Garcés de Seta Bonet and MARVEL Architects' proposal won the competition to adapt and expand the Tres Xemeneies/Three Chimneys, a former power plant set to become the Catalunya Media City hub in Barcelona, Spain. With their winning design, the two studios sought to preserve the site's historical legacy while creating a space that can evolve and shape future possibilities. Scheduled to begin in the summer of 2025 and expected to be completed by 2027/2028, the project is planning to offer a range of features and services designed to foster innovation, creativity, technology, training, and digital culture exhibitions.
Anyone who lives in a big city may have dreamed of moving elsewhere and living isolated, in a house among the trees or on a deserted beach. During the pandemic and the endless months of quarantine, many more may have had this same idea. As romantic and seductive as this may seem, however, living deep in nature comes with some important practical challenges. Rarely would anyone give up the little comforts they are used to, like turning on a faucet or charging their cell phone. If the location is, in fact, remote, it may not have electricity, drinking water, gas, sewage, or solid waste collection. But there remain several possibilities for a life with comfort and without neighbors. What are the main solutions to enable this and how can an architectural project provide an off-the-grid life?
In 2021, MVRDV unveiled the design of a terraced office building created for the agriculture company Lankuaikei. Set within a rapidly developing area of Shanghai, the 11-storey structure is covered by a curved technological roof that follows the stepping structure. The project is conceived as a showcase of the company's vision of food production, with an extensive sustainability agenda encompassing various strategies. These include extensive use of greenery, integration of renewable energy, and the use of low-carbon materials. The construction process is now captured by StudioSZ Photo / Justin Szeremeta, revealing an intermediary state where the bare-bone structure begins to reveal the shape and scale of the building. Structural construction details are also visible at this stage,
The Vitra Design Museum presents 'Transform! Designing the Future of Energy', an exhibition running from March 23rd to September 1st, 2024. As energy stands as the cornerstone of modern society, the subject encompasses political, social, and environmental dimensions. The exhibition aims to highlight design’s role in the effort to transform the energy sector into a more efficient, reliable, and sustainable one, relying more on renewable sources, smart mobility systems, and moving towards self-sufficient cities.
Unlike the air, the temperature in the subsoil varies very little during the year or according to geographical position. A few meters below the surface, the ground temperature is between about 10 to 21°C (50 to 70°F) depending on the region. Dig deeper, and the temperature increases between 20 to 40 degrees centigrade per km, reaching the Earth's core, which approaches 5000 °C. In fact, thinking about how we inhabit a sphere that is orbiting through space with a glowing center can be distressing for some. However, it may be helpful to learn that using Earth's forming energy to generate electricity is a sustainable and efficient way that is already common in some countries. At the same time, we can also take advantage of the mild temperature found a few meters under the ground to acclimatize buildings, whether in hot or cold climates.
Zaha Hadid Architects have released images of their design for the world’s first hydrogen refueling infrastructure for recreational boating. Continuing ZHA’s experience in maritime designs, the stations are to be installed in 25 Italian marinas and ports. Launched by NatPower H, the stations will begin to be implemented in the summer of 2024, with plans to expand to over 100 locations throughout the Mediterranean Sea in the next six years.
The biennale UN climate conference, COP28, concluded in Dubai this week with a commitment to the eventual “phasing out” of fossil fuels. It was a classic glass-half-empty/glass-half-full gesture. Yes, as optimists pointed out, it was the first time any reference to moving away from fossil fuels had made it into the text of the final communique. But, like previous COPs, this resolution, too, is nonbinding and was reached over howls of protest from both oil-producing countries and developing countries reliant on existing energy supply chains for future growth. The tortuous nature of the outcome, watered down and officially toothless, left me feeling glum. If we can’t agree on the nature of the problem, it will be exceptionally difficult to fix it.
To offer perspective, I reached out to longtime activist Bill McKibben. A professor at Middlebury College, he has published 20 books; his first, The End of Nature, appeared in 1989. He was, along with Dr. James Hansen, one of the first to sound the climate alarm. McKibbin is a contributing writer to the New Yorker, and a founder of Third Act, which organizes people over the age of 60 to work on climate and racial justice. In collaboration with seven Middlebury students, he founded 350.org, the first global grassroots climate campaign.
Madagascar is an island nation off the southeast coast of Africa that, despite its lush vegetation and unique flora and fauna, grapples with formidable environmental challenges, from rising sea levels to the excessive exploitation of natural resources. Joan Razafimaharo is an architect deeply involved in sustainability, climate change, and adaptation efforts in Madagascar and the broader Indian Ocean region. Razafimaharo is also one of only about sixty architects in the country, serving a population of 28 million.
Recently I spoke to her about environmental activism in the face of climate change, curbing the exploitation of natural resources, the role of architects in resource-scarce societies, and empowering women in isolated areas. The interview, originally conducted in French, has been translated and edited for length and clarity.
https://www.archdaily.com/1011140/how-madagascar-is-confronting-climate-changeMathias Agbo, Jr.
Including sustainable strategies in architectural projects is not just a trend, it is a necessity. Each day we become more aware of the importance of responsibly managing natural resources and understanding the environmental factors involved in designing a project.
