Designer William McDonough has unveiled the next step in cradle-to-cradle manufacturing: The Innovation for the Circular Economy house (ICEhouse) in Davos, Switzerland. The ICEhouse aims to show the “positive design framework described in the book Cradle to Cradle: Remaking the Way We Make Things, the sustainable development goals of the United Nations, and the reuse of resources implicit in the circular economy."
The house was used as a place of gathering and discussion for the World Economic Forum annual meeting. After being used for the week, the building will be disassembled and reconstructed elsewhere.
In early April 2015, the New York Times reported on Leonardo DiCaprio’s recent purchase of Blackadore Caye, a small island off the coast of Belize that has faced significant environmental degradation and erosion. A patron of several environmental projects, DiCaprio is partnering with Paul Scialla, CEO of the Delos real estate and wellness platform, to create an eco-resort intended to serve as the latest model of cutting-edge, environmentally-responsible tourism development. The development plans include a row of floating guest suites built over the water, 48 private villas (ringing in at $5-15 million), human health and anti-aging wellness programs, and a conservation area. The project is advertised as meeting the ambitious green building standards of the Living Building Challenge and the WELL Building Standard®.
Many Times readers in the comments section sardonically noted that the private jets and the shipment of building materials and daily resources for island development come with large environmental and social price tags that far outweigh the conservation efforts associated with the resort. On the other hand, a few commentators pointed out that the development will employ local labor and save the island from complete degradation. The discussion surrounding the pros and cons of “eco-tourism” development is not a new one, and not one that is easily settled.
But beyond the (important) discussion of the impacts of eco-tourism, the development raises questions about the emergence of alternative green building market standards, which ostensibly aim to transform the building industry by setting measurable targets for the environmental and social effects of the places we live and work.
What if a power plant could also be a home, an office, or even a park? That is the question behind Cypher CO2ling Plant, a conceptual design developed by Kawan Golmohamadi, Shilan Golmohamadi, and Soad Moarefi. Power plants are a ubiquitous and inevitable byproduct of modern lifestyles, but they are typically located in remote areas, far from where the power is actually needed, due to their unsightly appearance and the emissions associated with combustion-fueled energy generation. Cypher CO2ling Plant proposes an alternative scenario that utilizes the infrastructure of the power plant’s cooling towers to support mixed-use development, while also mitigating the less desirable aspects of energy generation.
White on White by Gianni Botsford Architects. Image Courtesy of RIBA
RIBA (Royal Institute of British Architects) has released a report forecasting the greatest design trends in housing in the UK for 2016, based off a survey of 250 RIBA charted practices that are currently active in the housing design market. Noticeable trends include an increase in sustainable, energy conservation measures such as sustainable materials, improved insulation and water conservation/recycling; large extensions and bigger homes; housing designed for aging relatives/occupants; and flexible open-plans for family gathering.
Arup’s Foresight + Research + Innovation, MadridSustainability and Master Planning, and Landscape Architecture teams have released Madrid + Natural, a series of guidelines to address climate change within the city.
The forward-thinking report to seeks to provide “multiple nature-based solutions to regulate Madrid’s urban environment and respond to problems like pollution, increased heavy storm events, drought, periods of abnormally hot temperatures, and local biodiversity loss.”
As part of the United Nations Climate Change Conference (COP21) in Paris, Tomás Saraceno has revealed a sculpturalinstallation, “Aerocene - Around the world to change the world," at the Grand Palais and Palais de Tokyo. The project features a series of air-filled sculptures that float without burning fossil fuels or using engines, solar panels or batteries.
Accoya Wood. Image Courtesy of Cradle to Cradle Products Innovation Institute
The Cradle to Cradle Innovation Institute (C2CPII) has announced the winners of its 2015 Product Innovator Awards. Focusing on leaders in industries that are designing with upcycling and closed-circuit lifespans in mind, the award recognizes innovation in the practice of sustainable, circular-economy design. See the winners after the break.
Turkish President Recep Tayyip Erdoğan and Antalya Mayor Menderes Turel have announced their support for Perkins+Will’s sustainablemaster plan for Antalya, Turkey. The master plan will revitalize and preserve the Bogacay Creek Basin area of Antalya, improving its quality as a major tourist city along the Turkish Riviera.
