Courtyards have long been a fundamental aspect of traditional Chinese architecture, serving as central spaces around which domestic life is organized. These spaces play a vital role in creating a harmonious living environment, offering benefits that range from regulating indoor temperatures to enhancing social interactions and fostering a close connection with nature.
Heatherwick Studio has revealed the design of a new shopping district in the historic city of Xi’an in Shaanxi, China. The proposal aims to highlight the city’s rich heritage of ceramic-making and, through this, to create a sensory experience for visitors in opposition to the restricted act of online shopping. Spanning over 1115,000 square meters, the development features a mixture of functions, from offices, apartments, and a hotel, to a variety of green spaces, rooftop terraces, gardens, and a sunken terrace, all doubling as social spaces. The project is under construction and scheduled for completion in 2024.
Construction has begun at the last remaining empty sites in Chengdu’s Jiaozi Park Financial and Business District, where MVRDV has designed a complex comprised of three mixed-use office towers and a conference center united by a ring-shaped plinth. The building shape and functional structure are informed by its surrounding context, with a retail village that references the traditional structures that were once located on the site.
Ennead Architects has revealed the design for the Wuxi Art Museum in the historic port city of Wuxi, China. The competition-winning design proposes a new center for art and culture that builds upon the tradition of the Chinese gardens, a practice with a long legacy in the region. The complex is located in the Shangxianhe Wetland Park, a natural environment that informs and influences the museum experience. According to the designers, the architecture behind the Wuzi Art Museum is conceived as a Taihu Scholar Stone, a contemplative spatial structure sitting quietly in the broader natural context and inviting visitors to pause.
As the heart of Imperial China from 1421 until 1912, the Forbidden City—a palatial complex in the center of Beijing—represented the divine authority of the Emperors of China for over five hundred years. Built by the Ming Emperor Zhu Di as the centerpiece of his ideal capital city, the palace would host twenty-four different emperors and two dynasties over the course of its history. Even after the subsequent democratic and communist revolutions that transformed China in the early 20th Century, it remains as the most prominent built relic of a cosmopolitan empire.[1]