Solar energy is one of the most commonly employed strategies in residential architecture, both active and passive. Many countries around the world offer incentives to encourage the use of solar systems, and the benefits of installing these systems can be seen in a short period of time, with a reduction of up to 95% in the monthly energy expenses, which makes this strategy one of the most attractive of all sustainable solutions. Furthermore, the average lifespan of a solar panel is 25 years, operating entirely on its own and requiring only basic cleaning once a year.
Working within the restrictions of a limited carbon footprint can be one of the hardest – but also most rewarding – parts of a modern architect’s role. Whether to suit a large multinational corporation’s sustainability report, to achieve LEED status or similar for a commercial developer, or to build an eco-home for a climate-conscious private client – or even one who just wants to spend less on energy, it’s imperative to keep up-to-date with the latest carbon-neutral and low-carbon building practices and materials.
Whether looking at a project’s structural beginnings, its high-grade finishes, or thinking more holistically about its entire lifetime, there are huge gains to be made with sustainable substitutes and alternatives to traditional materials and techniques.
URB has revealed 'Dubai Reefs,' a floating living lab designed to restore marine ecosystems and promote ecotourism. The project's primary objective is to generate over 30,000 employment opportunities within a green economy in the city. Dubai Reefs encompasses a sustainable floating community dedicated to marine research, regeneration, and ecotourism, comprising residential, hospitality, retail, educational, and research facilities.
Environmental issues urgency and increasing temperatures on the planet are nothing new. There are many factors contributing to environmental degradation. However, two can be viewed as representative of critical points in the current world system: plastic and waste disposal, better known as garbage.
The environmental crisis cannot be attributed solely to these two examples. They are used here as examples to mobilize issues involving multiple agents, materials, and diverse methods. These issues lead to devastating consequences, increasingly irreversible.
Following an international competition, MVRDV has been selected to lead the design of the Hangzhou Oil Refinery Factory Park, an extensive project aiming to transform the former industrial district into a cultural center set in a green environment. Complete with a new art and science museum, offices, retail, and a wide variety of cultural offerings, the redevelopment demonstrates a way forward from an oil-based infrastructure to more sustainable alternatives, while retaining the memory of the past technologies. The park sits alongside the southern end of China’s Grand Canal, the world’s longest and one of the oldest man-made waterways created to strengthen economic connections between the south and the north of the country.
The National Pavilion of Ireland will present an exhibition titled “In Search of Hy-Brasil” at the 18th International Architecture Exhibition of La Biennale di Venezia. The pavilion set out to explore diverse cultures, communities, and experiences of Ireland’s remote islands in the search for new ways of inhabiting the world. A team of five architects has been selected as the curators of the exhibition: Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen, and Joseph Mackey. The pavilion will be open to the public from May 20th to November 26th, 2023; afterward, the installation will tour Ireland in 2024, bringing voices from peripheral locations into mainstream conversations around our global future.
When a country becomes known for its most famous export, the two together can become synonymous with quality. Combinations such as French wine, Italian marble and German engineering are examples of the hallmark of excellence provided simply by a product’s geographic birthplace. While Portugal’s most famous and most passionate exports could equally be cork, football, or egg-based sweet treats, there’s far more to the Portuguese culture and economy than preening soccer players and custard tarts.
While Portuguese culture’s relationship with ceramics is known for the distinctively patterned plates, bowls, and jugs millions of tourists attempt to keep intact on the journey home, few are paying the extra baggage charge for 50 sqm of ceramic tiles. The country’s agreeable climate, however, along with a history of craftsmanship and the natural strength, durability, and pigment of Portuguese clay, means high-quality ceramic facades are an identifiable feature of Portuguese architecture. And the material is exported all over the world for both exterior and interior surfaces.
MVRDV, in collaboration with UAD, has been selected as the winner of the competition to design a new library for Wuhan, poised to become one of the largest libraries in China. The large-scale project creates diverse study environments and offers reading and studio spaces while also connecting to its surroundings via three large openings that display the life inside the buildings to invite visitors to enter. Spanning over 140,000 square meters, the distinctive building adapts its volume to reflect its position at the confluence of two main rivers in Wuhan and become a recognizable landmark for the city.
CRA-Carlo Ratti Associati, together with architect Italo Rota and urbanist Richard Burdett, unveiled the master plan for Rome’s bid to host the World Expo in 2030. The project proposes a joint effort from every participating country to contribute to a solar farm that could power the exhibition site and help decarbonize the surrounding neighborhoods. The Expo is proposed to take place in Tor Vergata, a vast area in Rome and home to the eponymous university and a densely inhabited residential district. All the pavilions are designed to be fully reusable, as the area is proposed to be transformed into an innovation district after the event in the hope of revitalizing the somewhat neglected neighborhood. The master plan was developed with several partners, including ARUP for sustainability, infrastructure, and costing, LAND for landscape design, and Systematica for mobility strategy.
The era of petrol cars is coming to an end with the advent of batteries and electric cars – and so is the era of gas stations and the pollution they bring to communities.
Gas stations, by their very nature, are environmental hazards. Of the 450,000 hazardous locations in the US alone, half are contaminated by oil, with much of it coming from underground tanks leaking from former gas stations, creating risks of leaks and explosions.
