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Architects: Embyá - Paisagismo Ecossistêmico
- Area: 14434 m²
- Year: 2022
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Rio de Janeiro, often called the "Marvelous City," is a vibrant tapestry woven from diverse cultural, historical, and social threads. Its story begins with the indigenous Tupi, Puri, Botocudo, and Maxakalí peoples who originally inhabited the region. The city's name, translating to "River of January," originates from Portuguese explorers who arrived at Guanabara Bay on January 1, 1502, mistakenly believing it to be the mouth of a river.
How do we give new meaning to degraded public spaces? Vibrant colors, geometric patterns, and community collaboration. That could describe the approach of Rio de Janeiro artist Antonio Ton. Drawing inspiration from interactions he finds on the streets and engaging in dialogue with local communities, his works extend beyond revitalizing sports courts and skate parks. Ton demonstrates how art fosters the creation of a space for gathering and leisure. We spoke with him to delve into his artistic process and explore the outcomes his paintings offer.
Cities are not just inert landscapes or lifeless settings; they play active and significant roles in shaping numerous television narratives. Whether in series or soap operas, urban environments play a fundamental role not only as the backdrop where plots unfold but also in shaping the developments of storylines, their creations, guidelines, and contexts. While, on the one hand, cities and their urban cultures contribute to the composition of various small screen plots, on the other hand, television programs can also help shape a certain idealized imagination about these urban spaces, generating unrealistic expectations and perpetuating a series of stereotypes about the represented cities.