Universal Design: The Latest Architecture and News

When addressing accessibility in architecture, codes set the baseline, while design defines the ceiling. Although numerous guidelines exist, creating spaces for everyone goes beyond mere adherence to standards. It requires a deep understanding of the environment and a broad perspective, recognizing that what we design will be used by people with diverse bodies, abilities, and conditions far beyond those traditionally considered typical users.

Furthermore, designing environments poses the challenge of inclusivity, ensuring that individuals who do not fit the standard profile—such as people with disabilities, pregnant women, those using assistive devices, and individuals of varying ages, body types, etc—are not excluded. The principles of Universal Design, established in 1997 by the NC State University College of Design and led by Ronald L. Mace, offer a transformative perspective in this context. This approach influences various design fields, including the built environment, products, and communications. When applied to architecture, it fosters the creation of spaces that work for everyone, minimizing the need for adaptations or specialized design.

Architectural design is a discipline that spans a wide range of scales, from macro scales involving the design of master plans or large urban complexes to micro scales, where it focuses on specific elements such as fixtures and fittings. Regardless of scale, careful attention to the design of each component of the built environment plays a critical role in how people experience architecture.

At the architectural micro-scale, railings and handrails play specific roles but are often confusing. While railings are designed to enclose spaces and prevent falls, handrails function as support elements, offering orientation and stability to avoid accidents and injuries. It is in the latter aspect that a stronger connection to accessibility becomes evident. For this reason, it is essential to have handrails, wall railings, and assist railings that meet ADA standards, such as those developed by Hollaender Manufacturing Co. These elements adapt to various design conditions, facilitating the movement of individuals who may encounter barriers in the physical environment.

The influence of design on our physical and mental health has been largely explored in various contexts, ranging from spatial configuration to furniture. The topic has gained notoriety due to the growing awareness of human well-being, especially in recent times. An example of this bond between design and health is the emergence of concepts such as Neuroarchitecture, which seeks to understand the built environment’s potential in our brain. Another case that illustrates this approach, this time in furniture design, is the Paimio Sanatorium, where Alvar Aalto designed the tuberculosis sanatorium and all its furnishings. The chair created for the patient’s lounge —the Paimio Chair— facilitated their breathing due to its shape and the inclination of the backrest.

These approaches are examples of how design can be applied in a specific way to enhance people's well-being through gestures like spatial organization, color and shapes, thereby promoting architecture that contributes to health, care, and recovery, In this context, and as a result of explorations in this field, HEWI has developed ICONIC, infusing emotionally appealing color concepts for its design icon, the 477/801 barrier-free sanitary range. An essential element of this range's design was the concept of "healing architecture" within healthcare and daycare buildings and its influence on not just the physical and mental well-being of patients but also the welfare of other users, such as relatives and staff.

One of the most important challenges in architecture, when it comes to creating spaces that work for everyone, is the diversity that exists in people, their needs, and how to integrate them into a design. Disabilities are more than a condition; they are a way of living according to human diversity that requires architectural solutions of equivalent multiplicity.

According to data from the World Bank, it is estimated that 1 billion people –equivalent to 15% of the world's population– live with some type of disability. In the future, this percentage could increase considerably, given the global trend of aging populations. To face this growing challenge, architecture will have to adapt quickly, due to the role that built environments have in constituting a barrier or a path for the inclusion of people with different types of disabilities, seniors, as well as diverse groups who make up the human plurality.

The world's population is undergoing a significant demographic transformation, with an increasingly larger portion of people reaching older ages. This has prompted governments to implement public policies aimed at promoting the well-being of the growing number of elderly individuals worldwide. Alongside this trend, there is a need to address special needs that extend beyond just the elderly population and encompass various age groups. Advancements in medical science have enabled many people with disabilities or special needs to lead fuller and more independent lives, contributing to a more inclusive society. This progress also places a crucial responsibility on architects and designers, who must create built environments that are genuinely inclusive, and capable of accommodating a wide diversity of individuals with specific medical needs and varying levels of mobility. This underscores the fundamental importance of universal design and accessibility principles.

