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Keen to shape buildings and cities in Southern Europe, BIG has opened its latest office in Barcelona, Spain. Led by partner, João Albuquerque, the studio is seeking to create positive change and integrate into the city and the Spanish community. With a couple of projects spanning from the west to the east of the Mediterranean region, most notably Farfetch, and Fuse Valley campus in Portugal, the Joint Research Center in Sevilla for the European Commission, and the Gastronomy Open Ecosystem for Basque Culinary Center, BIG Barcelona is in constant evolution.

ArchDaily had the chance to talk to BIG Barcelona Partner João Albuquerque about the inception of the Barcelona office, his journey at BIG, and the firm's upcoming projects and involvement within the Spanish and Southern European markets.

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This article was originally published on Common Edge.

Although it was originally published in 2019, this essay by Randy Nishimura, lightly updated, serves as a rebuttal of sorts to Duo Dickinson’s recent Common Edge piece, “The Architectural Pandemic of the ‘Stick Frame Over Podium’ Building.” Dickinson likens the building type to a plague; Nishimura offers a contrarian’s perspective.

A recent spate of articles bemoaning the proliferation of 5-over-1 apartment buildings caught my attention. Outlets such as Bloomberg, Common Edge, Crosscut, and Curbed have all commented on the building type, the common thread being a reproach for their ubiquity, sameness, and inexpensive construction. Some of the critiques rightfully point to the confluence of multiple factors—evolving building codes, a lack of developable land, rising construction costs, and an acute lack of affordable housing—that have given rise to countless examples of the type across the country. The same dynamics are in play here in my hometown of Eugene, Oregon, so we naturally have our share of 5-over-1 developments.

Saskia Sassen, the Robert S. Lynd Professor of Sociology at Columbia University, predicts in her co-authored book “The Quito Papers and the New Urban Agenda” that, in the future cities will become our crucial battlefield as we continue to fight against gentrification and growing degree of isolation in our communities. Sassen argues that, “Cities should be an inclusive space for both the affluent and the poor. Nevertheless, in reality our cities never achieved equality for all, because our cities were never designed that way. Still cities ought not to be a place that tolerates inequality or injustice”.

Hong Kong is considered to have one of the most exceptional skylines and urban schemes in the world: contemporary skyscrapers stand amidst the mountains and harbour, ancient houses nestled between futuristic structures, neon lights, landscapes... But among Hong Kong's numerous remarkable architectures, its spatial typology of death is like no other.

Over the course of five years, RIBA-nominated architectural photographer Finbarr Fallon captured the hyper-dense graveyards of Hong Kong, showcasing the sublime geometry of its mountainside burials in a series titled "Dead Space".

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