The Women Bauhaus is a new art collective of five female artists led by mentor Sabine Marcelis, who are taking inspiration from the legacy of women in the Bauhaus movement. The project was commissioned by luxury skincare brand La Prairie as part of its ongoing patronage of the arts. The projects developed are taking inspiration from Bauhaus icons such as textile artists Otti Berger, Benita Koch-Otte, and sculptor, metalsmith, and designer Marianne Brandt. The initiative also hopes to bring attention to the often-overlooked legacy of women who joined the Bauhaus movement, and whose struggles to affirm themselves as artists and designers are rarely recognized.
On the weekend of the 5th-7th of April, the city of Weimar celebrated the opening of the recently-completed Bauhaus Museum, along with its permanent exhibition of the 100-year history of Bauhaus.
Located near the Neue Museum, the concrete structure was designed by German architect Prof. Heike Hanada. The architect followed the school’s minimalist approach, and developed a 5-storey cubic building, with a clearly defined geometric form and horizontal grooves all around the facade. The museum’s permanent exhibition, which was designed and curated by Barbara Holzer of Holzer Kobler Architekturen, houses the world’s oldest Bauhaus collection, bringing forth debates on contemporary design and showcasing the school’s most notable inventions.
In an exclusive interview with ArchDaily, Holzer explains the creative process of designing the exhibition space, and some of the challenges she faced while exhibiting Bauhaus' distinguished works.
UPDATE: In honor of the 100th anniversary of the Bauhaus, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well-designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
If you’re looking for a way to celebrate the Bauhaus centennial and you’re also in need of a vacation, you can accomplish both this year by visiting BauhausLand. goBauhaus is ready to help you plan your next trip to the Saxony-Anhalt and Thuringia regions of Germany, otherwise known as BauhausLand. The region that witnessed the beginnings of the Bauhaus movement is home to many buildings influenced by its revolutionary style. In celebration of the school’s centennial, goBauhaus has compiled a list of notable Bauhaus-y places where visitors can stay overnight to immerse themselves in the experience. So if you’ve always wanted to make an architectural pilgrimage to pay homage to Gropius and his pals, 2019 is the time!
See the list below and start planning your excursion!
UNESCO’s World Heritage Committee, currently holding its forty-first annual session in the Polish city of Krakow, inscribed twenty new cultural sites on its World Heritage List, including the historic city of Ahmedabad in India, archaeological sites in Cambodia and Brazil, and a “cultural landscape” in South Africa. The Committee also added extensions to two sites already on the list: Strasbourg in France, and the Bauhaus in Germany. On the other hand, the historic center of Vienna was inscribed on the List of World Heritage in Danger as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.
In 1919, at a time in which Germany was still in upheaval over its defeat in the First World War (and compounded by the loss of its monarchy), the Academy of Fine Arts and School of Applied Arts in Weimar, Germany, were combined to form the first Bauhaus. Its stated goal was to erase the separation that had developed between artists and craftsmen, combining the talents of both occupations in order to achieve a unified architectonic feeling which they believed had been lost in the divide. Students of the Bauhaus were to abandon the framework of design standards that had been developed by traditional European schools and experiment with natural materials, abstract forms, and their own intuitions. Although the school’s output was initially Expressionist in nature, by 1922 it had evolved into something more in line with the rising International Style.[1]
Bauhaus, the school of design established by Walter Gropius in Weimar in 1919, has arguably been the most influential of any institution in shaping the trajectory of modern architecture. Out of this single school came an entire movement that would have lasting effects on architectural pedagogy and the design of everything from buildings to road signs. Born out of a larger cultural movement following Germany’s defeat in World War I which left the country ripe for regrowth without the previous constraints imposed by censorship, the core of Bauhaus philosophy were the principles of craftsmanship and mass production, which allowed for the movement’s rapid proliferation and a production model that would later inform contemporary design companies such as Ikea. Check out the infographic from Aram below to learn more about the movement, tracking the school from its origins in Weimar, via its canonical Gropius-designed home in Dessau, to its continuing legacy today.
The Klassik Stiftung Weimar will present the exhibition “Passion, Function and Beauty. Henry van de Velde and his Contribution to European Modernism” on March 24, 2013 at 11:00am. The press conference will be held at the Neues Museum Weimar in commemoration of the 150th anniversary of the Belgian architect and designer Henry van de Velde.
The design proposal for the New Bauhaus Museum by Pedro Monteiro, Rodrigo Cruz, and Sérgio Silva establishes a volumetric relation with the Gauforum in regard to its location. The first thing you see is a tower of light. It leads the way. As you walk along the narrow line of Oskar Schlemmer’s logo, you are entering Bauhaus. As it gains depth, the two-dimensional design of the logo becomes a geometrical stone sculpture. Its occupation defines its architecture. More images and architects’ description after the break.
Rotterdam-based practice BUBE has shared with us their third-place winning proposal in the Classic Siftung Weimar international competition for the New Bauhaus Museum. Three translucent cubes are clustered together in an effort to maximize open space and reorganize the site with a focus of intensifying the interactions between park and museum visitors. BUBE’s proposal is one of the final four designs still competing. The jury is expected to announce the winning design this summer. More images and architects’ description after the break.
.jpg?1499781753 "Asmara. Image© <a href='https://commons.wikimedia.org/wiki/File:Asmara_(8351468351).jpg'>Wikimedia user David Stanley</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/deed.en'>CC BY 2.0</a>")