The fabric of our cities is shaped by millions of small decisions and adaptations, many of which have become integral to our experience. Nowadays taken for granted, some of these elements were revolutionary at the time of their implementation. One such element is the curb cut, the small ramp grading down the sidewalk to connect it to the adjoining street, allowing wheelchair users and people with motor disabilities to easily move onto and off the sidewalk. This seemingly small adaptation has proven to be unexpectedly useful for a wider range of people, including parents with strollers, cyclists, delivery workers, etc. Consequently, it lends its name to a wider phenomenon, the “curb cut effect”, where accommodations and improvements made for a minority end up benefiting a much larger population in expected and unexpected ways.

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The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.

Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.

The ramp is one of the architectural elements that, besides facilitating movement between different heights and floors, provide greater accessibility to spaces. In Brazil, a series of decrees and regulations seek to ensure citizenship rights and promote equality and social inclusion of people with disabilities, which permeates issues related to their mobility and freedom to come and go. Architecture plays a key role in this inclusion, by devising strategies to ensure that these people can transit, participate and interact in any environment, whether public or private.

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Created by the American architect Ron Mace in the 1980s, the concept of Universal Design deals with the perception of the projects and environments that we design and inhabit, considering the possibility of its use by different user profiles: from children to the elderly, including language limitations and people with disability or temporary limitations.

How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan’s Center for Architecture calls for a “reset.” On view until September 3, Reset: Towards a New Commons, displays projects that “encourage new modes of living collaboratively” and “more holistic approaches to inclusion.”

In the 14th century, Geoffrey Chaucer wrote “Familiarity breeds contempt”. By definition “local” is “familiar”. Why are humans so thrilled to go beyond the familiar, the local, and reach for what is new, universal, and salvational? The word “local” has the weight of true value, like “density” or “sustainable” But the lure of connection between all humans is powerfully seductive, and that desire to connect almost always falls short of our hopes.  

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Karen Braitmayer, a disabled architect, consultant, and volunteer, brings her unique life experiences to Studio Pacifica, the Seattle‐based practice she founded in 1993. With deep expertise in code compliance and regulations, Braitmayer and her team work with architectural firms like Olson Kundig and Perkins and Will to help create barrier‐free civic, residential, and commercial buildings. Studio Pacifica has served as consultants on notable projects ranging from the Space Needle renovation to the Bill & Melinda Gates Foundation Discovery Center and student housing at Smith College. Braitmayer was appointed by President Barack Obama to the United States Access Board, a position she still holds today.

As we mark the 30th anniversary of the passage of the Americans with Disabilities Act (ADA) this month, we spoke to her about how far we’ve come, and how we can continue to advance accessible design in the built environment.

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One of the most important design considerations that residential architects have the responsibility to address is accessibility, ensuring that people with disabilities can comfortably live at home without impediments blocking basic home functionality. Accessibility for wheelchair users is a particularly important architectural concern due to unalterable spatial, material, and other requirements necessitated by wheelchair design and use. Because guaranteeing the comfort of all users, including disabled users, is one of the most essential obligations of all architects, designing for wheelchair users must be done with utmost the attention and care, especially in residential environments. Below, we delineate several strategies for designing floors for wheelchair circulation, helping architects achieve this goal of maximum comfort and accessibility.

There exist frequent reports of toilet accidents, as they are often located in tight and slippery places. Although no one is immune to a slip after bathing, it is the elderly who suffer most from falls, and can often suffer serious injuries, sequelae, and functional limitations. Due to the natural reduction of reflexes and muscle mass, the higher the age group, the more prone to falls we become.

To provide more comfortable living conditions as users grow older, the environment must adapt to the new physical capabilities of its occupants. Making toilets safer is critical to reducing the risk of accidents and decreasing response time in the event of a fall. Here are some things to keep in mind when designing toilets for older people:

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