“The whole hand will be the tenth part of the man; From the bottom of the chin to the top of the head is an eighth of its height; From the nipples to the top of the head it will be the fourth part of the height.” If you're still here without going to get a measuring tape, these phrases were written by Marcus Vitruvius Pollio, a Roman architect who lived in the 1st century BC, who delineated them in his influential treatise “De Architectura Libri Decem” – Ten Books on Architecture. The data presented by Vitruvius was compiled and depicted visually around fifteen hundred years later by Leonardo Da Vinci in his famous work “Vitruvian Man,” which is reproduced in all different contexts today, from book covers to kitchen aprons.
The Modulor : The Latest Architecture and News
The Evolution in Understanding of Human Scales in Architecture
On the Dislocation of the Body in Architecture: Le Corbusier's Modulor
In 1948, the architect Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, released one of his most famous publications titled Modular, followed by Modular 2 (1953). In these texts, Le Corbusier expressed his support of the research that Vitrubio, DaVinci, and Leon Battista Alberti started centuries before: to find the mathematical relationship between human dimensions and nature.
The research of the previously mentioned authors also represents the search to explain the Parthenon, the temples, and cathedrals built according to exact measurements that reference a code of essentiality. Knowing what instruments were used in finding the essence of these buildings was the starting point, instruments that at first glance seemed to bypass time and space. It wouldn't be farfetched to say that the measurements came from essence: parts of the body such as the elbow, the finger, thumb, foot, arm, palm, etc. In fact, there are instruments and measurements that carry names alluding to parts of the human body, an indication of architecture's proximity to it.