The World Architecture Festival and Prize, together with co-curators Make Architects and Sir John Soane’s Museum, have announced Filipino Architect and Illustrator Eldry John Infante as the Overall Winner of the 2023 Architecture Drawing Prize. The awarded drawing, titled ‘(Re)membering the See Monster,’ is a mixed-media representation of a defunct oil platform. The image aims to invite conversations on the topic of reuse, going beyond the structure’s physicality.
Sir John Soane’s Museum has announced French architecture practice Lacaton & Vassal as the recipient of the 2023 Soane Medal. The award comes in recognition of the office’s work spanning over 3 decades. Through an honest design approach, the office became known for the resourceful repurposing of materials and existing structures to prioritize the needs of residents and local communities. For this approach, the office has been previously awarded as the 2021 Pritzker Prize 2021 Laureate.
This short essay, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award is the 17th of September 2021.
“Is graphicacy a word?” asks Ken Shuttleworth, founder of Make Architects and instigator of The Architecture Drawing Prize. It is. “Like literacy”, he says, “, it’s certainly what I’m interested in when looking at and judging drawings. It’s about a fluency in making and understanding them.” The Architecture Drawing Prize is in its fifth year now. “We tend to see very few hand drawings by young architects - they mostly use computers - and, today, most architectural students come from more of a maths and physics than an art background. I still believe, though, that hand drawing is very important.”
A century on, the compelling idea that Modern architecture emerged like some blindingly white, crystalline and disruptive phoenix from the darkness, death and destruction of the First World War is, perhaps, a familiar one. And, yet, the charcoal sketches and chiaroscuro montages Mies van der Rohe made during and after the epochal competition for the Berlin Friedrichstrasse Skyscraper of 1921-22 retain the power to catch the eye, provoke and disturb in our own era of overwhelming imagery much of it produced by and with computer programs.
What is so very remarkable about these century-old visionary drawings is that they portray a future building type - verging on the ethereal and more or less impossible to realize at the time - in the earthiest of drawing materials. It had been a stroke of genius to use charcoal to evoke an architecture of lightness rising from the embers of the trenches that would revolutionize the way we shaped tall buildings and with them our city streets. Such is the power of drawing by hand.
WOHA's Kampung Admiralty Singapore in Singapore has been named the 2018 World Building of the Year at the World Architecture Festival, concluding this year's three-day event in Amsterdam. The building, which combines dedicated senior-housing facilities with a broad mixed-use program and a lush green roof, was selected from a strikingly broad shortlist that included works from offices such as Sanjay Puri Architects, Koffi & Diabate Architectes, Heatherwick Studio, Spheron Architects, and INNOCAD.
This short article, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award has been extended to September 25, 2017, and successful entries will be exhibited in both London and Berlin.
For architects, says Narinder Sagoo, Head of Design Communications at Foster + Partners, drawings are about story telling. They are also a highly effective way of raising questions about design projects. Although the history of architecture—certainly since the Italian Renaissance—has been mapped by compelling drawings asserting the primacy, and reflecting the glory, of fully resolved buildings, there is another strain of visualisation that has allowed architects to think through projects free of preconceptions.
This short essay, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award is the 18th September 2017 and successful entries will be exhibited in both London and Berlin.
For John Ruskin, Venetian Gothic design in the guise of polychromatic gasworks in Brentford, ornate factory chimneys in Croydon, glistering gin palaces in Bloomsbury and even the well-meaning Reform Club in Manchester was nothing short of anathema. Even at their risible best, these flamboyant Victorian buildings were idle travesties of the influential 19th Century critic’s beloved Ca’ d’Oro and Palazzo Ducale adorning the Grand Canal.
Spanish Architect Rafael Moneo has been selected as the recipient of the first-ever Soane Medal for contribution to architecture, presented by Sir John Soane’s Museum in London. As the medal winner, Moneo will be the first speaker to take part in the Soane Annual Lecture, established to “ [recognize] architects, artists, writers and others whose work has broadened and enriched understandings of architecture and the built environment.”
“We are delighted to announce this new Soane Annual Lecture and Medal, and look forward to the significant voices and ideas it will bring to the museum,” Sir David Chipperfield, Trustee of Sir John Soane’s Museum said. “Our aim is to promote architectural culture, as Soane himself worked so tirelessly to do, and we hope it will become an important event in the London calendar.’
Bruce Boucher, Director of Sir John Soane’s Museum, added: ‘We are pleased to inaugurate the Soane Annual Lecture and Medal, and honoured that Rafael Moneo will be the first recipient. His buildings, writings, and teaching have immeasurably enriched the field of architecture, and his lecture promises to be a significant contribution to the contemporary discussion.”
Learn more about the award below.
Update: the deadline for this competition has been extended to September, 25, 2017 at 23:30 BST.
Make, the Sir John Soane’s Museum and the World Architecture Festival (WAF) have come together to create a prize for architectural drawing. The Prize recognises the continuing importance of hand drawing but also embraces creative use of digitally produced renderings.
The Architecture Drawing Prize welcomes entries from architects, designers and students from around the world while celebrating drawing’s significance as a tool in capturing and communicating ideas.
The Sir John Soane’s Museum is often cited as a seminal inspiration for architects of all generations. Located in London's Lincoln's Inn Fields, the house—designed by Soane (born in 1753), architect of the Bank of England—is a remarkable biographical bricolage of unique spaces, objects and ideas. Kept exactly as it was at the time of Soane's death in 1837, the museum is packed with paintings, sculpture, furniture and drawings – all curated and composed by the architect himself to "enhance their poetic qualities."
In an article for The Observer, Rowan Moore dives into a set of newly recreated rooms in London's Soane's Museum, a gallery dedicated to Sir John Soane's collection of architectural curiosities set within his eccentric former home. The experience, according to Moore, "of an internal world of unknown boundaries" has just become more extensive. Visitors will now be afforded the opportunity to visit a series of private spaces that give "a view into Soane’s bizarre mind," following extensive restoration work led by Julian Harrap.
