Sketch: The Latest Architecture and News

This article was originally published on Common Edge.

In an age of ebooks and web-first publishing, Louis Kahn: The Importance of a Drawing (Lars Müller Publishers) is a defiant throwback: a lavish, 500-plus-page book, very much an object befitting its subject, whose buildings had a weight, both literal and figurative, that was part of their power and appeal. Conceived and edited by Michael Merrill, the book is both a deep examination of Kahn’s creative process, as told through the medium of the hand drawing, as well as a revealing portrait of the man behind those buildings and illustrations. Merrill is an architect and educator and currently serves as director of research at the Institute for Building Typology at the Karlsruhe Institute of Technology in Germany. He’s also the author of two previous books on the master architect, Louis Kahn: Drawing to Find Out and Louis Kahn: On the Thoughtful Making of Spaces.

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Morpholio Trace, the team who brought the architects’ canary yellow trace paper into the digital world, has been on a ten-year mission to help foster a drawing renaissance for Architects. “Drawing is a form of thought, and the iPad was crucial in re-centering sketching as a primary means of generating and sharing ideas,” says Mark Collins, Architectural Designer and Morpholio Co-Founder.

Today, ArchDaily celebrates this drawing resurgence with a look at those who have dedicated their careers to drawing exploration, advancement, and most importantly…education! To start drawing alongside these renowned architectural sketch educators, download Trace here.

Sergei Tchoban (b. 1962, Saint Petersburg, Russia) graduated from the Repin Institute for Painting, Sculpture and Architecture at the Russian Academy of Arts in Saint Petersburg in 1986. He started his practicing career in Russia but left for Germany in 1991, becoming a managing partner of nps tchoban voss in Berlin in 1995. Since 2006, he also heads SPEECH, one of the leading architectural offices in Moscow. Apart from building his successful career of a practicing architect, he is a collector of architectural drawings, publisher, and museum owner.

As the foundation of any architectural design, sketches and drawings have long been known for their ability to allow the architect to interact with his/her design efficiently and express concepts intuitively. While the importance of hand drawing is understood broadly in architectural schools, what happens to those who is incapable of hand drawing? Numerous students have found it extremely difficult to cope with the intensity of hand drawing exercise during their first year in architectural training. Among these students, some would choose to quit architecture simply because they cannot draw well, some would decide to focus more on learning the techniques of computer-generalized design drawings.

Architectural photographer Marc Goodwin recently visited Panama City to continue on his journey documenting the world's architecture offices. He's already featured an impressive list, including the Netherlands, Dubai London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona, and Los Angeles. In Panama, Marc photographed a range of work spaces across eight offices, from a studio of five people all the way up to 200. Looking outside and in, he captured both the spaces where designers work and glimpses into the city itself.

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An active ArchDaily collaborator, architect and doctor Rogelio Ruiz Fernández, has emerged as a great enthusiast of cinema, architecture, cities and landscapes. He expresses his love for visual arts, architecture, and culture through his drawings. In these moments, he documents trips, his favorite locales, and project ideas that will later become works of architecture.

Below, Ruiz Fernandez explains his creative process and the importance of sketches in his work. 

Sketching is the best way to work through design problems. Since no designer is an island, sometimes sketching collaboratively is the best way of working through design problems together. Other times, you sketch a bit, create a proper drawing, and then present to colleagues, clients or stakeholders.

"Whether you're resolving a challenging condition by yourself, or helping a client to visualize, we all sketch it out first," explained Sophie Amini, Creative Director at Pooky. "With Archisketch, more often than not, even I prefer to put aside my paper and pencil and whip off a sketch on my iPad. At Pooky, we work very closely, both with each other and with the manufacturers. We talk through sketches and ideas at length before deciding which samples to get made up. Sketches are translated into technical drawings, from which the manufacturers can work."

Videos

Get designs out of your head and in front of your client. In the normal world, a building project starts with a client interview. Then you go back to the office to develop your design and build a proposal. Then you meet to sell your concept. Rinse. Repeat.

Wouldn’t it be great if you and the client could sit for an interactive design session? To do this, you would need a tool that acts like “digital clay”. You would need software that is so easy to use, and so responsive, that you could capture, sculpt and modify your concept freely.

Balkrishna Doshi, also known as B.V. Doshi or simply Doshi, has been named this year’s Pritzker Prize Laureate. His extensive portfolio of educational, cultural, public administration, and residential projects is matched only by his contribution to architectural culture—from founding The School of Architecture at Ahmedabad (now known as the Centre for Environmental Planning and Technology) to co-authoring the Habitat Bill of Rights, among others. Yet, his vividly illustrated conceptual drawings reveal as much, if not more, of the architect’s relationship with building, history, tradition, culture, and modernism.

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