Coldefy, in collaboration with Relief Architecture, has completed the Robert Badinter Secondary School, the first timber-framed school in northern France. Designed to accommodate 650 students, the project is situated on a former railyard adjacent to the city's train station and within walking distance of the town center. The new school forms part of a wider urban renewal strategy aiming to consolidate transportation links and introduce new civic amenities to the area.
Founded in 2006 in Copenhagen, Cobe Architects has become known for its focus on public life, urban transformation, and strategic master planning. From cultural buildings and public spaces to large-scale urban developments, the office has played a central role in shaping Copenhagen's contemporary identity, particularly through its work on harbor regeneration. Among these, the Nordhavn master plan stands out as one of Europe's most ambitious waterfront redevelopments. During the Copenhagen Architecture Biennial, ArchDaily's Editor-in-Chief, Christele Harrouk, met with Mads Birgens, Head of Urbanism at Cobe, at the firm's office in Nordhavn. In the conversation, Birgens reflected on the evolution of the project since the office first won the open international competition in 2008, and on the broader lessons of designing cities for proximity, diversity, and long-term adaptability.
Across China, a legacy of vast industrial structures stands decommissioned, as a direct result of the nation's economic shift to different forms of industry. These buildings are defined by their colossal height and deep structural capacity. Today, they present an architectural challenge for contemporary urban renewal and a new topic for heritage preservation. As they become absorbed by growing urban developments, architects are tasked with translating them into functional, public-facing assets. Thus, recent interventions are capitalizing on defining elements such as furnaces and chimneys to help reposition these massive complexes as critical urban landmarks.
The Uzbekistan Art and Culture Development Foundation (ACDF) has announced the transformation of a 1912 industrial building in Tashkent into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to contemporary art and research in Central Asia. Designed by the French architecture practice Studio KO, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's industrial heritage with a new cultural identity for the historic site. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for Tashkent's first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of Uzbekistan's long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.
Once the largest coal mine in Europe, the Zollverein complex in Essen, Germany, has undergone a remarkable transformation over the past twenty-five years. What was once a landscape of abandoned industrial facilities is now a laboratory of contemporary architecture, featuring works by Rem Koolhaas, Norman Foster, and SANAA. Their interventions bridge the site’s industrial past with its imagined future. Spanning 100 hectares, the UNESCO World Heritage site has become a global model of adaptive reuse, redefining what it means to preserve industrial heritage. Within this context stands the Ruhr Museum and its enigmatic art repository, the Schaudepot. Located in the complex’s former salt factory, the museum impresses not only with its collection but also with its architecture, which transforms a 1960s industrial building into a vibrant cultural venue.
Because of its historical and architectural relevance, the project is featured in the 2025 edition of Open House Essen, under the theme “Future Heritage.” The initiative explores which spaces might shape our future architectural legacy and asks pressing questions: What should we preserve? What should we adapt? And how can we design a future that is both livable and fair?
MVRDV has completed the GATE M West Bund Dream Center, a major adaptive reuse project that transforms a former cement factory into a dynamic cultural and leisure district in Shanghai. Located along the city's Huangpu River, the development contributes to the growing series of West Bund cultural initiatives and offers a wide array of public amenities, from food and retail spaces to climbing facilities, event venues, and riverside relaxation areas. Once the site of Asia's largest cement factory, the area underwent a significant shift following the 2010 Shanghai Expo, which prompted the relocation of industrial activities and the revitalization of the riverbanks.
The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.
These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.
As we close the chapter on 2024, a review of ArchDaily's extensive database projects highlights a few standout interior design trends that defined the year. Among these is the use of stainless steel, often paired with concrete and shades of grey, creating interiors with a refined, industrial elegance. This article delves into the increasing prominence of stainless steel as an interior element, exploring its applications, pairings, and growing appeal despite lingering perceptions of its cold, industrial nature.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's Manresa Island into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
How have architecture and building design adapted to unforeseen future uses? As cities evolve, their needs for buildings inevitably change. Buildings may transition between cultural, commercial, industrial, and office functions depending on a city's identity and economic activity. In a world that is becoming increasingly dynamic and fast-paced, it's essential to consider the challenges static structures face when required to meet new demands. Cities have repurposed these static structures in ways not anticipated during their original design, with many successes in repurposing industrial buildings. Unlike structures designed with flexibility in mind, most manufacturing facilities were not initially intended for multiple uses. Yet, how have cities, communities, and occupants used these spaces, and what are the challenges of transforming a building’s existing uses?
RSHP’s design proposal for the Bromley-By-Bow Gasworks regeneration project has just been approved by the London Borough of Newham’s Strategic Development Committee. The 23-acre site dates back to the 1870s, housing the largest collection of Victorian gasholders worldwide, making the project one of the largest regeneration proposals in the Lower Lea Valley in London. After three years of design development, the scheme reimagines the gas holders into a mixed-use development offering new high-quality residential architecture.
In response to the Czech Republic's soaring real estate prices, architecture firm KOGAA has transformed a former storage facility in Brno into DADA Distrikt, an affordable and diverse housing development. The project's economic approach, achieved through shared funding and direct sales, bypasses extra costs associated with developers while refurbishing a part of the city’s industrial heritage, transforming it into an active urban district. The project also features sustainability measures aimed at lowering its maintenance costs, further exemplifying the intersection of affordable housing, heritage restoration, and sustainable urban living.
The project is now part of Open House Brno, a free weekend festival held annually that allows visitors to enter and explore various locations across the city and discover their stories and architectural narratives. This year, the festival follows the curatorial concept of “Inclusion and Accessibility”, showcasing barrier-free integration of urban locations and the societal impact of buildings. A total of 58 locations will be available to visitors, exploring a variety of programs and scales demonstrating
In the same way that societies transform, times change, and cities evolve, industrial architecture modernizes and technifies, sometimes reaching a state of abandonment or ruin. Understanding its value as a built legacy and being vestiges of technological, social, and cultural changes, the renovation and/or conversion of numerous factories and industrial warehouses can lead to the revitalization, recovery, or growth of various areas in large cities, incorporating new uses and spaces for the enjoyment of their citizens.
This article was originally published on Common Edge.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
Beautiful sites with stunning views along the waterfront of major cities often go unused due to the industrial remains of a past economy based on shipping and manufacturing. The move away from these economic sectors and the potential of these sites has contributed to a move to adapt these spaces into public amenities. While some cities' approach has been to demolish and start from scratch completely, the thirteen-year transformation of the Brooklyn Bridge Park in New York City's waterfront included keeping some of its industrial character. In their upcoming book "Brooklyn Bridge Park," Michael Van Valkenburgh Associates discuss their design process, including using the existing materiality and structures along the piers to embed the site's history in the park.
Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.
Heatherwick Studio has unveiled a new project to transform an old desalinization plant into the centerpiece of a new cultural district on the waterfront of Jeddah, Saudi Arabia. The industrial structure is set to be reconfigured to become The Museum, large complex offering production spaces, studios, and ateliers for artists and makers. Its program also includes exhibition spaces that can accommodate large-scale commissions to help visitors to learn and feel inspired by the next generation of artists.
Aedas Global, in collaboration with GDAD, revealed the design of a 230 meters tall mixed-use complex comprising of two twin towers and a plaza. The development, located at the base of the Baiyun Mountain range in Guangzhou, China, contains industrial, commercial, and publicly available areas while also including large urban green spaces and panoramic views of the mountains. The massing of the project is inspired and informed by the local topography, with sight-seeing corridors opening up toward the surrounding scenery.
