At the 19th International Architecture Exhibition of La Biennale di Venezia in 2025, the Lebanese Pavilion, curated by the Collective for Architecture Lebanon (CAL), presents "The Land Remembers," an exploration of ecocide and environmental healing. Selected by Lebanon's Ministry of Culture and the Lebanese Federation of Engineers, CAL is a non-profit organization co-founded in 2019 by Shereen Doummar, Edouard Souhaid, Elias Tamer, and Lynn Chamoun. Their curatorial vision aims to transform the pavilion into a fictional institution, the Ministry of Land Intelligens, dedicated to confronting environmental devastation and proposing strategies for ecological restoration.
Pakistan has unveiled its national pavilion for the 19th International Architecture Exhibition - La Biennale di Venezia, set to take place from May 10 to November 23, 2025, in Venice, Italy. Titled (Fr)Agile Systems), the pavilion explores the dual nature of resilience and vulnerability in the face of climate change, using Pakistan's rich geological and cultural heritage as a lens to examine global environmental inequities. Through a striking installation featuring rock salt, a material shaped by time yet susceptible to change, the pavilion challenges dominant narratives of climate adaptation, advocating for localized, nature-based solutions rather than one-size-fits-all approaches.
Brazil has just announced its participation in the 19th International Architecture Exhibition – La Biennale di Venezia, opening on May 10, 2025, with a pavilion curated by the Plano Coletivo group. Architects Luciana Saboia, Eder Alencar, and Matheus Seco will lead the project, representing Brazil with an multidisciplinary approach that bridges architecture, nature, and social infrastructure. Titled "(RE)INVENTION," the Brazil Pavilion will be open from May 10 to November 23, 2025, in partnership with the Ministry of Culture and the Ministry of Foreign Affairs of Brazil. The exhibition reflects on the recent archaeological discovery of ancestral infrastructure in the Amazon to examine the contradictions and socio-environmental conditions of contemporary cities.
Out of 45 participating submissions for Chile's Pavilion at the 2025 Venice Architecture Biennale, the winning proposal has been recently announced. 'Reflective Intelligences,' the curatorial project by Serena Dambrosio, architect, researcher, and lecturer at Universidad Diego Portales; Nicolás Díaz Bejarano, architect, researcher, lecturer, and PhD candidate in Architecture and Urban Studies at Pontificia Universidad Católica de Chile; and Linda Schilling Cuellar, architect, urban designer,educator and doctoral candidate at the Centre for Research Architecture at Goldsmiths University.
During a live presentation for the 19th International Architecture Exhibition, curator Carlo Ratti offered a glimpse into the programming of this year's edition. The 2025 Venice Architecture Biennale will include 66 National Pavilions, with 4 countries represented for the first time: the Republic of Azerbaijan, Sultanate of Oman, Qatar, and Togo. The exhibition, divided between the Giardini (26), at the Arsenale (22) and in the city center of Venice (15), explores the theme of "Intelligens. Natural. Artificial. Collective", gathering over 750 participants, including individuals and organizations forming interdisciplinary and multigenerational teams. According to the numbers released, this year's edition is shaping up to become the largest Architecture Biennale held in Venice.
Saudi Arabia has just announced its participation in the 19th International Architecture Exhibition-La Biennale di Venezia with the National Pavilion presenting The Um Slaim School: An Architecture of Connection. Designed by Syn Architects, the Riyadh-based practice, and curated by Beatrice Leanza, the pavilion offers an exploration of contemporary urban conditions in Saudi Arabia through spatial practice and alternative architectural pedagogy. Syn Architects was selected as one of ArchDaily's Best New Practices of 2024, recognized for its engagement with local architectural heritage and contemporary spatial practices.
2025 promises to be a landmark in architecture, heralding a vibrant renaissance of creativity and exploration. As societies confront challenges such as climate change, rapid urbanization, and technological evolution, architecture is both a mirror to these dynamics and a compass pointing toward a sustainable and inclusive future. This year's architectural calendar offers abundant opportunities to celebrate the discipline's transformative power — from boundary-pushing festivals to thought-provoking exhibitions that explore pressing cultural and environmental narratives.
From well-established biennials to inaugural gatherings, including the World Architecture Festival 2025, Desert X Al Ula, and the COP Climate Conference, the 2025 calendar highlights themes such as sustainability, heritage, and community. These events underscore architecture's unique ability to shape a better future, addressing global challenges while honoring cultural diversity and design ingenuity.
The Board of La Biennale di Venezia has just announced the appointment of Koyo Kouoh as the Director of the Visual Arts Department. Kouoh will lead the curation of the 61st International Art Exhibition, scheduled for 2026. This announcement follows a recommendation by Pietrangelo Buttafuoco, President of La Biennale, who emphasized Kouoh's extensive experience in the global art world and her ability to engage with contemporary artistic and cultural discourse. Born in Cameroon, Koyo Kouoh will become the first African woman to curate the Venice Art Biennale.
The 19th Biennale Architettura, set to open in Venice in May 2025, will see the Belgian pavilion transformed by an exhibition titled "Building Biospheres," curated by a team comprising landscape architect Bas Smets, climate scientist Valerie Trouet, and biologist Stefano Mancuso. Initiated by the Flemish government and the Flanders Architecture Institute, this thought-provoking exhibit will explore a transformative approach to architecture through the lens of plant intelligence.
Architectural grafting, a concept recently popularized by Jeanne Gang inThe Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.
In this roundup, ArchDaily consolidates this year's transformative updates in cities worldwide, organized into thematic clusters that capture the evolving nature of urban design and policy in 2024. Projects like the extensive renovations of Barcelona's La Rambla and the preservation efforts around Chicago's historic skyscrapers highlight preservation of urban heritage, while initiatives in Venice and Los Angeles respond to overtourism and housing pressures, balancing livability with growth. Meanwhile, ambitious master plans have been announced, including the revitalization of industrial sites in Tallinn and Connecticut, reflect how cities are reimagining their urban fabric. Finally, post-disaster rebuilding in Kharkiv and Türkiye underscores the urgency of resilience-driven design, ensuring that cities can endure and evolve even in challenging times. Together, these updates offer a glimpse into the global forces reshaping urban landscapes
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
Contrary to common belief, artificial islands have a lengthy historical background in many regions worldwide. This heritage dates back to the reclaimed islands in Ancient Egypt, the hundreds of Stilt crannogs found in Scottish and Irish lakes and waterways, and the ceremonial islands constructed during the Aztec Empire. By definition, an artificial island is an island that has been constructed by humans rather than formed through natural processes. Artificial islands can be built for many different reasons, and these reasons are only increasing as the world faces the looming issue of space scarcity.
In the past, these islands were intended for ceremonial or agricultural purposes, often verging on solutions for urban space. More recently, the islands have been built to mitigate overcrowding, reclaim land, provide new urban expansions, and meet infrastructure and industrial needs. Artificial islands also have certain strategic advantages and economic gains and can lead to geopolitical benefits. However, these types of projects come at a significant cost to our ecosystem, harming the environment in severe and vast ways.
