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A change in the way architecture was practiced in Colombia was necessary, and Taller Síntesis emerged to materialize this transformation. The studio combines a deep understanding of the territory and its context with architectural solutions that translate into materiality and built spaces. Their works stand out for their strong local cultural identity, achieving a precise balance between the preexisting, the new, and harmony with the landscape.
Through the post-war 20th century, the Global South saw much influence from foreign architects, often invited by local governments to bring their expertise and visionary thinking. Sought as a symbol of modernity, buildings designed by "starchitects" elevated the image of nations. Decades later, as local industries advance in capabilities, the desire for foreign talent continues to exist. Is this a natural result of globalization or is the continued presence of international architects in the Global South a persistent dependency?
To a first-time visitor, Mumbai presents itself as a kaleidoscope of sensory overload. Architecturally, the peninsula city is host to numerous styles. Mumbai's architectural identity emerges from centuries of cultural exchange and colonial influence. What makes the experience unlike that of other historical cities is the density and the proximity in which juxtapositions occur.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
Named one of ArchDaily's Best New Practices in 2024, MEAN* (Middle East Architecture Network) is redefining the architectural landscape of the region by merging computational design, digital fabrication, and material research with local heritage. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.
Ecuador, though a relatively small country in terms of land area, boasts a vast and diverse range of ecosystems and natural landscapes, including the Andes mountains, the Pacific coastline, and the Amazon rainforest. This makes the natural environment a key player, shaping its relationship with the built environment and demanding that architecture seamlessly integrate with and respect its context.
Over the years, Ecuadorian architecture has developed its own identity, successfully adapting to these diverse settings. Various construction techniques have been implemented, relying on locally sourced materials to create spaces and shelters in complete harmony with the landscape. Amid the growing trend of seeking a closer connection with nature, architecture in different regions of Ecuador has had to adjust to these conditions.
In recent years, the Gulf region has emerged as a global center for cultural and architectural development, commissioning internationally acclaimed architects to design its most high-profile museums and institutions. These projects, ranging from Louvre Abu Dhabi by Jean Nouvel to Museum of Islamic Art in Doha by I. M. Pei, are often designed by foreign architects, yet they aim to embed themselves within their context through strategies that reference the region's landscape, climate, and architectural traditions. This raises a fundamental question: What defines local architecture in the 21st century?
When India gained independence in 1947, the nation faced a decision that would determine the course of its architectural future: brick or concrete. A seemingly mundane choice of material was rooted in a deeper philosophical divide between two potential outcomes for post-colonial India's built environment. Pioneering figures in India's struggle for independence held opposing views - Mahatma Gandhi advocated for traditional craftsmanship while Jawaharlal Nehru embraced modernism. The architecture one sees in the subcontinent today is a mosaic of both, begging the question: was modernism in India a foreign imposition or a celebrated import?
Sustainability has been a central theme in architectural discussions for years, encompassing not only the profession’s role in combating climate change and transitioning to low-carbon economies but also preserving cultural heritage and celebrating vernacular traditions. In 2024, a wave of projects and studies stood out for their innovative use of natural materials, particularly in the Global South. These initiatives skillfully blend creativity and technology with renewable resources, demonstrating how architecture can deliver high-quality spaces that align with contemporary demands for sustainability and environmental responsibility.
Annually, ArchDaily's curatorial team undertakes a rigorous selection process to identify exemplary projects in Latin American residential architecture. The goal is to share these works of architecture with our audience and highlight and promote good practices within contemporary architecture. This meticulous effort focuses on identifying projects that stand out for their design and their positive impact on the environment, innovative use of materials and techniques, and ability to address current needs.
The concept of low-tech architecture recognizes the impact of carbon-intensive technologies and building practices and proposes an alternative: a rediscovery of practical, rational, locally adapted solutions that count on smart design strategies instead of energy-intensive devices to ensure a safe, comfortable living environment. Far from being a regressive approach, the term remains open to innovations but seeks to rebalance the industry's reliance on mechanization. It thus favors an architecture of fewer components, minimized dependence on high-tech solutions, and a preference for low-embodied carbon materials.
