From the 1930s to the 1990s, Burle Marx's work anticipated many of today's concerns about sustainability and urban well-being. Long before terms like "sustainable design" or "green infrastructure" became commonplace, Burle Marx was already advocating for the use of native plants, recognizing their role in creating self-sustaining ecosystems that required minimal intervention. His projects often transformed neglected urban areas into vibrant, ecologically balanced spaces that not only improved the environment but also enhanced the quality of life for city dwellers.
Latin American architecture is rich and diverse. This is reflected in the various stones used across different regions over the centuries. These materials highlight the varied geology of Latin America and illustrate how local cultures have adapted their construction methods to natural conditions, resulting in unique and meaningful architecture. In contemporary architecture, stone aligns with sustainability principles due to its durability, low carbon footprint, and local availability. Additionally, stone's aesthetic appeal enhances the creation of timeless spaces that strengthen the connection with nature and the surrounding landscape.
A region's identity is deeply tied to its community spaces. These spaces—whether parks, public squares, or community centers—reflect their users' culture, history, and values. They don't just preserve regional identity; they actively shape how communities engage with their environment, fostering a dynamic relationship between place and people. Community spaces are more than just physical locations; they are vital social hubs that foster engagement, cultural expression, and a sense of belonging. These spaces symbolize a shared identity and purpose.
Recent news headlines from the African continent show a variety of urgent issues affecting urban centers: severe flooding threatens Kenya's capital, Nairobi; the light rail system in Addis Ababa, Ethiopia, is faltering after a successful start. Meanwhile, in Egypt's capital, Cairo, new infrastructure and housing expenditures proved too steep and necessitated a government bailout. African cities face a plethora of problems but they also hold the potential to improve countless lives. As South America shares stark similarities in its history with that of Africa, it could provide both a point of reference and a positive example for tackling these concerns at an urban level.
Beyond being a prefabricated material currently produced in large quantities, the use of concrete blocks in architecture continues to evolve to meet the demands and needs of contemporary societies that are constantly changing. Whether in interior or exterior spaces, their use can align with concepts of circular economy, resource efficiency, sustainability, and more, with the goal of creating habitable spaces while also understanding their constructive advantages and disadvantages, their expressive and aesthetic qualities, and so on.
With an air of simplicity and wisdom, engineer Julio Vargas Neumann welcomes us. His two dogs accompany us as we descend after the necessary ascent to enter, and we are also accompanied by the stone walls defining the lot. We sit down and begin - or continue - the interview and conversation regarding the value of 'shicras', local materials, and earth construction. We also discuss criticisms of cement, aluminum, and steel, as well as perspectives on the future of materials in Peru and the world. Likewise, we delve into the long-neglected and recurrent rural problem in South America, discussing the inexorable need to change paradigms and priorities.
The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.
Perhaps without even looking for it, Cora Kavanagh would leave one of the most emblematic buildings of rationalist architecture in Argentina. Inaugurated in January 1936, with its almost 120 meters of height, the Kavanagh Building stands in front of the ravine of Plaza San Martín, located in the central neighborhood of Retiro in the Autonomous City of Buenos Aires.
"Cora Kavanagh and her Building" is the title of Marcelo Nougués' new book that gathers the entire story, revealing everything from her building and her travels to her art collection and the different houses she lived in during a period of almost 50 years. In collaboration with Díaz Ortiz Ediciones, this 572-page printed volume compiles texts, photographs, and documents from the author's collection and also showcases selected images and illustrations from extensive research. Discover a part of this story below.
Quito-based developer Uribe Schwartzkopf unveiled two residential projects in the capital of Ecuador: IQON designed by Bjarke Ingels Group, and QORNER, by Safdie Architects. IQON represents BIG’s first project in South America and the tallest building in Quito. QORNER proposes a mix of residences of varying dimensions, complete with amenities such as private terraces, gyms, spas, and pools. To create an engaging interface with the city fabric, a mix of shops, restaurants, and commercial spaces are proposed at the street level.
The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.
MVRDV has revealed the design for its first project in South America. The Hills is a residential project located on the Guayas riverfront in Guayaquil, Ecuador, comprised of six residential towers displayed atop a mixed-use plinth, creating the image of a valley. The towers range in height from 92 to 143 meters, raising taller the further away they are from the riverfront. The whole composition is inspired by the local landscape that merges the natural and the urban environment.
The end of the 19th century in the Americas is marked by a wave of historical disputes and political transformations that have as a backdrop the search for a national identity. The period records a series of conflicts and disputes for the independence of what we now know as sovereign countries and republics. In this context, the Pan-American or Spanish-American movements emerged, which, despite having different political influences, aimed at the unification of all the territories of the American continent.
Mies Crown Hall Americas Prize announced the full list of jurors for its fourth edition, chaired by Sandra Barclay of Barclay and Crousse Architecture, and just released the nominated projects comprising 200 built works in North and South America, for MCHAP 2022 and 50 projects for MCHAP.emerge 2022.
Architecture, by its very definition, involves the construction of structures. Structures that are meant to serve as spaces for work, living, religious devotion, amongst many other purposes. Architectural projects and interventions, however, need land – and it is this intrinsic relationship, between land and architecture, that has massive ramifications not only regarding reducing carbon emissions but more importantly in forming an equitable future rooted in climate justice.
Almost 80% of South America is tropical land. In Peru, close to two-thirds is covered by the Amazon rainforest, more than in any other country. These landscape conditions give rise to unique living conditions, and in turn, shape Peru’s contemporary architecture. Today, new homes are built to embrace nature and create space for everyday life.
Paraguay’s architecture radically transformed in the last century. For much of the country’s history, indigenous Guarani culture was the primary influence on the built environment. Later, colonialism would shape its cities and settlements. Today, the landlocked country has begun finding new ways to build upon its past, showcasing how residential design can break from tradition.
This year, the Bahá’í Temple of South America in Santiago, Chile, designed by Hariri Pontarini Architects of Toronto was selected as the winner of the 2019 RAIC International Prize, by the Royal Architectural Institute of Canada (RAIC). The prize celebrates a “single work of architecture that is judged to be transformative within its societal context and expressive of the humanistic values of justice, respect, equality, and inclusiveness”.