Widely acclaimed as a critically important work on its debut at the 15th International Architecture Exhibition of the 2016 Venice Biennale, The Evidence Room examines the chilling role architecture played in constructing the Auschwitz death camp.
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2016 Venice Biennale Exhibition to Examine the 2000 Irving Trial and the Architecture of the Holocaust
In 2000, in a trial held in London, the notorious British Holocaust denier David Irving sued an American historian and her publisher for libel. He posited that the Holocaust didn't really happen – "was the planned and systematic murder of six million European Jews an elaborate hoax?" The battle over the meaning of the architectural evidence took centre stage. Ultimately, forensic interpretation of the blueprints and architectural remains of Auschwitz became crucial in the defeat of Irving, in what remains to date the most decisive victory against Holocaust denial.
https://www.archdaily.com/782447/the-evidence-roomJames Taylor-Foster