in their localities, others see them as indicators of economic development.
Recent architectural announcements showcase a global range of projects. This month, some of the most recognized architectural offices in the world have announced ambitious projects, some engaging with local communities, rediscovering and revitalizing existing structures, or contributing to complex architectural landscapes. Among them, BIG revealed their proposal for Saadiyat Island, a cultural district that gathers some of the world's most famous designers. Additionally, Populous revealed a new performance center, KCAP is developing a framework for an eco-industrial park, and Henley Halebrown is working to revitalize an overlooked structure in Belgium, reopening it to the local community. Read on to discover a collection of recent announcements from the architectural world, peeking into established architects' processes and recent announcements.
Danish architecture firm Cobe has announced a new project to transform the historic 'Krulli' steelworks, a large-scale former industrial site in Estonia's capital, into a mixed-use city district. The strategy for the project is developed to optimize for material reuse, as materials, components and even entire buildings have been evaluated for their potential to be reintegrated into the scheme. This way, the decommissioned industrial area provides the foundation for an innovation hub, maintaining its history while adapting to the necessities of modern workspaces and city life.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's ManresaIsland into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
How have architecture and building design adapted to unforeseen future uses? As cities evolve, their needs for buildings inevitably change. Buildings may transition between cultural, commercial, industrial, and office functions depending on a city's identity and economic activity. In a world that is becoming increasingly dynamic and fast-paced, it's essential to consider the challenges static structures face when required to meet new demands. Cities have repurposed these static structures in ways not anticipated during their original design, with many successes in repurposing industrial buildings. Unlike structures designed with flexibility in mind, most manufacturing facilities were not initially intended for multiple uses. Yet, how have cities, communities, and occupants used these spaces, and what are the challenges of transforming a building’s existing uses?
In the whirlwind of daily life, a large majority of urban centers transform to accommodate new functions and/or needs demanded by their populations, seeking to improve, renovate, or update the infrastructures, equipment, networks, and spaces that enable community life. Although times change, and with them, many buildings that once served important protective or sheltering functions start to become obsolete. However, the heritage they leave behind reflects the passage of time and provides a living testimony of their history, contributing to the consolidation of identity and the recognition of a sense of belonging.
Industrial heritage, once central to urban growth and economic prosperity, is now often neglected and underused. Around the world, various factories, mills, and warehouses sit abandoned, and their distinctive structures fall into disuse. These buildings were typically constructed from materials such as brick, steel, concrete, and large glass windows. Known for their strength and longevity, these materials make the structures ideal candidates for refurbishment, maintaining structural integrity.
In response to the Czech Republic's soaring real estate prices, architecture firm KOGAA has transformed a former storage facility in Brno into DADA Distrikt, an affordable and diverse housing development. The project's economic approach, achieved through shared funding and direct sales, bypasses extra costs associated with developers while refurbishing a part of the city’s industrial heritage, transforming it into an active urban district. The project also features sustainability measures aimed at lowering its maintenance costs, further exemplifying the intersection of affordable housing, heritage restoration, and sustainable urban living.
The project is now part of Open House Brno, a free weekend festival held annually that allows visitors to enter and explore various locations across the city and discover their stories and architectural narratives. This year, the festival follows the curatorial concept of “Inclusion and Accessibility”, showcasing barrier-free integration of urban locations and the societal impact of buildings. A total of 58 locations will be available to visitors, exploring a variety of programs and scales demonstrating
However, despite their enclosed design appearing to be an obstacle for new uses, recent decades have seen initiatives that embrace and repurpose these structures. These projects integrate silos into the urban environment, emphasizing their significance as part of the local collective memory.
Neutelings Riedijk Architects and ARS Architects Urbanistes have just won a competition to design the Cité des Imaginaires and Grand Musée Jules Verne in Nantes, France. Selected from 160 entries, their design seeks to revitalize the historic “Moulins de Nantes” mil, also known as CAP44. This industrial heritage site, notable for its unique Hennebique concrete structure, is set to be transformed into a sustainable structure within the Garden Extraordinaire. Additionally, the museum will celebrate the legacy of the renowned author Jules Verne, born in Nantes.
After two weeks of open voting in the 15th edition of the Building of the Year Awards, our readers have meticulously narrowed down a pool of over 4,000 projects to a select group of 75 finalists spanning 15 categories. This year's awards enthusiastically honor the pinnacle of design, innovation, and sustainability on a global scale, showcasing an exceptional range of projects within the shortlist. As a crowdsourced award, we take pride in affirming that your selections authentically mirror the current state of architecture, and the caliber of this year's finalists further underscores the excellence and diversity prevalent in the field.
Often associated with an industrial aesthetic, metal has become more prevalent in residential and commercial architecture. Its reflective quality has broadened the scope of texture and color combinations, giving rise to a fresh aesthetic for interior design. Consequently, architects and designers increasingly incorporate metallic surfaces to define floors, benches, and other furniture elements, thereby defining spatial layouts and infusing them with a contemporary vibe. To inspire this trend, we explore various methods for incorporating aluminum or similar materials into your space.
A historic symbol of the industrial age, the sawtooth roof is a lasting legacy of architectural history. Although a functional invention born from necessity nearly 200 years ago, the iconic shape is enjoying a renaissance in many contemporary projects.
Made up of many long, thin roofs with irregular pitches laid alongside each other, a sawtooth roof positions its steeper edges – filled with glass panels – away from the equator. This allows large buildings to control their solar gain by omitting direct sunlight, while still allowing uniform indirect natural light to fill an entire interior area.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
In the global context, the first factories emerged in the latter part of the 16th century, primarily housing typographic workshops. Over time, their purposes expanded to include carpentry, tapestry, and porcelain workshops. However, the recognizable form of industrial buildings we see today only took shape in the 18th century, closely tied to the transformations brought about by the Industrial Revolution. The shift from human labor to machinery fundamentally altered the scale of these structures, turning them into expansive warehouses.
MAD Architects has unveiled the project for the renovation of the "Wanmicang" warehouse on the southside of the Shanghai Zhangjiang CementFactory. The building is set to be transformed into a multifunctional public waterfront space for culture, creativity, and commerce. The project maintains the character of the former industrial site but introduces a new addition in the form of an ark-like metal 'floating' volume, creating a stark contrast between the old and new structures. The project is scheduled for completion by 2026.