There’s a well-known catchphrase – “Cape to Cairo” – that has spawned numerous books and piqued the imagination of countless travellers of the African continent. The phrase’s origins are of imperial nature, birthed out of an 1874 proposal by English journalist Edwin Arnold that sought to discover the origins of the Congo River. This project was later taken up by imperialist Cecil Rhodes, who envisioned a continuous railway of British-ruled territories that stretched from the North to the South of the continent.
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
In early 2018, spatial practitioner and Bartlett lecturer Neba Sere hosted a panel discussion at London's Architecture Foundation, where she was one of six young trustees. The topic: beginnings. How to go about them, move ahead, and transform them into something that lasts. Six years later, she looks back on the event as a beginning in itself: that day marked the creation of a WhatsApp group that would turn into Black Females in Architecture (BFA). BFA is now a 500-strong global membership network co-directed by Sere and fellow architects Selasi Setufe and Akua Danso.
BFA was initiated in response to the need for visibility of black women and female-identifying people with black heritage in architecture and the built environment. Last year, the group celebrated its fifth anniversary with the showing of a short film and a panel discussion at the Venice Architecture Biennale. Now, after putting in the groundwork of spreading information about the lack of diversity and equality in the industry and increasing their numbers, BFA is gearing up to drive physical change.
A few days before the end of November, Gramado, a city known as one of the most sought-after tourist destinations in southern Brazil, grabbed the attention of national and international media. Unfortunately, it wasn't due to its film festival or the traditional lavish Christmas festivities. The city, already suffering from weeks of persistent rain, witnessed the emergence of massive geological rifts tearing through its streets, creating a post-apocalyptic movie-like scenario.
The imminent danger of ground movement alerted the population and the authorities, who promptly evacuated the buildings on the hills of the condemned neighborhood. This course of action proved entirely effective and responsible, as one of the buildings within the designated area did indeed collapse three days after the evacuation. However, it is worth noting a detail: the affected neighborhood consisted of upscale residences and luxury hotels and inns, which raises a question: would the efforts have been the same if the situation occurred in lower-income peripheral neighborhoods?
Irene Roca’s “Appropriating the grid” project is born out of the contemporary ruins of our current construction processes. An exploration of the waste that is generated and the legal complexities of discarding this waste awakened a sense of urgency and creativity in the architect, resulting in a collection that molds and re-formulates construction waste into versatile interior design objects.
https://www.archdaily.com/963957/materials-are-being-produced-according-to-fictitious-demand-in-conversation-with-irene-rocaDaniela Porto
Equipe do Estudio Guto Requena. Photo Courtesy by Guto Requena.
During July, we delved into the Design Process as our monthly topic. Inspired by practices that intersect various uncommon layers in their creations, we talked with architect Guto Requena. When designing, his studio experiments with different digital technologies through a sustainable lens and with a keen eye on social issues, aiming to deliver innovative and emotional experiences. Today, the architect boasts numerous national and international awards, including the ArchDaily Building of the Year and the UNESCO Prix Versailles.
In the interview, Requena shares his journey, highlighting the diversity of his team as a critical innovation point in his firm. He also addresses crucial questions about fostering innovation and creativity with new materials in architecture, among other topics.
Design stems from nuance, empathy, and understanding. The best solutions address the needs, identities, and context of a client and place. A designer's response needs to be informed by these different realities. Intersectional Design is a method of designing by thinking through how factors of identity (gender, race, sexuality, class, and many more) interact with one another. In understanding how these factors combine, we can more deeply understand the context of use and an individual user's priorities.
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Le Masurier (documenté en 1769-1775). Esclaves noirs à la Martinique, 1775. Huile sur toile – 125 x 106 cm. Paris, ministère des Outre-mer / Archives nationales. Image Courtesy of Archives nationales
The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.
The São Paulo Biennial Foundation has just announced details of the Terra project that will occupy the Brazil Pavilion at the 18th International Architecture Exhibition, La Biennale di Venezia. With a curatorial effort by Gabriela de Matos and Paulo Tavares, the Brazilian exhibition will feature a diverse group of collaborators, comprising Mbya-Guarani indigenous peoples, Tukano, Arawak and Maku indigenous peoples, weavers from Alaká (Ilê Axé Opô Afonjá), Iyá Nassô Oká (Casa Branca do Engenho Velho), Ana Flávia Magalhães Pinto, Ayrson Heráclito, Day Rodrigues with collaboration from Vilma Patrícia Santana Silva (Etnicidades Group FAU-UFBA), Fissura Collective, Juliana Vicente, Thierry Oussou, and Vídeo nas Aldeias.