Millau Viaduct, France / Foster + Partners. Image via Foster + Partners
If Lord Foster—perhaps one of the greatest architects of our time—feels as though he has "no power as an architect, none whatsoever," people tend to take notice. His support, thoughts and opinions, he tells The Observer'sRowan Moore, are his most influential tools: "advocacy, he says, is the only power an architect ever has." Their conversation, held ahead of the Urban Age Global Debates which are currently taking place in London, also touches upon the importance of infrastructure, the social role of the architect, and the growing—if not undervalued—urgency to readdress sustainability within the profession.
“As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown. The green agenda is probably the most important agenda and issue of the day […] all the projects which have, in some way, been inspired by that agenda are about a celebratory lifestyle, in a way celebrating the places and spaces which determine the quality of life.”
In this new video by WIRED, Gregg Pasquarelli of SHoP Architects and Vishaan Chakrabarti of Partnership for Architecture and Urbanism discuss the biggest changes that they would make to New York City. Covering everything from public green space to transit infrastructure, the two speak at length on the Big Apple’s planning and how it compares to other massive metropolitan cities around the world. Major changes they suggest include the separation of Central Park into two large strips, for example “West Side” and “East Side” Park, with industrial areas on the outside edge and residential/commercial areas located between them.
At the Chicago Architecture Biennial, the theme selected by directors Joseph Grima and Sarah Herda was deliberately wide in scope, with the expectation that more than one hundred exhibitors would each bring their own perspective on what is “The State of the Art of Architecture.” But where does that leave one of architecture's most widely adopted missions of the 21st century: sustainability? In this article, originally published on her blog Architectstasy as “Chicago Architecture Biennial: The State of the Art of Sustainability,” Jessica A S Letaw delves into five projects that take on sustainability in the context of Chicago's biennial.
At North America's inaugural Architecture Biennial in Chicago, “The State of the Art of Architecture,” architectural firms and practices from all six inhabited continents have been invited to display their work. Spanning all sizes and kinds of projects, the Biennial is showcasing solutions to design problems from spiderwebs to social housing.
US buildings use around 40% of all the country’s energy consumption. It is a disconcerting truth that even if every new building starting construction tomorrow were to be net-zero energy and net-zero water, we’d still be on a crash course, draining more naturally-available resources than our one planet can permanently sustain. In this environment, architectural designers have a special responsibility to educate themselves about innovative sustainable design techniques, from those that have worked for thousands of years to those that, as the Biennial’s title hopefully suggests, are state of the art.
So what does the Biennial have to say about sustainability? Five projects on display demonstrate different approaches at five different scales: materials, buildings, resources, cities, and the globe.
https://www.archdaily.com/777081/5-projects-at-the-chicago-biennial-that-demonstrate-the-state-of-the-art-of-sustainabilityJessica A S Letaw
Continuing with our coverage of Espacios de Paz 2015 (Spaces for Peace) in Venezuela, Plataforma Arquitectura Editor José Tomás Franco reflects on the crisis of the architect who approaches his work abstractly -- without taking into consideration the unique problems and issues of the territory -- and on the strengthening of a collective architecture, that is honest and efficient, not only benefitting the affected communities but also, indirectly, revolutionizing the way we architects do our jobs.
In times of crisis, the need for progress forces us into action. While pressing issues in Latin America generate instances to improve the quality of life in the most vulnerable neighborhoods, architects, which are plentiful in the region, seem pressured to broaden their scope and search for new fertile spaces to work in. This meeting of forces not only translates into a real contribution to a particular community, but also subtly reveals a change in the way in which we practice architecture.
Faced with the highly complex task of meeting the urgent needs of people with limited resources, Latin American architects have been obliged to work based on efficiency and teamwork, recovering key skills and using them to help other human beings. Skills that are essential for showing that our work is fundamental, and not only in the cities' forgotten neighborhoods.
Why do Latin American architects seem to be returning to their roots?
"The debate linked to a more responsive architecture, connected to nature, has been growing since the 1960s," explains Irina Shaklova in her description of her IaaC research project Living Screen. "Notwithstanding this fact, to this day, architecture is somewhat conservative: following the same principles with the belief in rigidity, solidity, and longevity."
