Theatre Projects consultants, together with the architectural office Studio KO, have designed a multipurpose auditorium of 115 seats, with the aim of hosting conferences, screenings, concerts, theater, and cinema.
The auditorium is part of the new Museum Yves Saint Laurent Marrakech, and incorporates a series of elements and technologies that allow for high-quality sound and lighting, as well as ensuring total flexibility of the room to adapt to all required uses.
The JUT Foundation in Taipei has recently had its 240-square-meter lecture hall by MVRDV transformed into a mossy art installation with a textile artwork that spans not just edge to edge, but up the walls, by Argentinian artist, Alexandra Kehayoglou. The lecture hall hosts a number of talks and events and requires versatility. The custom moss-inspired carpet adds a level of comfort and interest to what otherwise could have been a monotonous space.
First Prize: The Urban Lighthouse / Michele Busiri-Vici, Clementina Ruggieri, Matteo Biasiolo, Pino Pavese; Space4Architecture. Image Courtesy of Bee Breeders
The winning entries to the Kip Island Auditorium competition have been announced by Bee Breeders, which invited proposals for the addition of a new iconic auditorium addition to the Riga International Convention Centre, in Latvia’s capital. The competition asked for alternative approaches to the design of public and civic facilities, while “reinvesting an estranged program in the urban landscape."
Seeing the space of an auditorium in section is a key tool in allowing us to approach a design's of acoustics, accessibility, and lighting. These components are what make the design of an auditorium a complex task, requiring detailed and specific studies.
There are a number of ways to design an auditorium that offers multiple responses to these challenges. For this reason, we have selected a number of sections from different auditoriums that can help you understand how other architects have solved the challenge.
Check out the 30 auditorium sections below, they are sure to inspire you!
Jyväskylä, a city whose status as the center of Finnish culture and academia during the nineteenth century earned it the nickname “the Athens of Finland,” awarded Alvar Aalto the contract to design a university campus worthy of the city’s cultural heritage in 1951. Built around the pre-existing facilities of Finland’s Athenaeum, the new university would be designed with great care to respect both its natural and institutional surroundings.
The city of Jyväskylä was by no means unfamiliar to Aalto; he had moved there as a young boy with his family in 1903 and returned to form his practice in the city after qualifying as an architect in Helsinki in 1923. He was well acquainted with Jyväskylä’s Teacher Seminary, which had been a bastion of the study of the Finnish language since 1863. Such an institution was eminently important in a country that had spent most of its history as part of either Sweden or Russia. As such, the teaching of Finnish was considered an integral part of the awakening of the fledgling country’s national identity.[1]
Originally built as the headquarters for the Finnish Communist Party, the House of Culture (Kultuuritalo in Finnish) has since established itself as one of Helsinki’s most popular concert venues.[1] Comprising a rectilinear copper office block, a curved brick auditorium, and a long canopy that binds them together, the House of Culture represents the pinnacle of Alvar Aalto’s work with red brick architecture in the 1950s.
German architecture firm, GRAFT, has been selected as the winner of the "Apassionata" competition. Tasked with designing a temporary structure for the exhibition of horses, GRAFT proposed a complete wooden building that could be assembled, dismounted and reassembled at the convenience of the company.
Learn more after the break...
https://www.archdaily.com/459447/graft-wins-apassionata-competition-propose-temporary-structure-for-horse-showsJose Luis Gabriel Cruz