Superspace has designed a system of energy-harvesting balloons for Abu Dhabi. The project, titled “solarCLOUD” formed part of the LandArt generator competition and is intended as the city portal of Masdar City. The system consists of a group of solar balloons woven with solar fabric, creating a shaded park during the day while tracking and harvesting solar energy. At night, the system settles down to become a kinetic light art show.
Istanbul-based SUPERSPACE has proposed a new concept for a pocketed timber observation tower in Zagreb, Croatia. Designed to be an iconic gate, the project would be sited between the old and new city. Called Ascension, the project takes inspiration from Zagreb's historical and natural iconic landmarks. Facing the south bank of River Sava, the tower's form is derived from the character of the old town's existing towers integrated with a new vertical forest.
Istanbul-based studio Superspace has proposed a design for Prague’s Victory Square that transforms the dead zone in the middle of Prague into a space flourishing with nature and social activities. The simple but effective solution inverts traffic and pedestrian access to create a green urban center, where markets, art festivals and even wintertime ice-skating can take place. Tall, local evergreen trees would be planted in the horseshoe shape surrounding the inner ring, creating an iconic visual impact while shielding the community space from the noise of the busy traffic area beyond.
Sinan Günay and Nurhayat Oz of Superspace have won second prize in the MetsäWood competition, The City Above the City, which called for architects to design wooden extensions to city centers. With their project, Colliding Lines and Lives, the team designed a series wooden housing modules to be appended to a fourth-century Roman aqueduct archway in Istanbul.
Built by the Roman emperor Valens, the archway was an important water supply for the Romans and Ottomans but later lost its significance and functionality with technological and infrastructural advancements, leaving it an unutilized landmark in the city.
