Claiming second place in a recent competition for Korea Midland Power (KOMIPO), HAEAHN Architects, in partnership with Haenglim, have put forth a daring new design that combines power plant and office building. The dual use structure, which will include a park and a restaurant, was conceived as a way of breaking the raw, industrial image of the traditional power plant. In keeping with this idea, the design would be built over and replace Danginlee, the first power plant ever constructed in South Korea. The architects intended for the new plant to commemorate the old, while at the same time attracting more local traffic to the area. See the details of this award-winning design, after the break.
On Thursday, the Aedes Network Campus Berlin (ANCB) Metropolitan Laboratory hosted a symposium to mark the opening of the exhibition "Seoul: Towards a New City," in collaboration with the City of Seoul. The city has identified three key objectives to help them strike a balance between restoration and change when moving forward with future development: revival of history, restoration of nature, and renewal of people's lives. Seven projects that reflect these goals are on display at the exhibition. For more details, continue reading after the break.
Memorial Wall. Image Courtesy of PWFERRETTO / ESOU Architects
PWFERRETTO, a practice split between London and Seoul, have won second place in a competition to design the National Park and Memorial in the Republic of Korea's capital. In materialising the boundary of the site into an "active monument" that reconnects the forgotten history of the park into "a memorial for the Catholic martyrs who lost their life fighting for their beliefs," the design hinges around the site's constant struggle between belonging and being excluded from the city it is a part of. This paradoxical "inclusive / exclusive" premise is the starting point for the designers' conceptual approach.
How has the advancement of the Modern Movement design ethos, through geo-political expansion from the Western world, challenged the cultural foundation and aesthetic heritage of Asia?
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