Roman: The Latest Architecture and News

Greek and Roman cultures laid the foundations for modern civilization, leaving a lasting legacy in philosophy, literature, mathematics, and art. Although their contributions in these areas are significant, they are sometimes overlooked. However, in disciplines such as sculpture and architecture, their influence has remained almost unchanged, deeply rooted in the classical ideals of beauty. This is exemplified by canonical works such as the Parthenon, the Roman Pantheon, and the Discobolus, which continue to captivate with their proportion, symmetry, and detail. Consequently, it is unsurprising that Greco-Roman classicism remains significant due to its aesthetic timelessness, revitalized throughout different periods, from neoclassicism to contemporary proposals.

In this modern context, the Greco-Roman mythology, epic tales, and classical architectural concepts inspire a fresh perspective on reimagining interior aesthetics. Embracing an avant-garde take on neoclassicism, a new wave of modern interiors adopts sharp strokes to define figures and details, such as pilasters and capitals, echoing the sinopia of historic wall frescoes. These designs transform monumentality into cozy and elegant atmospheres. By blending historical and contemporary references, they provide innovative figurative solutions that craft poetically scenic spaces. Arcadia collection exemplifies this approach, standing out as a tribute to classicism and presenting a unique visual narrative through its wall coverings.

Whether it's to start analyzing a detail or impressing someone in conversation, understanding a classical building begins with an awareness of the different classical orders of architecture. In the historical records of architecture, the first account of the orders was written by Vitruvius: "[...] The orders came to provide a range of architectural expressions, ranging from roughness and firmness to slenderness and delicacy. In true classical design, order choice is a vital issue—it is the choice of tone," [1] which for the author, synthesizes the "architecture grammar." [2]

According to John Summerson, author of The Classical Language of Architecture, "[...] a classic building is one whose decorative elements derive directly or indirectly from the architectural vocabulary of the ancient world—the 'classical' world [...]. These elements are easily recognizable, such as, for example, the five standard types of columns that are used in a standardized way, the standard treatments of openings and pediments, or, still, the standardized series of ornaments that are employed in classical buildings." [3]

Foster + Partner’s Musée de la Romanité Narbonne (Roman Museum of Narbonne) has moved closer to completion, with the scheme's building envelope now fully constructed. The museum seeks to become one of the most significant cultural attractions in the Southern French region, hosting more than 1000 Roman artifacts. The scheme’s progress was celebrated at a topping out ceremony on 30th January 2018, with the installation of VELUX Modular Skylights marking the completion of the building envelope.

Once a major Roman port, the city of Narbonne has amassed an abundance of ancient buildings, relics, and archaeological sites. The Foster + Partners scheme, designed in collaboration with museum specialist Studio Adrien Gardere, centers on the prime exhibit for the museum: a collection of over 1000 Roman funerary stones recovered from the city’s medieval walls in the 19th century. The stones are to be placed at the heart of a simple rectilinear structure, separating the public galleries from private research spaces.

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The results of a competition to propose an openable roof over the Arena di Verona, Italy have been announced. Three winners were chosen out of eighty-seven proposals to cover the famous amphitheater, a defining symbol of the city of Verona. The competition was announced in March 2016 in order to protect the Roman monument from the elements and to ensure that it continues to provide quality entertainment to spectators two thousand years after its construction.

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