There has been a lot of focus recently on community engagement in architecture. Some building by some architect is designed to be the next 'community hub,' but what does it take to deliver on the design intent?
In order to promote a community atmosphere, a design must engage a large and variable audience, while also offering something unique. This new design from AIX Arkitekter intends to create a new multicultural center called "The "Meeting Point" in Täby, Sweden. The center combines unique sports and cultural activities, at the heart of an existing ecological infrastructure, to promote community opportunities and engagement.
"The Meeting Point" center utilizes both indoor and outdoor activities. This dynamic also translates throughout the design language of the building through transparency and landscape elements. The intersecting masses cause various activity spaces to overlap, promoting happenstance interactions between both people and program.
“Self-build”: no mention of an architect, or anyone else for that matter. Maybe it’s a prehistoric urge that makes this idea so enticing; our earliest ancestors constructed their primitive huts to suit their unique needs and reflect their status or style. “Self-build” promises to physically re-connect people to the homes they live in.
However, the romantic notion of "self-build" housing is rarely compatible with the modern reality we live in. Building has become increasingly clouded by the difficulty of procuring land, excessive governmental red-tape, and an increase in building complexity. While self-build remains the purest form of this dream, there are now a series of nuanced processes that can help us achieve similar results. As a new generation of communities that encourage this dream emerges, we must look at the role the architect plays within them.
Wickside is a £120m “permeable, mixed-use neighborhood” that will provide 475 homes and 300 jobs for the surrounding community. Designed by BUJ Architects and Ash Sakula Architects, the neighborhood has recently received the all-clear from the LLDC planning committee. Almost nine years in the making, the scheme uses “urban blocks set around ordinary London streets” to create a complex, diverse townscape with a variety of uses. The neighborhood is housed within a 28,800 square meter former waste transfer site in Hackney Wick, London. Integrating the context’s existing buildings and cultural heritage, Wickside aims to develop the existing creative community through “retention and regeneration,” and is one of the largest development sites in the area.
A +100 meter stretch of land beneath a train overpass in Koganecho, a district of Yokohama, Japan, underwent a progressive refurbishment in which seven different types of community space, each designed by a different architect, were built within a pre-set spatial grid. Historically there were many social issues in the area, largely in relation to its profitable but dangerous black market and red-light district. Once the illegal activity was eradicated in 2005, the underpass presented a great opportunity for social re-development, and the resultant project - the Koganecho Centre - emphasized an age-old Japanese cultural commitment, where what was once broken is used to make something new.
This project emerged during the summer of 2015, when CHOPEkE Collective, together with Paúl Pérez, a seminarian and active member of the group, visited the community of Santa Luisa de Marillac, located in the central periphery of Ciudad Juárez. At the time, members of the community had an "unworthy" space -as they called it- for their meetings and spiritual activities.
As the river offers a place of beauty and solitude to the people of Detroit, four international design teams have presented their creative schemes for the West Riverfront to extend this vibrant area in the city as part of an international design competition led by the Detroit Riverfront Conservancy (DRFC). The development of the 22-acre West Riverfront Park is expected to cost around $50 million to complete the DRFC’s ultimate vision for 5.5 miles of revitalized riverfront.
The four principal firms include Gustafson Guthrie Nichol (GGN), Hood Design Studio (HDS), James Corner Field Operations and Michael Van Valkenburgh and Associates (MVVA) collaborating with numerous Detroit and Michigan- based firms. Each of the teams has collaborated closely with the public to achieve a design that gives justice to the legacy of the people.
Thousands of people in Tel Aviv put together over 500,000 plastic building blocks to create the tallest LEGO structure in the world. The project was created in memory of 8-year-old Omer Sayag, who loved the toy blocks before he was taken by cancer in 2014.
“How do you bring architectural stories to life?”—this is the question the AIA asks annually in their I Look Up Film Challenge. This year’s theme, Blueprint for the Better, challenges architects and filmmakers to collaborate and tell the stories of architects making a positive impact on the community.
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Bee Breeders announced the winners of the Adelaide Creative Community Hub competition, challenging designers to propose an innovative, vibrant public space for the city of Adelaide, Australia. Participants were required to design either a temporary pavilion or fixed landmark within the frequented public park. Competition submissions seemed to focus on one of three things: a flexible open program, half building/half landscape, or a temporary pavilion. Judges looked for a clear concept. Winning projects have the potential to do more than merely bring people together; they go a step further sparking innovation in creative communities.
ODA New York’s design for Bushwick II, a high-end residential complex on the former site of Brooklyn’s Rheingold Brewery, is coming to life in the fast-growing neighborhood of Bushwick, New York. Developed by All Year Management, 123 Melrose is already being clad. Meanwhile, Rabksy Group’s development, 10 Montieth, recently topped out.
Together, the projects will cover three full city blocks, totaling 1.35 million gross square feet. Bushwick II will be the largest housing increase this neighborhood of Brooklyn has ever seen.
A design by C-re-a.i.d. for a Maasai village in northern Tanzania, is a morphological response to the imposed need to settle, using sustainable, local and accessible materials to redefine its construction culture.
The project is built by a series of earthbags and glass bottles that in addition to generating private and comfortable spaces, allow a quick and easy construction.
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