Cultural: The Latest Architecture and News

Two primary building approaches are commonly identified in architecture and design: solid versus hollow construction. These methods vary significantly across different cultures and regions, specifically for interior partitioning systems, when they appear interchangeable. Each has its own established practices influenced by local materials, labor preferences, climatic conditions, and cultural traditions. When architects and designers focus on their local context, it is easy to overlook the broader construction assumptions, limiting design flexibility and methodology. This raises an important question: How do these two building approaches differ?

Focusing mainly on interior systems, the distinctions between solid and hollow construction largely stem from the availability of materials and workforce preferences. For example, in the United States and Japan, stud walls, both wood and metal, are frequently used for partitioning. Conversely, brick remains the predominant material for partition walls in regions such as Hong Kong and southern China. Why do we build differently, and what are the benefits and challenges of each building methodology?

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Rafael Viñoly Architects’ Tokyo International Forum has been honored with the prestigious AIA Twenty-five Year Award. Celebrating its “distinctive transparent character and capacity to engage with the public in the largest metropolitan area in the world.” Rafael Viñoly Architects was first selected to design the structure through Japan’s first international design competition facilitated by Kenzo Tange, the architect of Tokyo’s City Hall and the first Japanese laureate of the Pritzker Prize.

Henning Larsen Architect has just revealed the designs for The Jeddah Opera House, a new local landmark in Saudi Arabia. Drawing inspiration from the historical Al-Balad neighborhood, the Opera House celebrates culture and regional geography. Situated along the Red Sea waterfront, the opera house aims to connect residents and visitors to the sea through a culture spine under a natural canopy. Extending from the city, through the opera house, to the water, this “spine” forms an integral part of the Jeddah Central masterplan for the new Opera Quarter.

Manifesta 15 Barcelona Metropolitana has unveiled a decentralized biennial event spanning across the landscape of Barcelona. Taking place from September 8^th to November 24^th, this edition of Manifesta, the European Nomadic Biennial, introduces a regionalized strategy. Famous for its avant-garde exploration of global challenges through cultural lenses, the approach aims to empower citizens in catalyzing a socio-ecological transformation across Catalonia. The event aims to reimagine the role of culture in societal transformation through art, dialogue, and collective action.

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Snøhetta has just released construction images showing the progress on the studio’s long-awaited Shanghai Grand Opera House in China. With its iconic fan-shaped roof, the firm has been commissioned the scheme in 2019 following an international design competition. The project is set to be completed in 2025, seeking to attract a broad audience for traditional, classical, and experimental performances.

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Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.

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Shigeru Ban, Pritzker Prize-winner, and Ole Scheeren, RIBA silver medalist, were appointed for the Hangzhou Wangjiang New Town master plan. Creating new art and cultural destination in the historical city, the project in collaboration with New World Development and K11 Group seeks to build a landmark that meets the needs of the new generation.

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Christensen & Co. Architects has designed a brand new culture house and library for the small town of Viby, in Denmark. Conceived as a sort of living room for the city, the project will be a “place for lingering and staying”, introducing social zones and an open architecture to the urban space.

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MAD Architects has unveiled its design for the Shenzhen Bay Culture Park along the waterfront in Shenzhen, China. The masterplan puts in place a 51,000 square meters cultural complex that includes the Creative Design Hall, the Shenzhen Science and Technology Museum, and a vast public green space.

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