Back in 2019, Japanese architect Kengo Kuma won the contest to design the expansion of the gardens of the Gulbenkian Foundation and the new entrance of the Modern Collection of the Museum in Lisbon, Portugal. According to the architect, the museum can be a "wise example of the future as coexistence with the Earth and us", taking inspiration from nature and its relationship with architecture. In a recent No País dos Arquitectos podcast, Sara Nunes interviews Kengo Kuma and Rita Topa, architect at Kengo Kuma Associates, to talk about the expansion of the gardens and museum, along with the mission of architecture and the role of the architect, processes, and work references developed for the project.
Calouste Gulbenkian: The Latest Architecture and News
Kengo Kuma and Rita Topa on the Refurbishment of the Gulbenkian Modern Art Center and Gardens in Portugal
Caroline Bos, David Adjaye, Li Xiaodong and Many Others to Speak at 2018 World Architecture Festival
After two years in Berlin, the World Architecture Festival will move their 2018 edition to Amsterdam for three days of talks, design presentations, and award ceremonies featuring cutting-edge contemporary works and some of the most prominent figures in architecture today.
4th Lisbon Architecture Triennale: "Choreographies" by Pedro Alonso and Hugo Palmarola
Choreographies, an installation at the 4th Lisbon Architecture Triennale by Pedro Alonso and Hugo Palmarola, presents the construction of building sites as cultural and political archetypes. By critically contesting comic films and animated cartoons released in the United States and the Soviet Union between 1921 and 1980, it presents construction sites as places in which ideology and imagination were combined through the choreographic movements of hanging steel-beams in the US, and flying concrete-panels in the USSR. These building components symbolize the construction of the modern world, the technological optimism of industrialization, the relevance of the building process over the completed building, and the standing of workers—welders, riveters and crane operators—against the vanishing figure of the architect.