Sérgio Bernardes: The Latest Architecture and News

For some practitioners of architecture, the insatiable desire to draw everything, from the largest to the smallest to take full control of the project, echoes the famous phrase uttered by Mies Van Der Rohe: "God is in the details." Similarly, designing furniture provides another creative outlet for in-depth exploration of human-scale works of architecture.

Throughout the history of the Brazilian Architecture, and especially since the modernist movement, architects not only became known for their building designs, but also for their detailed chairs and tables. Several of these pieces of furniture were initially designed for a specific project and then went into mass production due to their popularity. 

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Few remember the name Sérgio Bernardes. A prominent Brazilian architect in the 1960s, Bernardes was a contemporary of Oscar Niemeyer, renowned for his elegant upper-class houses, as well as his fondness for car-racing and womanizing. In the latter half of his career, Bernardes turned away from the decadence of high society, devoting himself to solving the world’s problems through his progressive strain of architecture. This devotion led him to partner with the Brazilian dictatorship, believing that he could reform the government from within. The result was a series of unsuccessful projects that left him unpopular and eventually ignored by the public. Now, a documentary about the rise and fall of this once-iconic architect has premiered this week in London. Titled Bernardes, and directed by Paulo de Barros and Gustavo Gama Rodrigues, the film explores the series of events that led Bernardes to anonymity.