While Shaklova's argument does generally ring true, that's not to say that there haven't been important developments at the cutting edge of architecture that integrate building technologies and living systems, including The Living's mycelium-based installation for the 2014 MoMA Young Architect's Program and self-healing concrete made using bacteria. But while both of these remain at the level of research and small-scale experimentation, one of the most impressive exercises in living architecture recently was made with algae - specifically, the Solarleaf facade developed by Arup, Strategic Science Consult of Germany (SSC), and Colt International, which filters Carbon Dioxide from the air to grow algae which is later used as fuel in bioreactors.
With Living Screen, Shaklova presents a variation on this idea that is perhaps less intensively engineered than Solarleaf, offering an algae structure more in tune with her vision against that rigidity, solidity, and longevity.
With the close of the seventh Solar Decathlon competition last month in Irvine, California, we couldn't help but reflect on our own experience in the 2013 competition as leaders of Start.Home - Stanford University's first entry into the US Department of Energy (DOE)'s biennial net-zero energy home competition which ultimately placed fifth. With the advantage of two years of hindsight, we can now clearly see that our experience in the Decathlon has had incredible educational value to us, not only as students of architecture and engineering, but also as leaders and future professionals in interdisciplinary projects.
However, echoing recent sentiments on ArchDaily, we feel it is unclear whether the Solar Decathlon still has any of the other values it set out to have; namely to showcase cutting-edge renewable and sustainable technology in residential building design to industry and the public. In fact, as the competition looks ahead with uncertain governance and sponsorship, without some serious reexamination of its fundamental goals the Solar Decathlon may be facing its own setting sun. How did the Solar Decathlon reach its current state of irrelevance? More importantly, how should it innovate to see a new dawn in the coming years?
https://www.archdaily.com/776436/from-dusk-to-new-dawn-how-the-solar-decathlon-can-be-savedDerek Ouyang and Rob Best
The Design Trust for Public Space and Farming Concrete have released the Farming Concrete Data Collection Toolkit: the first public platform for gathering, tracking and understanding urban agriculture production and the benefits of community gardens, urban farms and school gardens. The result of a six-year initiative, Five Borough Farm, the Toolkit features a user-friendly manual with simple methods of generating and collecting data at each garden and farm, with accompanying instructional videos; Barn, an online portal for farmers and gardeners to input and track their production; and Mill, a public database providing access to numbers, reports for practitioners, researchers, policymakers, funders and anyone with interest in urban agriculture.
Sofoklis Giannakopoulos, a researcher at the Institute for Advanced Architecture of Catalonia (IAAC), has designed Pylos, a 3D printer that utilizes a natural, biodegradable, cheap, recyclable and local material that everyone is familiar with: the earth.
In an effort to make 3D printing a “large scale construction approach” even in years of economic and environmental turmoil, Pylos explores the structural potential of soil, a material that has been widely used in vernacular architecture around the world, and particularly in the Global South.
Timber buildings are regularly praised for their sustainability, as carbon dioxide removed from the atmosphere by the trees remains locked in the structure of the building. But what if you could go one better, to design buildings that not only lock in carbon, but actively absorb carbon dioxide to strengthen their structure? In this article, originally published by the International Federation of Landscape Architects as "Baubotanik: Botanically Inspired Biodesign," Ansel Oommen explores the theory and techniques of Baubotanik, a system of building with live trees that attempts to do just that.
Trees are the tall, quiet guardians of our human narrative. They spend their entire lives breathing for the planet, supporting vast ecosystems, all while providing key services in the form of food, shelter, and medicine. Their resilient boughs lift both the sky and our spirits. Their moss-aged grandeur stands testament to the shifting times, so much so, that to imagine a world without trees is to imagine a world without life.
To move forward then, mankind must not only coexist with nature, but also be its active benefactor. In Germany, this alliance is found through Baubotanik, or Living Plant Constructions. Coined by architect, Dr. Ferdinand Ludwig, the practice was inspired by the ancient art of tree shaping.
.jpg?1449882975 "Urban farming. Image Courtesy of Arup")
.jpg?1445550937 "Test field with inosculations. Image © foto chira moro")
