UNStudio: The Latest Architecture and News

Our friends from UNStudio shared their latest completed residential project, a villa nestled on the outskirts of Stuttgart that offers amazing vistas over country vineyards which are juxtaposed with cityscape panoramas. The sinuous curves of Haus am Weinberg are governed by the idea of creating a “twist” which organizes the programmatic flow of the residence. Ben van Berkel explained, “The Haus am Weinberg adopts a stereovisual spatial effect, acting almost as an optical instrument, whereby not a parallax view, but a parallax experience is created. Moments of parity with the surrounding landscape from inside the house form a constant experiential connection and awareness of its immediate context.”

More after the break, including a great photography set by Iwan Baan.

We recently shared six conceptual visions for the transformation of Los Angeles’ Union Station. Upon the release of the vision boards, the team’s proposals (EE&K, a Perkins Eastman Company, in association with UNStudio; IBI Group with Foster+Partners; Grimshaw with Gruen; Moore Ruble Yudell Architects and Planners, with Ten Arquitectos and West 8; NBBJ with Ingenhoven Architects; and Renzo Piano Building Workshop with Parsons Transportation Group Inc.) sparked much public interest. As we reported earlier, the Metro staff will recommend a winner to the Metro board on June 28th, but in the meantime, we’d like to share a closer look at some of the proposals.

UNStudio’s proposal with EE&K imagines Union Station as a multi-modal transit hub filled with mixed use development and outdoor spaces.  The conceptual vision board explores possibilities for the station and its surrounding areas, highlighting a key integration of transportation and outdoor park spaces with its “green loop” strategy.

More about the vision board after the break.

Metro officials have released six conceptual visions that suggest how the historic Los Angeles Union Station could be transformed by 2050. Preliminary “Vision Boards” were released in a public forum at Union Station last week, and although they are not part of the formal evaluation process, they have ignited an immense amount of public interest in the competition.

In an article posted on The Source, Los Angeles Mayor and Metro Board Chair Antonio Villaraigosa described that this competition is “about preparing for the future.” As plans for the California High-Speed Rail System evolve, it is imperative that Union Station is redeveloped to meet the standards of a 21st century transportation hub.

Continue after the break to view each Vision Board provided by the six well-known practices shortlisted for the competition.

We are continually impressed by the variety of projects from UNStudio’s office. The firm just unveiled a new vertical city highrise for Singapore previously featured on AD, and recently, the Dutch studio’s international air terminal and traffic control tower for Kutaisi was officially presented by Mikheil Saakashvili, President of Georgia. The country is growing quickly and changing rapidly, with new tourist and economic activity, plus different political developments. As such, the design for the new airport seeks to showcase Georgia new identity by providing a contemporary gateway to the country.

More about the airport after the break. 

This month, UNStudio’s Ponte Parodi, a waterfront design for Genoa, Italy, will be presented at the MAPIC in Cannes as one of the most iconic waterfront developments currently being realized. The harbor project is part of a larger vision to revitalize the entire waterfront area, and merge the local urban and economic fabric to create a point of interest for Genoa’s varied waterfront users. The juxtaposition of varied circulation typologies creates an innovative extension for the city center which not only organizes the position of the program, but also optimizes pedestrian flows within and atop the building.

More about the waterfront after the break.

In recent years, UNStudio – which has been internationally recognized for its approach to developing dynamic forms – has also grown to focus on sustainability with the intent to decrease C02 emissions. With this in mind, the firm, with consortium DUO², has realized one of the most sustainable large office buildings in Europe for two governmental offices, the Education Executive Agency and the Tax Offices. “The design contains numerous new innovations related to the reduction of materials, lower energy costs and more sustainable working environments. It presents a fully integrated, intelligent design approach towards sustainability,” explained Ben van Berkel.

More images and more about the project after the break.

This year, I Saloni of Milan will be celebrating its 50th year! The cultural institution has grown dramatically over the years from an initial 328 exhibitors featured in 11,000 square meters to over 2,500 in an area now measuring over 200,000 square meters. The Salone Internazionale del Mobile is almost here and several architects will be presenting new furniture. Ben van Berkel of UNStudio has shared three new seating designs that will be featured this month: My Lounge Chair for Walter Knoll, the New Amsterdam Chair for Wilde+Spieth and the SitTable for PROOFF. “The architectural approach to furniture is different from that of the industrial designer as the architect begins with the space and the environment that the chair will become a part of. All the details of the chair are considered for their spatial effects. This architectural approach to furniture is connected to a very personal ideology of space,” explained Ben van Berkel.

More about the chairs after the break.

Yesterday afternoon, we had the pleasure of attending the opening day of Ben van Berkel’s New Amsterdam Pavilion in Peter Minuit Plaza, just outside Battery Park in Manhattan. After walking around the pavilion and watching New Yorkers’ first encounters with the new sculptural piece, we had the opportunity to study the project with Mr. van Berkel as he explained his ideas and process. The pavilion is a gift from the Netherlands to New York in honour of 400 years of friendship; yet the pavilion does not attempt to physically manifest a representation of that relationship. Rather, the pavilion can be interpreted in different ways and speaks to both the history and the future of the city.

More about our talk with van Berkel and more images after the break.

After our UN Studio’s Burnham Pavilion gallery, many of you wondered how it was built. This photo reveals the woodenstructure for this pavilion, which was later finished with a plastic-like material.