Contemporary Architecture: The Latest Architecture and News

Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.

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WXCA Architectural Design Studio has unveiled its design for a new museum aiming to honor the 1918-1919 patriotic uprising and victory of the people of Greater Poland. Situated near the historic St. Adalbert's Hill, home to an 800-year-old church, the museum is set to become a significant cultural and historical site. In addition to its preservation of history, the museum aims to offer the people of Poznań a contemporary public space to highlight this collective heritage. WXCA architects won the 2019 competition for the museum design and urban concept. The project began construction in early 2024 and is expected to open to the public in 2026.

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Travertine —known as lapis tiburtinus by the ancient Romans— has endured for centuries as one of the most iconic materials in Italian design heritage. This limestone has left a lasting mark on architectural history, from the monuments of the Roman Empire to contemporary works like the Church of 2000 and the Ara Pacis Museum. Over time, its aesthetic has evolved alongside art and design, adapting to technical advancements while preserving its essence and relevance in modern architecture.

For centuries, models have been central to architectural design, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the Renaissance to Modernism, models have been instrumental in the construction and reflection processes, offering insights into form, proportion, and spatial relationships. However, in today's digital age, where 3D models and Virtual Reality (VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in contemporary architecture?

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In Timișoara, Romania, Beta Architecture Biennial opens to the public today, September 13, under the curatorial direction of Oana Stănescu. Now in its 5^th edition, thus celebrating 10 years since its inauguration, the 2024 biennial proposes a wide-ranging program of debates, exhibitions, guided tours, and artistic performances. The two main components of the biennale are the Main Exhibition, cover me softly, led by Stănescu, and the Beta Awards, aiming to highlight architects and professionals from Romania, Hungary, and Serbia who actively contribute to the improvement of the built environment. The biennale is open between September 13, and October 27, 2024.

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The Graham Foundation, based in Chicago, has allocated $390,000 in grants to support 33 innovative projects worldwide. These initiatives include exhibitions, publications, and presentations aimed at enriching the discourse in architecture and its role in society. The projects, undertaken by architects, artists, curators, and educators, span various cities such as Johannesburg, New York, Chicago, and others, reflecting a global perspective on contemporary architectural issues.

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Kazuyo Sejima and Ryue Nishizawa, founders of the renowned architecture firm SANAA, have been announced as the recipients of the 2025 Le Prix Charlotte Perriand by the Créateurs Design Awards. Announced today in Paris, France, the award honors exceptional contributions to modern architecture and design. Sejima and Nishizawa, known for their minimalist designs that integrate form, function, and the environment, continue to be recognized as innovators in the field, having been previously recognized with the prestigious Pritzker Architecture Prize in 2010. Sejima and Nishizawa will accept Le Prix Charlotte Perriand at the Créateurs Design Awards ceremony in Paris on January 18, 2025.

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This article was originally published on Common Edge.

"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"

Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditional design has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.

In the interview conducted by Louisiana Channel, architect Andrés Jaque discusses his foundational interest in architecture and his perspective on its role in shaping society. Jaque, founder of the Office for Political Innovation, emphasizes the creative potential of architecture to intervene in reality and reconnect all elements of the environment. He also goes into perspective on the political aspect of architecture, an interest from which the name of his office derives, as well as his perspectives on the true meaning of sustainability.

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The Central Bank of Iraq (CBI) headquarters, designed by the UK-based Zaha Hadid Architects, is a new landmark on the banks of the Tigris River in Baghdad. Now the tallest building in the city, the 170-meter-tall skyscraper aims to echo the values of the institution: solidity, stability, and sustainability. Blending innovation with the rich heritage of Baghdad, her birthplace, Zaha Hadid’s vision for the Central Bank of Iraq headquarters stands as a tribute to the city's enduring legacy.

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In an increasingly diverse world, the emergence of multi-faith spaces represents a significant shift in architectural design, reflecting the evolving religious landscape of contemporary society. These spaces, which began to be formally established in the 1950s in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of inclusivity, flexibility, and adaptability.

As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.

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