Social justice: The Latest Architecture and News

The concept of inclusive architecture has gained prominence as the built environment evolves to reflect and address the diverse needs of humanity. This approach prioritizes empathy, accessibility, and equity, striving to create spaces that resonate with individuals across a spectrum of demographics, abilities, and cultural contexts. It moves beyond merely meeting accessibility standards or incorporating universal design elements; instead, it embodies a paradigm shift that humanizes architecture and aligns it with fundamental social values. Through this lens, inclusive architecture fosters connections, embraces diversity, and ensures that physical spaces contribute to collective well-being.

This article explores four interrelated themes — Empathy, Inclusive Architecture, and Spatial Equity and Accessibility— through selected articles published in 2024. Together, these themes reveal how architecture can respond to societal challenges and aspirations, illustrating its potential as a catalyst for social change. From designing for emotional connection to addressing spatial inequalities, the lessons of 2024 emphasize the responsibility of architects to create spaces that transcend functionality, champion inclusivity at every scale, and foster environments where everyone feels seen, valued, and empowered.

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The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.

At Dumbarton Oaks in Washington, D.C., a symposium — Environmental Histories of the Black Atlantic World: Landscape Histories of the African Diaspora — organized by N. D. B. Connolly, a professor at Johns Hopkins University, and Oscar de la Torre, a professor at the University of North Carolina at Charlotte, sought to highlight those forgotten relationships between people and their environment.

In parallel to this year's Venice Architecture Biennale, The European Cultural Centre (ECC) presented the sixth edition of its extensive architecture exhibition titled Time Space Existence. The 2023 iteration of the group show draws attention to expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion. A total of 217 projects by established participants like Snøhetta or MADWORKSHOP and emerging players such as Urban Radicals or ACTA are currently on show through the 26th of November, 2023, at Venice's Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens.

In response to climate change, the installations on show investigate new technologies and construction methods that reduce energy consumption through circular design and develop innovative, organic, and recycled building materials. Participants also address social justice by presenting living solutions envisioned for displaced communities and minorities, while others examine the tensions between the built urban environment and the nature surrounding it to identify opportunities for coexistence.

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The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.

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This article was originally published on Common Edge.

Last November, the annual climate conference COP 27 came to a close in Sharm el-Sheikh with a tentative agreement, reached at the last moment, to set up a “loss and damage” climate fund for Africa and other developing countries. For Africans, this was cause for muted celebration, because for generations the continent has built its climate change agenda almost exclusively around the pursuit of climate justice, a desire to enforce liability on the industrialized nations responsible for the bulk of global carbon emissions. All of this has unfolded, in a sort of willful blindness, while a majority of Africans struggled with the most prosaic challenges: inefficient urban sanitation; poor stormwater management; a paucity of water, sanitation, and hygiene facilities; willful and unabated deforestation; and environmental degradation.

The city of Los Angeles has selected six finalists for the competition to design a new memorial dedicated to the victims of the 1871 Chinese Massacre. In one of the darkest chapters in the city’s history, on 21 October 24, roughly ten percent of the city’s Chinese population at the time, at least 18 residents, were murdered by a mob of rioters. The memorial seeks to raise public awareness of the 1871 racially motivated mass killing while simultaneously addressing contemporary concerns regarding race, intolerance, and violence. The memorial was first announced in April 2021, and it is set to be built near the site of the massacre and the Chinese American Museum.

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Design justice is grounded in personal experience and built through everyday actions. Wandile Mthiyane is an architectural designer that embodies this idea, an activist that grew up in Durban, South Africa during the Apartheid. From an early age he was drawn to building and design, a background directly tied to his childhood. He realized he wanted to build a better future by working to undo the architectural effects of institutionalized racial segregation. Today, Wandile has become recognized for creating social impact, including his work to transform his hometown of Durban.

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The two Belgian practices BOGDAN & VAN BROECK and BC Architects & Studies are currently designing a care centre for drug users in Brussels, which would provide this vulnerable group with a safe and welcoming environment accessible 24/7. Featuring temporary residencies and community spaces, the building neighbouring the city’s port functions as a contemporary version of an inn, bringing a domestic character to an underwise sterile institutional program.

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In this week's reprint from Metropolis, author Leilah Stones explores how across the globe, architects, designers, and planners are redefining what it means to be an advocate in the design profession, listing 6 initiatives that practice design justice.

Social justice begins with building understanding and community. For Sam Olbekson, Principal of Native American Design at Cuningham Group and Founder of Full Circle Indigenous Planning, community holds a deep relationship to local cultures and traditions. As a member of the White Earth Nation of Ojibwe, Sam brings the perspective of a tribal member who grew up in Native communities, both on and off the reservation. Today, he's using design to reflect contemporary social values and build for future generations.

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The Board of Directors of AIA New York has recently released a statement discouraging the design of criminal justice facilities that uphold the current system. Taking a stand against designing unjust, cruel, and harmful spaces of incarceration, AIA NY solicited architects to reflect on the broader social implications of their work.

Students and alumni from the Harvard Graduate School of Design are launching an online Design Yard Sale to raise funds in support of the movement against systemic anti-Black racism. The team will sell and auction creative works donated by the design community, and all net proceeds will go towards the Bail Project and Colloqate Design. Among Design Yard Sale’s offerings will be works donated by renowned designers, artists, and scholars such as Toshiko Mori, Oana Stanescu, Rachel Israela, Jeanne Gang, Billie Tsien, Snarkitecture, Jerome Byron and VERV LONDON.

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This article was originally published on Common Edge.

In the rage, furor, and sorrow that followed the murder of George Floyd, one voice in the architecture community managed to put the nation’s centuries-overdue reckoning with race into the larger context of the built environment. Earlier this month, CityLab published architect Bryan C. Lee Jr.’s essay “America’s Cities Were Designed to Oppress,” an impassioned polemic on design and race that also had the great virtue of offering up specific solutions.

Lee is the founder and design principal of Colloqate, a New Orleans–based design and public advocacy firm that was named an Emerging Voice in 2019 by the Architectural League of New York. Colloqate led the Paper Monuments project in 2017, a public art and public history campaign that was launched in conjunction with the successful fight to remove the Confederate statues in New Orleans. In addition to its advocacy work, the firm is currently working on architectural projects in Portland, Toronto, and New Orleans. Last week I talked with Lee about his essay, the charged moment that we’re in, and where the nation goes from here.