Buenos Aires, Argentina. Image from sharptoyou. Image via Shutterstock
Understanding the diversity and plurality of people who inhabit and pass through cities on a daily basis, gender-responsive urban planning aims to incorporate all those identities, perspectives and activities that have been invisible for years. Understanding the complexities that surround cities and getting involved in the urban experiences of their inhabitants, public spaces turn out to be the scenario for the development of urban life and, as such, should bring together a series of guidelines and considerations in accordance with this new paradigm that act as planning tools, composing this network of spaces and contemplating all the users of the city.
Augusto Malta, Demolition Morro do Castelo, Rio de Janeiro, RJ, June 1, 1922. . Image Courtesy of Biblioteca Nacional Digital Brasil, Fundação Biblioteca Nacional.
At the inauguration of the First Brazilian Congress of Eugenics in July of 1929, the physician and anthropologist Edgar Roquette-Pinto addressed an audience preoccupied with the question of how a country as vast as Brazil could best increase and improve its population. To accomplish this, Roquette-Pinto exalted “eugenia” as the new science that, together with medicine and hygiene, would guarantee the efficiency and perfection of the race. With the following words, the Brazilian scientist underscored a positivist agenda that brought architecture to the very core of the eugenics—the so-called science of race “improvement”—movement: “It is critical to emphasize that the influence [on our race] does not stem from the natural environment but rather from the artificial environment, created by man.” With these opening remarks to the Congress, Roquette-Pinto called attention to the crucial role that the man-made environment plays in the “amelioration” of what he called “the biological patrimony” of Brazil’s diverse population. In his invitation to social engineering, Roquette Pinto pointed to the environmental-genetic collusion that they hoped would bring with it the very possibility of progress.
Design justice is grounded in personal experience and built through everyday actions. Wandile Mthiyane is an architectural designer that embodies this idea, an activist that grew up in Durban, South Africa during the Apartheid. From an early age he was drawn to building and design, a background directly tied to his childhood. He realized he wanted to build a better future by working to undo the architectural effects of institutionalized racial segregation. Today, Wandile has become recognized for creating social impact, including his work to transform his hometown of Durban.
Designer Paul Wellington, based in Milwaukee, United States, is the author of Black Built: History and Architecture in the Black Community, a book that documents more than 40 works of architecture around the country by Black architects that have had a direct impact on communities of color. He’s now working on a new book that will focus on Black women architects in a field dominated by white males. I spoke with Wellington about the new book, what he learned through his research on Black architects and their work, and the future of increasing the ranks of Black architects in the U.S.
https://www.archdaily.com/949665/hidden-figures-the-historic-contributions-of-black-architects-in-the-united-statesMichael J. Crosbie
In the field of design and construction, the question of gender is a point of conflict: who has the possibility of building? What are the alternatives for us architecture professionals? These are the questions that Taller General (re)think about. It is from these questions that Femingas, a participatory construction conference with a gender perspective, arose. These are manifested as an alternative to the construction of "mingas", days of joint work between the members of a community to achieve a common good.
Design Justice is a branch of architecture and design focused on redesigning cities, products, services and environments with historic reparations in mind.
The term emerged about 7 years ago when debates and dialogues about inclusion and diversity in spaces started to get stronger, creating movements that fought for the rights of people who had their roots and choices denied in society.
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Background photograph courtesy of Charlie Hui, Viswerk. 2020
Led by architectural designers Khensani de Klerk and Solange Mbanefo, Matri-Archi is a collective based between Switzerland and South Africa that aims to bring African women together for the development of spatial education in African cities. Through design practice, writing, podcasts, and other initiatives, Matri-Archi — one of ArchDaily's Best New Practices of 2021 — focuses on the recognition and empowerment of women in the spatial field and architectural industry.
ArchDaily had the opportunity to talk to the co-directors of the collective on hegemonic space, informal architecture, technology, local idiosyncrasies, and the future of African and global cities. Read the full interview below.
African architecture has received deserved international attention in the last decade and one of the main responsible for this is, undoubtedly, Diébédo Francis Kéré, 2022 Pritzker Prize Winner. Born in Gando, Burkina Faso, Kéré graduated in architecture at the Technische Universität Berlin, in Germany. Today, he maintains branches of his firm, Kéré Architecture, in both countries, through which he seeks to develop works in the "intersection of utopia and pragmatism", exploring the border between Western architecture and local practice.
Known for involving community in the construction process of its buildings, Kéré and his office have developed works that go beyond the conventional limits of architecture and touch on themes such as local economy, migration, culture and equity. We had the pleasure and privilege of talking with the architect about some of his projects and his broader vision on architecture. Read the full interview below.
A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.
