Designed by Luxembourg-based office STDM architectes urbanistes in collaboration with Japanese office MIKAN, the concept of "Doki-Doki –The Luxembourg Heartbeat" has won the competition for the design of the Luxembourg pavilion at the Osaka 2025 World Expo. The pavilion takes its name from the Japanese term for heartbeat, aiming to express joy and enthusiasm while strengthening the connection between the two countries. It also strives to offer visitors a chance to discover the cultural richness of Luxembourg and its multifaceted identity.
Singapore Pavilion - Designed by DP Architects group in collaboration with Kingsmen Exhibits. Image Courtesy of Singapore Pavilion
DP Architects group, in collaboration with Kingsmen Exhibits, unveiled the Singapore Pavilion design for the Expo Osaka 2025. The concept centers around the tagline ”Where dreams take shape,” aiming to offer an insight into the country’s culture and impactful innovations. The pavilion, taking the shape of a 17-meter-high sphere clad in recycled disks, creates a multi-sensorial exhibition showcasing actions and innovations that encourage a more sustainable future.
The Bureau International des Expositions (BIE) announced yesterday, on Tuesday, November 28, that Riyadh, the capital city of the Kingdom of Saudi Arabia has been selected to host the 2030 World Expo, by securing the necessary two-thirds majority of votes in the first round. Marking another milestone for the Gulf, following Dubai's Expo 2020 and Qatar's hosting the FIFA World Cup in 2022, this five-yearly event draws millions of visitors and investments. Under the theme, "The Era of Change: Together for a Foresighted Tomorrow", Expo 2030 Riyadh will run between 1 October 2030 and 31 March 2031.
Competing against South Korea's port city of Busan and Rome in Italy, Riyadh won the bid with 119 votes, while Busan received 29 votes, and Rome got 17 votes out of the 182 members of the Paris-based Bureau International des Expositions (BIE). Other explored subjects were the themes of “Transforming Our World, Navigating Toward a Better Future” by Busan and “People and Territories: Regeneration, Inclusion and Innovation”, for Rome.
The city of Osaka, Japan, has won the bid to organize the 2025 World Expo, an international event expected to draw in millions of visitors. Set to commence on April 13, 2025, and conclude on October 13, 2025, this marks Japan's second occasion as host, the prior instance being in 1970. Throughout their history, World Expos have been the place where new technologies and products are showcased and popularized, leading to technological advancements and innovative designs. For this event, Osaka has chosen the overarching theme of "Designing Future Society for Our Lives," with three subthemes further developing the concept: Saving Lives, Empowering Lives, and Connecting Lives. Architect Sou Fujimoto was selected as the Expo Site Design Producer, taking on the responsibility of creating the master plan and providing guidance to designers from participating countries.
In 2018, the Bureau International des Expositions (BIE) announced that the Japanese city of Osaka won the bid to host the 2025 World Expo, an event expected to draw millions of visitors. The event will open on April 13, 2025, and close on October 13, 2025. This will be Japan’s second time hosting the event, as another World Expo was held in Osaka in 1970. The official theme for this edition is “Designing Future Society for Our Lives.” Architect Sou Fujimoto has been chosen as the Expo Site Design Producer of the event, becoming responsible for designing the master plan and directing the designers of the participating countries. As of March 24, 2023, 153 countries and regions and 8 international organizations have officially confirmed their participation in Expo 2025 Osaka, Kansai, Japan.
During the past two years spent photographing Expo 2020 Dubai, I was often asked by friends what exactly it was. To align with its closure on the 31st of March, I would like to address that question from two angles. Most readers will be aware that the expo is part of a tradition dating back to the 19th century - a Showcase for companies and countries, a tourist attraction, a testing ground for technical innovation. But it is also a collection of paradigm studies on opportunity, sustainability, and mobility, as well as a lucrative building project creating a new neighbourhood in the Emirates and a future means of dwelling. Perhaps this last frame of reference is the most interesting for it is what most distinguishes this expo from others.
Architectural events like biennales, urban festivals or the World Expo provide a framework for research and experimentation, allowing architects to showcase their visions on an international stage, with the aim of advancing the practice and driving innovation. World Expos, in particular, allow for these lines of inquiry to unfold at an architectural scale rather than that of an installation. Within these platforms for discourse and knowledge exchange, temporary architecture becomes a medium for communicating ideas about architecture and the city, its challenges and possible lines of development.
Though architectural history is replete with bricks, stones, and steel, there is no rule that states that architecture must be ‘solid’. Sverre Fehn, one of the most prominent architects of postwar Norway, regularly made use of heavy materials like concrete and stone masonry in his projects [1]. In this way, his proposal for the Nordic Pavilion at the Osaka World Expo in 1970 could be seen as an atypical exploration of a more delicate structure. Representing a very different aspect of ‘Modernity’ than his usual work, Fehn’s “breathing balloon” pavilion stands not only in contradiction to Fehn’s design canon, but to that of traditional architecture as a whole.
Now at the halfway point of the six month long World Expo in Milan, in which 145 countries are participating in a concentration of national spectacle surrounding the theme of "feeding the planet," Rotterdam's Nieuwe Instituut (HNI)—the centre for architecture in the Netherlands—is exhibiting an altogether more reflective display of national civic pride.
Rotterdam, which was blitzed and decimated during the Second World War, is a place well suited to host an exhibition whose underlying theme centres on the fragile, often precarious notion of national self-image. Following the war Rotterdam was forced to rebuild itself, carving out a new place on the world stage and reestablishing its importance as an international port. Now, seventy years later, Rotterdam is a very different place. In demonstrating just how delicate the construction of a tangible national identity can be this latest exhibition at the HNI offers up a sincere speculative base for self-reflection.
World Expos have long been important in advancing architectural innovation and discourse. Many of our most beloved monuments were designed and constructed specifically for world’s fairs, only to remain as iconic fixtures in the cities that host them. But what is it about Expos that seem to create such lasting architectural landmarks, and is this still the case today? Throughout history, each new Expo offered architects an opportunity to present radical ideas and use these events as a creative laboratory for testing bold innovations in design and building technology. World’s fairs inevitably encourage competition, with every country striving to put their best foot forward at almost any cost. This carte blanche of sorts allows architects to eschew many of the programmatic constraints of everyday commissions and concentrate on expressing ideas in their purest form. Many masterworks such as Mies van der Rohe’s German Pavilion (better known as the Barcelona Pavilion) for the 1929 Barcelona International Exposition are so wholeheartedly devoted to their conceptual approach that they could only be possible in the context of an Exposition pavilion.
To celebrate the opening of Expo Milano 2015 tomorrow, we’ve rounded up a few of history’s most noteworthy World Expositions to take a closer look at their impact on architectural development.
