Interior architects and designers have often claimed that a well-designed office space will translate into greater productivity, creativity and worker satisfaction –yet the impact is greater than most tend to imagine. Recent studies suggest that good design positively impacts company culture, fosters a sense of community and creates a healthy, happy and motivating environment. In fact, it directly influences the recruitment and retention of talent: “workplace design significantly increases the attractiveness of employers to potential candidates.” Proper lighting, a flexible layout and biophilic features are all important factors to consider during the planning stage. But to fully address user comfort and well-being, these must be combined with excellent furniture design. After all, integrating high-quality ergonomic pieces is a simple way to boost mood and enhance functionality and aesthetics when creating or redecorating the workspace.
Chairs: The Latest Architecture and News
Sustainable Office Furniture: Promoting Circular Design in the Workplace
Climate-Smart Furniture: The Story Behind a 100% Sustainable Lounge Chair
Since the early 2000s, it has been widely reported that the construction industry accounts for nearly 40% of the planet’s CO2 emissions. The role of interiors in that percentage has been historically underestimated, with common statistics suggesting that a project’s furniture, fixtures and equipment are only responsible for about 7 to 10% of its overall carbon footprint. However, new research notably indicates the contrary: in a building’s average life span, the carbon footprint of its interiors will equal – if not exceed – that of the structure and envelope. Interior design, to the surprise of many, has actually been doing great harm.
15 Contemporary Architects Who Design Chairs
During their university years, architects acquire a wide range of skills apart from learning to design buildings. Some of these include creative problem solving, project management, high attention to detail, coordinating teams and accurately responding to consumer needs. Therefore, a degree often provides the necessary tools to design at any scale – from urban to product design – and to explore other creative fields, such as art, photography, journalism or industrial design. Of the many possibilities that open up, it is especially common for many to make the leap towards furniture design, particularly chair design, instead of following the traditional route.
See How the Design of Chairs, Beds and Sofas Have Evolved Through History
Evidence suggests that furniture was used as far back as the Neolithic period and daily life without it is unimaginable. So how has furniture changed through the ages? From the exclusive and luxury furniture of Ancient Egypt, to the functional and streamlined design of the Bauhaus – these animations created by Angie's List take you on a fascinating journey through the evolution of furniture design.
RAAAF is Breaking Habits With a Vision of a Home Without Chairs
Dutch studio Rietveld-Architecture-Art-Affordances (RAAAF) has unveiled its latest installation ‘Breaking Habits’ at the Mondriaan Fund for Visual Arts in Amsterdam. Breaking Habits envisages a domestic environment without chairs and couches, exploring a model of diagonal living through a system of flexible carpets.
How CODA Used Hundreds of White Plastic Chairs To Build A Recyclable Pavilion
This article is part of our "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get projects actually built.
In this exceptionally imaginative and thought-provoking exercise in perceptual shifts, Ithaca- & Brooklyn-based CODA transformed hundreds of humble plastic lawn chairs into a project in the Arts Quad at Cornell University. Viewed from afar as a spiky singular entity, close inspection reveals the simple, unpretentious repeated module. CODA explains, "the object’s features are no longer understood in terms of their use (legs, arms, seat) but in terms of their form (spikes, curves, voids) as, due to their rotation away from the ground, they lose their relationship with the human body." We asked Caroline O'Donnell, principle at CODA, to explain the challenges faced in the development and construction of the fully-recyclable URCHIN.
Exhibition: OBJET
This is the first design exhibition that incorporates three generations of Iranian architects in one event to design and build chairs.
A chair, as an object, lies somewhere on the scale between interior architecture and a product. It can be made by anyone as a response to the primary human need for “a place to sit.” But, on the other hand, a professional designer can create a structure to respond to human needs, using a comprehensive framework, technology and geometry.
How Charles and Ray Eames' “Shell Chair” is Constructed in 12 GIFS
"The role of the architect, or the designer, is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests – those who enter the building and use the objects in it." Charles Eames
Herman Miller is a furniture design and manufacturing company, which in addition to producing contemporary designs also continues manufacturing classic pieces, including those originally designed by Charles and Ray Eames. The company’s relationship with the designer duo goes back to the 1940s, when they worked together to develop the Eames' Molded Plywood chairs and the classic Chaise Lounge.
Following a long investigation into the curvature of plywood and the construction of organic forms using new technologies and materials, the pair of architects developed their Shell Chair, an iconic design that is still manufactured today. Learn more about the development of the Shell Chair and see how it is constructed, after the break.
Synthesis Design + Architecture Utilizes Gradient 3-D Printing in "Durotaxis Chair"
Los Angeles-based practice Synthesis Design + Architecture has created a 3-D printed chair which uses the latest gradient 3-D printing technology to apply different material properties to different parts of the chair. Originally asked by leading 3-D printing company Stratasys to design a piece that would not be possible without utilizing 3-D printing, Synthesis Design + Architecture chose to go one better, designing a chair that would not be possible without the Stratasys Objet 500 Connex3, which is capable of combining a range of material properties into a single print run.
The Latest 99% Invisible Podcast Will Have You on the “Edge of Your Seat”
“A Chair is a difficult object. A skyscraper is almost easier.” – Mies van der Rohe
In his latest 99% Invisible podcast, Roman Mars takes listeners to the edge of their seats (literally), as he tackles one of design’s unique challenges: the chair. From Van der Rohe to Gehry, Hadid, Libeskind and Corbusier, “if they’ve designed a big building, chances are they’ve designed a thing on which to sit,” begins Mars. Yet the complexity of chair design comes from the fact that a chair “disappears when in use...Chairs need to look fantastic when empty, and remain invisible (and comfortable) while in use,” states Mars. And with numerous recent studies showing the negative impacts of sitting too much, innovative chair design is now more important than ever.
Listen to the full podcast and check out some well-known chairs designed by architects after the break.