Architecture and Race: The Latest Architecture and News

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Wandile Mthiyane to discuss growing up in Durban, South Africa, Christians building classrooms, the apartheid, becoming an Obama Foundation Leader, the subtleties of racism and how it differs from the United States to South Africa, hiring locally, and more. Enjoy!

The ninth edition of the National Council of Architectural Registration Boards’ (NCARB) annual report has been released, in the midst of new challenges due to the COVID-19 pandemic, highlighting major information about the architecture profession in 2019. Focusing on different parameters, such as licensing, education, experience, and demographics, the study explores the evolution and transformation of the field, encompassing also findings on equity, diversity, and inclusion.

Students and alumni from the Harvard Graduate School of Design are launching an online Design Yard Sale to raise funds in support of the movement against systemic anti-Black racism. The team will sell and auction creative works donated by the design community, and all net proceeds will go towards the Bail Project and Colloqate Design. Among Design Yard Sale’s offerings will be works donated by renowned designers, artists, and scholars such as Toshiko Mori, Oana Stanescu, Rachel Israela, Jeanne Gang, Billie Tsien, Snarkitecture, Jerome Byron and VERV LONDON.

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The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Mabel O. Wilson, Bryan Lee, and Akira Drake Rodriguez to discuss racism and cities, how the built environment can be an instigator of racism, protests, the tearing down confederate monuments, housing, blackness and whiteness, the key changes needed for a more equitable society, and more. Enjoy!

This article was originally published on Common Edge.

In the rage, furor, and sorrow that followed the murder of George Floyd, one voice in the architecture community managed to put the nation’s centuries-overdue reckoning with race into the larger context of the built environment. Earlier this month, CityLab published architect Bryan C. Lee Jr.’s essay “America’s Cities Were Designed to Oppress,” an impassioned polemic on design and race that also had the great virtue of offering up specific solutions.

Lee is the founder and design principal of Colloqate, a New Orleans–based design and public advocacy firm that was named an Emerging Voice in 2019 by the Architectural League of New York. Colloqate led the Paper Monuments project in 2017, a public art and public history campaign that was launched in conjunction with the successful fight to remove the Confederate statues in New Orleans. In addition to its advocacy work, the firm is currently working on architectural projects in Portland, Toronto, and New Orleans. Last week I talked with Lee about his essay, the charged moment that we’re in, and where the nation goes from here.

Kimberly Dowdell, 2019-2020 NOMA National President, recently issued a statement on behalf of the National Organization of Minority Architects on the nature of NOMA's advocacy and mission. Her words follow protests seeking justice for the killing of Minneapolis resident George Floyd in the United States.

My decision to study architecture was a naive one, made after having taken several vocational tests I found on Google. When I found out it was one of the toughest courses in Brazilian public universities, I thought about giving up. But I was already hooked by the history of architecture and its social role.

However, nothing is perfect. Architecture and Urban Planning is one of the most elite courses in the most renowned Brazilian universities, something that is reflected outside of the classroom as well. The architects went on to serve the rich, casting aside the needs of the cities and the poor.

“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” To that end, Roberts conducted a series of interviews with experimental architects exploring new forms of practice, including this conversation with Mabel O. Wilson.

Mabel O. Wilson is a scholar and designer who has become a leading voice in discussions on space, politics, and memory in black America. She is the Nancy and George Rupp Professor of Architecture at Columbia University, as well as a professor in African American and African Diasporic Studies and the associate director of the Institute for Research in African American Studies. Her books include Begin with the Past: Building the National Museum of African American History and Culture and Negro Building: Black Americans in the World of Fairs and Museums. Her interdisciplinary practice Studio & is part of the architectural team that designed the Memorial to Enslaved African American Laborers at the University of Virginia. She is also a founding member of Who Builds Your Architecture? (WBYA), a collective that advocates for fair labor practices on building sites worldwide. We talked at an outdoor cafe near Columbia on one of the last warm days in fall 2019.

In 1979, the Pontchartrain Park golf course was renamed the Joseph M. Bartholomew, Sr. Municipal Golf Course by the City of New Orleans. While perhaps not the ‘catchiest’ of title changes, the event was a posthumous chapter in the legacy of one of the most celebrated golf course architects of his time. Joseph Bartholomew (1888-1971) began life as an African-American in racially-segregated Louisiana only 23 years after the end of the American Civil War; fought in large part over the legality of African American slavery. But his life, chronicled in the latest New York Times’ Overlooked series, would see him reach the pinnacles of golf course architecture, and design nationally-celebrated landscapes that Bartholomew, because of his race, was himself not allowed to play on.

For years, there has been a lack of diversity in the field of architecture. Whether attrition numbers have been due to the lack of available information about promotion paths, firm hiring practices, or architects seeking out new career opportunities, this profession is one that has historically been stagnant in its representation. However, there is good news on this subject, as the National Council of Architecture Registration Boards (NCARB) revealed new data which shows that the profession is becoming more diverse and that the proportion of women staying in their careers is increasing.

According to NCARB's recently published By The Numbers report, although equity and diversity in the profession have been improving in recent years, data shows that attrition along the path to licensure remains much higher for non-white individuals. “NCARB has spent the past several years updating and aligning our programs to remove unnecessary burdens while maintaining the rigor needed to protect the public,” said NCARB CEO Michael Armstrong. “A key area for us to address is identifying how pinch points along the path to licensure may vary for candidates from different backgrounds.”

In this third episode of GSAPP Conversations, Columbia GSAPP Associate Professor Mabel O. Wilson speaks with Sharon Sutton about the publication of her new book, When Ivory Towers Were Black, which tells the story of how an unparalleled cohort of ethnic minority students earned degrees from Columbia University’s School of Architecture (GSAPP) during a time of fierce struggles to open the ivory tower to ethnic minority students.