This year marked another milestone for Indian architects in pushing the boundaries of contemporary practice nationwide. A noticeable trend among the projects featured on ArchDaily has been the embrace of fluid forms, a subtle homage to vernacular practices that parallels a gradual departure from India's legacy of modernist design rhetoric. Indian architecture praxis has evolved to reflect a deeper engagement with local contexts alongside a willingness to experiment with global influences. This approach is likely to subsist in the coming years, opening the door for new architectural expressions in the country.
Where design moves beyond rigid geometries to celebrate fluidity, architects across the subcontinent reimagine spatial experiences with forms that flow, merge, and breathe. Challenging conventional architectural paradigms, these projects continue to draw inspiration and proliferate deeply rooted cultural narratives. In India's case, the embrace of fluidity in architecture reflects an interplay of themes: materiality, memory, craftsmanship, and the living context of space.
The year 2024, following a period of global uncertainty, saw a complex interplay of challenges and advancements. While geopolitical tensions and the lingering effects of past crises remained prominent, a focus shifted towards rebuilding, with communities worldwide seeking local solutions and ways to advance despite the turmoil. The architectural landscape of 2024 saw a growing exploration of new building systems and technologies, often inspired by vernacular solutions. At an urban scale, spaces are reconsidered for their potential to shift towards more pedestrian-friendly activities, more natural areas, and opportunities for community gathering and event organizing.
Discussions around decolonization, the preservation of traditional building techniques, and the integration of local narratives into design continued to gain momentum. The focus was less on singular, iconic structures and more on environmentally responsible and socially conscious projects that addressed the specific needs of communities. Concurrently, new technologies such as AI systems have continued to impact the profession, but are understood more and more not as replacements, but as tools available for architects and designers to improve their processes.
India's global identity has developed alongside its aspirations for a unique architectural future. Over time, the country's architectural landscape has evolved from vernacular traditions to foreign influences, from post-colonial revivals to modern digital expressions. Computational design has played an influential role in shaping contemporary styles, empowering homegrown architectural firms to experiment with form and structure.
The 2024 Beta Architecture Biennial, in Timișoara, Romania, marks the tenth anniversary of this influential event. Curated by Oana Stănescu, this year's biennial, titled "cover me softly," explores the nuanced relationship between originality and influence, challenging conventional notions of copying, imitation, and appropriation. In addition to the Beta Awards, aiming to highlight significant contributions to architecture from across Romania, Hungary, and Serbia, the main exhibition offers a distinctive interpretation of recurring themes of the architectural field.
In the mid-twentieth century, a set of South Asian countries collectively experienced a catharsis from colonizers' rule. The period that followed sparked an era of ideas and philosophies for a new future. During this time, architects were pivotal in creating modernist structures that defined the countries' post-colonial, post-partition and post-imperial identities. South Asian architects used design as an expression of hopeful societal visions, most of which have been actualized. With this success in nation-building, there has been a lack of accreditation for women architects in shaping South Asian histories.
Carl Pruscha, an Austrian architect who mainly dedicated his professional career to investigating and working closely in the field of regional architecture in the Eastern world, a territory that was being overlooked at a time when the modern movement in architecture and in the rest of the world was booming. Through an overview of his life, we will highlight some of his most relevant works in Nepal and Sri Lanka and understand how Pruscha managed to stamp his unique visions of architecture and cities into his built projects.
A new generation of sustainable practices is transforming the architectural landscape. What is its 'secret'? The combination of innovation, ecological awareness, and, fundamentally, the revaluation of natural resources that have accompanied humanity since its earliest days. While this knowledge was never truly lost, the techniques associated with these materials have long remained in the background. Today, they are making a resurgence, adapting to modern challenges, and reestablishing themselves as essential, timeless elements in tomorrow's architecture.
