Notre Dame Cathedral reopened on December 7th, 2024, welcoming visitors for the first time since the 2019 fire. The restoration of Notre Dame Cathedral was a massive undertaking, led by chief architect Philippe Villeneuve, assisted by Rémi Fromont and Pascal Prunet. The project involved approximately 2,000 craftspeople, 250 companies, and about $900 million, demonstrating the immense scale and complexity of the work on a tight deadline. Despite the major milestone of opening before the end of the year, the restoration works are not yet complete, as they are scheduled to continue through 2026.
The Notre Dame Cathedral in Paris has officially reopened, five years after a devastating fire destroyed its roof and spire and threatened the integrity of the entire structure. The reopening ceremony took place on Saturday evening with a two-hour sermon, attended by global leaders and dignitaries. The ceremony also represented the first opportunity to witness the result of the estimated €700 million ($739 million) restoration, a process that included the thorough cleaning of the stone interiors, revealing a glistening white gothic interior.
In an era marked by rapid urbanization, climate emergencies, and evolving societal needs, architecture has a complex role to play, and a responsibility to engage actively yet sensibly with cultural, political, and economic considerations. In this context, Níall McLaughlin stands out for his balanced approach rooted in historical contexts, yet aware and responsive to contemporary challenges. His studio, Niall McLaughlin Architects, embraces a dialogue-centric approach, fostering a collaborative environment. ArchDaily's senior editor Maria-Cristina Florian had the chance to sit down with Níall McLaughlin and discuss his perspective on the role of architecture in today's society and the emerging challenges of architectural education.
From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time.
Sir John Soane's Museum has announced Hanif Kara, a celebrated structural engineer and co-founder of AKT II, as the recipient of the prestigious 2024 Soane Medal. This marks a historic moment as Kara becomes the first engineer to receive the accolade, traditionally awarded to architects and theorists. The recognition highlights his profound impact on the built environment, particularly through his pioneering approach to interdisciplinary collaboration. Kara will deliver the Soane Medal Lecture at the Royal Academy on November 26.
There is growing awareness of the importance of developing pedestrian infrastructure. Bridges and elevated structures enhance the quality of cities by connecting spaces and reducing distances. Their use benefits pedestrians and the thousands of cyclists seeking a more sustainable mode of transportation.
Pedestrian infrastructures, such as bridges, walkways, and widened sidewalks, not only promote sustainable mobility but also contribute to the revitalization of urban areas. Their design can transform underused spaces into active, safe, and accessible places for everyone, enhancing social cohesion and fostering community. By incorporating elements such as greenery, smart lighting, and urban furniture, these structures become more than just thoroughfares: they transform into meeting points and spaces for social interaction.
It is fascinating to delve into the practice of Iván Bravo, firstly because the path taken towards his architectural work immerses us in a vast creative universe through the architect's interest and curiosity in various tangential disciplines directly reflected in his built work. A constant reflection on the methodology of the making, the processes, the pieces, the design, and the materiality converges into a noble and honest architecture.
The terms resiliency and sustainability, although similar in meaning, refer to different design approaches in the context of architecture and cities. Sustainability involves the preservation of natural resources to uphold ecological equilibrium, while resiliency entails the ability to rebound, adapt, and persist in moments of adversity. These concepts greatly influence and complement each other, especially in cases of designing disaster-resilient buildings. Conventional design processes relating to resilient infrastructure have been based on principles of structural robustness and integrity as a measure against anticipated natural disasters. However, sustainable resiliency points at the opportunity of reinforcing buildings by embedding them in biological and ecological systems.
The architecture and construction industry has undergone a transformation with the integration of various digital tools, now indispensable to the design process. The welcoming of technologies has effectively streamlined operations, enhanced efficiency, and elevated design quality. This digital shift, however, has resulted in a digital divide that goes beyond accessibility to tools and software. It also encompasses the crucial aspect of integrating traditional and indigenous communities into the urban development landscape. Can advancing technology support the growth of vernacular architecture? Can indigenous building practices find a place in the vision for a digitalized future?
In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise.
Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.
Metsä Wood’s Hybrid City initiative is searching for ways to make construction more sustainable while maintaining efficiency using current building methods. Improving sustainability is imperative: construction alone uses 50% of the world’s resources. However, the transition will only happen if construction companies can maintain efficiency. The world needs a Plan B.
Conventionally used materials such as concrete and steel dominate the construction industry, and construction alone uses half the world’s resources and causes 30% of all CO2 emissions. Responsible construction companies are feeling the pressure to meet the growing demand for more sustainable building. The answer to this need, without compromising
Vancouver-based engineering firm Fast + Epp has created a free tool, called Concept, for architects and designers to explore a variety of building materials. The interface allows the designer to explore the aesthetics of wood, concrete, and steel while also providing additional information about the composition and feasibility of these materials.
The MAK Center for Art and Architecture in Los Angeles, in partnership with Skidmore, Owings & Merrill LLP (SOM), is hosting a panel discussion on the intersection of art, engineering, and architecture. Set in the beautiful outdoor courtyard of the historic Schindler House in West Hollywood, the event brings together a variety of experts to discuss historical and contemporary positions regarding this theme.
For 181 Fremont, Arup’s radical move was to do away with plans for a tuned mass damper or a sloshing damper on the skyscraper’s roof—common features in tall towers in the U.S. for reducing the natural sway of buildings. Neither damper style goes very far in protecting a building against seismic force, says Ibbi Almufti of Arup. Image Courtesy of Kevin Chu/KCJP
The most remarkable thing about 181 Fremont—San Francisco’s third-tallest tower, designed by Heller Manus Architects—is not the penthouse’s asking price ($42 million). Rather, it’s an innovative yet unglamorous structural detail: a viscous damper system that far exceeds California Code earthquake-performance objectives for buildings of 181 Fremont’s class, allowing immediate reoccupation after a seismic event.
Today, a new exhibition opened in Venice featuring the work of the global architecture and engineering practice Skidmore, Owings & Merrill (SOM). Presented at the European Cultural Centre, "Time Space Existence" is a collateral exhibition of the 2018 Venice Biennale of Architecture. The show includes work from leading architects, photographers, sculptors, and universities from around the world.
Walking into Abu Dhabi’s new Louvre Museum, one is immediately greeted by a flood of dappled light created by the stunning, multi-layered lattice covering the interweaving interior spaces of the building. The intricate geometric dome is both reminiscent of traditional Arabic architecture screens and crucial in achieving Architect’s Jean Nouvel’s vision for a “rain of light.” But what went into the design and construction of the building’s most striking element, and how does it function structurally? Ateliers Jean Nouvel worked for over one year in close collaboration with BuroHappold Engineering to develop a design which is both an architectural and structural masterpiece. We spoke with Andy Pottinger, Associate Director at BuroHappold, to understand the dome in more depth.
The sports stadium features the largest free-spanning dome in the world, stretching 310 meters to cover the 55,000-seat stadium, and uses a “third of weight of steel normally used to span this size,” writes Arup in a press release. To provide shade during sporting events, the dome roof structure is retractable and features “an energy-efficient cooling system that delivers cooled air to every seat.”
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