WSJ. Magazine recently visited the studio of Frank Gehry to explore his life, work and his plans for the future. As one of the world's most famous architects, Gehry and his work are intrinsically linked to Los Angeles. Today, he chooses from many proposals for the projects he wants to take on. Gehry discusses his early love for Los Angeles architecture and wood-framed housing, as well as his insecurities and some of his most famous projects.
The Wall Street Journal has selected New York-based firm Diller Scofidio + Renfro as their 2017 “Architecture Innovator of the Year.”
Led by partners Liz Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin, over the past decade the firm has quickly grown from a largely conceptual practice focused on installations, performance and unbuilt works to a full-fledged, international office with completed and in-progress projects around the globe.
The Wall Street Journal has named Snøhetta their “Architecture Innovator of the Year” for 2016. Founded by 55-year-old American Craig Dykers and 58-year-old Norwegian Kjetil Trædal, Snøhetta rose to prominence with their competition-winning designs for the 20th-century successor to the lost wonder of the ancient world, the Library of Alexandria, and the National Norwegian Opera House in Oslo.
Richard Serra and Thomas Heatherwick are among the seven honored at WSJ. Magazine's fifth annual Innovator Awards last night at the Museum of Modern Art in New York. Serra, who earlier this year celebrated the completion of his second Qatari sculpture, was deemed 2015's "Art Innovator;" Heatherwick's "adaptive designs" landed him the title of "Design Innovator" of the year. Read on for a short interview with both winners.
Rem Koolhaas and art philanthropist Dasha Zhukova will be gracing the WSJ. Magazine’s February cover as “art partners” embarking on a transformation that will turn a ruined Brezhnev-era Communist landmark - the Vremena Goda in Moscow’s Gorky Park - into the Garage Museum of Contemporary Art’s new home. “The building is basically a found object,” said Koolhaas, regarding his “raw” design and intent to preserve the structure’s decay. “We are embracing it as it is.”
The Wall Street Journal has named Sou Fujimoto the “Architecture Innovator of the Year.” The 43-year-old Japanese architect, who first gained international acclaim in 2008 with the completion of the Hokkaido Children’s Center for Psychiatric Rehabilitation, has been lauded by the magazine for his “future primitive” structures that are, as Fujimoto’s believes, creating opportunities to explore “more possibilities” for daily life.
“Fujimoto’s goal isn’t just to make spaces—the basic function of architecture—but to make people relate to spaces in new ways,” stated WSJ author Fred Bernstein.
In response to Fujimoto’s selection, WSJ has published a comprehensive article about Fujimoto’s life and work. You can read the article, here.
The Wall Street Journal has announced David Adjaye as "Architecture Innovator" for 2013. The 47-year old Tanzanian-born and British-educated architect, whose current projects span from affordable housing apartments in Harlem to the African American History and Culture Museum in Washington D.C., "has the unique ability to speak to experiences and to people outside the norms of his profession," delivering his message across cultural boundaries.
The Wall Street Journal announced Wang Shu as architecture’s “Innovator of the Year 2012”, commending his “deceptively simple” vision that is “drafting a new architectural blueprint for his country”. The 49-year-old Chinese architect, whose work has been described as China’s “new regional style”, is one of the most influential architects in what is becoming one of the most important countries in the world.
After founding Amateur Architecture Studio with his wife, Lu Wenyu, in 1997, the Pritzker Prize laureate has created a succession of acclaimed projects throughout China, from civic buildings to private homes to exhibition pavilions. Some of his most prominent works include the monumental Ningbo Museum of Art, constructed of locally salvaged materials, and the uniquely crafted Xiangshan Campus for the China Academy of Art. Both projects exhibit Shu’s innovative balance between traditional and contemporary Chinese architecture that remains deeply rooted within it’s context.
