Washington D.C. has earned a reputation for iconic architecture. Emerging from the L'Enfant and McMillan Plans, Washington’s cityscape includes wide streets and low-rise buildings that sprawl out from circles and rectangular plazas. From the White House to Lincoln Memorial, Washington’s architecture was built to symbolize the nation’s values. Today, new projects are designed to rethink the city’s morphology while respecting its identity.
Dutch design practice Mecanoo has released a new documentary exploring the modernization of Washington DC’s Martin Luther King, Jr central library. Called "A Legacy of Mies and King", the documentary explores both architect Ludwig Mies van der Rohe's vision in the sixties, as well as the recent effort to create a modern library that reflects a focus on people while celebrating the exchange of knowledge, ideas and culture.
With a complex debate underway about monuments and the way we engage history, we should start thinking about a COVID-19 Memorial. Yes, I know we are in the middle (or is it still the start?) of this pandemic, but the intensity of the moment might actually help us envision what such a memorial could be. Instead of waiting for a time when we have more distance from our current catastrophe, we should capture the passions coursing through society right now.
The Hirshhorn Museum's new plan for renovating its sculpture garden is receiving criticism for undoing postwar landscape features. The plan by Japanese artist and architect Hiroshi Sugimoto aims to open up the site to the National Mall and create space for large-scale contemporary works and performances. The concept is made to raise visibility for the garden and welcome more visitors to the museum.
Paul Philippe Cret’s 1937 building for the Federal Reserve Board (FRB)—the Marriner S. Eccles Building—stands as a prime example of neoclassical civic architecture along Washington D.C.’s Constitution Avenue. But the white marble building may have prompted new proposed guidelines around federal architecture, if conversations swirling in meetings of the Commission of Fine Arts are any indication. Plans to renovate and expand the FRB complex—the Eccles Building is joined by the FRB-East Building, designed in 1933 as the US Public Health Service by Cret’s fellow Frenchman Jules Henri de Sibour—are currently under review at the National Capital Planning Commission (NCPC) and the Commission of Fine Arts (CFA).
"Public space" is a legal terminology that tackles the notion of land ownership, suggesting that this type of parcel does not belong to anyone in particular, but to the state itself. Open, free, accessible to all, and financed by public money, these spaces are not only the results of planning, but the consequences of the public practices they hold. Actually, people define how public space is used and what it means.
Protests - powerful political tools for change - from the March on Washington in 1963, the Arab Spring in the early 2000s to recent Black Lives Matter Movements, are altering the world. In times like these, while people still need to "take their issues to the streets" to be heard and seen, public spaces have resurfaced as a topic of discussion.
OMA / Jason Long’s 11th Street Bridge Park was granted approval by the National Capital Planning Commission (NCPC) at the beginning of April. Designed by OMA, with landscape architects OLIN, and structural engineers WRA, the project is the winning entry of the design competition held back in 2014.
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Photographer Paul Clemence has captured a series of new photographs featuring Herzog & de Meuron's new Conrad Hotel. Sited in Washington D.C., the project worked with a range of height and volume restrictions to create a monolithic volume with subtle detailing. Showcasing the hotel's mirrored facade and interiors by Rottet Studio, the photographs from Paul and ARCHI-PHOTO capture both the project’s exterior and its signature interior atrium.
Perkins and Will propose an innovative and resilient office building in Southeast Washington, D.C, created to survive calamities and withstand natural disasters. The project reinvestigates the relationships between humans and nature.
The REACH at the John F. Kennedy Center for Performing Arts in Washington D.C. will open to the public this Saturday, September 7th. Designed by Steven Holl Architects with BNIM, the project is the first-ever expansion in the Kennedy Center's 48-year history. Aiming to open the Kennedy Center to the surrounding city and riverfront, the team made the project as a nexus of arts, learning, and culture for people to engage with the performing arts.
The LAB at Rockwell Group has partnered with The National Building Museum to present the 2019 Summer Block Party installation LAWN. Designed to be an immersive installation taking up the entirety of the Museum’s Great Hall, the project presents a series of interactive experiences for all ages. The lawn itself is programmed with summer entertainment and activities, including movie nights, yoga, and meditation. By creating custom software, the LAB also developed an Augmented Reality game alongside the installation.
The LAB at Rockwell Group has partnered with The National Building Museum to present the 2019 Summer Block Party installation Lawn. Designed to be an immersive installation taking up the entirety of the Museum’s Great Hall, the project will present interactive experiences for all ages. The lawn itself will be programmed and activated throughout the day with summer entertainment and activities, including movie nights, yoga, and meditation. By creating custom software, the LAB has also developed an Augmented Reality game alongside the installation.
The Smithsonian's Hirshhorn Museum sculpture garden will be renovated for the first time since the 1980s by Japanese artist and architect Hiroshi Sugimoto. Currently featuring works by Auguste Rodin, Jimmie Durham, and Yoko Ono, the sculpture garden will be opened up to the National Mall and create space for large-scale contemporary works and performances. The new concept aims to raise visibility for the garden and welcome more visitors to the museum.
2019 has already witnessed a series of bridge-related milestones marked, from the world’s longest bridge nearing completion in Kuwait to the world’s largest 3D-printed concrete bridge being completed in Shanghai. As we remain fixated on the future-driven, record-breaking accomplishments of realized bridge design, "911 Metallurgist” has chosen to look back in history on some of the visionary ideas for bridges which never saw the light of day.
Whether stopped in their tracks by finance, planning, or engineering difficulties, the four bridge designs listed below embody a marriage of art and engineering too advanced for their time. From a proposal for a EuroRoute Bridge between Britain and France, to a 12-rail, 24-lane bridge across the Huston River in New York, all four designs share a common, ambitious, yet doomed vision of crossing the great divide from pen and paper to bricks and mortar.
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