The 20th century saw a period of experimentation and innovation at an unprecedented pace, a direction that also marked the architectural expressions of the time. Paris, as one of Europe’s leading centers for artistic and cultural expression, was also the epicenter for the formation of new architectural styles, from Le Corbusier’s modern architecture revolution to expressions of the High-Tech style as seen in the design of Renzo Piano and Richard Rogers’ Centre Pompidou. The social transformation found its expression through Brutalist public institutions or residential ensembles, like the ones designed by Renée Gailhoustet and Jean Renaudie at Irvy-Sur-Seine, while political movements attracted architects from across the ocean, including Oscar Niemeyer, who created his first European building in the French capital.
Renée Gailhoustet: The Latest Architecture and News
Exploring the Cultural and Political Implications of Brutalist Buildings in Modern Paris
Brutalist Paris by Nigel Green and Robin Wilson is a book that expands upon their previous collaborative effort, the Brutalist Paris Map (2017). The text's insightful critique and sharp photography provide a detailed examination of Brutalism's historical, political, and cultural significance, with a particular emphasis on its innovative communal design. Through a meticulous analysis of the public spaces of the selected buildings, including their orientation, materials, and facades, Green and Wilson revisit the movement's legacy and its contribution to the field of architecture.
Paying Tribute to the Influential Architects We Have Recently Lost
The profession of architecture is often marked by those individuals who employ their talent and resources to enable change and bring forth a vision for a better future. While some of them began their careers with bold gestures that captured the attention of the architectural world and changed paradigms, others worked in a more quiet manner, shifting the focus to the users of the space and asking themselves how they can best contribute to enriching the lives of those around them.
As the new year begins, we pause to look back to the architects who have passed away over the course of the last year but whose legacy and contribution to architecture outlive them. Among them, we remember Pritzker Prize laureate and pioneer of the High-Tech Richard Rogers, Post-Modern icon Ricardo Bofill, the thoughtful Gyo Obata, advocate and innovator Doreen Adengo, social housing pioneer Renée Gailhoustet and the many-sided Pritzker Prize laureate Arata Isozaki.
French Architect Renée Gailhoustet Passes Away at the Age of 93
Renée Gailhoustet, French architect, pioneer of social housing, and winner of the 2022 Royal Academy Architecture Prize, has passed away aged 93. As announced by the Royal Academy, she passed away in her home in Le Liégat, Ivry-sur-Seine, one of her best-known projects, which was completed in 1982. Throughout her career, stretching back to the 1960s, Renée Gailhoustet was a strong advocate for social housing, exemplifying through her work a vision of generous housing in harmony with their urban environments.
French Architect Renée Gailhoustet Receives the 2022 Royal Academy Architecture Prize
French architect Renée Gailhoustet has been awarded the 2022 Royal Academy Architecture Award for her pioneering work designing public housing and neighborhoods in and around Paris. The award is given annually by London's Royal Academy to individuals or practices whose idea or body of work has positively contributed to the public.
Renée Gailhoustet's Cité Spinoza Through the Lens of Anthony Saroufim
Designed by architect Renée Gailhoustet in 1972, the Cité Spinoza residential complex is part of the master plan created for downtown Ivry-sur-Seine, France. The project is a rendition of the Unité d'Habitation de Marseille by Le Corbusier, a major architectural reference for architects at that time. Architectural photographer Anthony Saroufim took the streets of the Parisian Banlieue and captured the modernist architecture's distinct concrete geometry.