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The Decorators: The Latest Architecture and News

The British Pavilion at the 2021 Venice Architecture Biennale Explores How to Make Public Space More Inclusive

Curated by Manijeh Verghese and Madeleine Kessler, co-founders of multi-scalar design practice Unscene Architecture, the British Pavilion exhibition entitled The Garden of Privatised Delights, at the 17th International Architecture Exhibition – La Biennale di Venezia, will be open to the public from the 22nd of May until the 21st of November 2021. Commissioned by the British Council, the exhibition “reimagines how to make public space more inclusive, countering the rapid rise of privately-owned public space with an inspiring, alternative vision that urges both sectors to work together to create better-designed spaces for all”.

Between the Kaleidoscopic Present and the Uncertain Future: A Case for Temporary Architecture

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Plastique Fantastique: Sound of Light placed an inflatable structure into a 19th century music pavilion in Hamm, Germany in 2014. Image © RIBA Publications

Temporary architecture is often misrepresented as a flimsy trend or photo-ready quick fix: easy, entertaining and often, mistakenly, cheap. This is Temporary concerns itself with a group of young, emerging, socially minded group of architects and designers who are taking the city back into their own hands and creating experimental sites for interaction and engagement. These architects, collectives, students and artists are designing transient structures, situations and events that invest and embed themselves in a community, public space or set of ideas.

Read an excerpt from the book This is Temporary after the break.

A Mobile Italian Garden Overlooking London

The Decorators, an interdisciplinary group of practitioners working with space in London, recently transformed the terrace overlooking the city at Alexandra Palace by installing a mobile Italian garden. As a "landscape of scattered objects" which geometrically piece together to resemble a formal garden, the designers describe the project as somewhere between "grotto and folly, garden and landscape, stage and amphitheater," all the while drawing from the historical character of the surrounding context. The scheme ultimately "breaks the monumental proportions of the main building to meet visitors with a more intimate scale on their first encounter" with the palace.

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