Tallinn Architecture Biennale 2024 has officially opened to the public. Hosted at the Museum of Estonian Architecture and across multiple venues in the center of the city, the event is centered around the theme "Resources For a Future." The head curator Anhelina L. Starkova along with co-curators Daniel A. Walser and Jaan Kuusemets hope to open up conversations about emerging approaches to designing and building architecture, including the potential of reused and repurposed materials. The event is held between October and November 2024, with free participation.
Danish architecture firm Cobe has announced a new project to transform the historic 'Krulli' steelworks, a large-scale former industrial site in Estonia's capital, into a mixed-use city district. The strategy for the project is developed to optimize for material reuse, as materials, components and even entire buildings have been evaluated for their potential to be reintegrated into the scheme. This way, the decommissioned industrial area provides the foundation for an innovation hub, maintaining its history while adapting to the necessities of modern workspaces and city life.
Snøhetta has announced a project to rebuild the Refuge de Barroude, a mountain refuge located in a UNESCO World Heritage site in the Pyrenees Mountain range of France. The old building, destroyed in an accidental fire ten years ago, is set to be revived as a stop-off point for hikers on the Haute Route des Pyrénées and as a support center for the staff of the National Park. The next phase of the project is due to begin in 2025.
MVRDV has revealed its design for Monaco, a six-story office building situated in Munich's transforming Werksviertel neighborhood. This region, previously known for its industrial past and later as a cultural hotspot, has been evolving into a dynamic work-and-leisure district since 2016. Positioned near MVRDV's earlier project, WERK12, the Monaco building uses recycled materials and distinctive shapes to create a balanced "work and play" office environment, inspired by the color and creative spirit of the Kultfabrik era.
Space exploration isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond Earth’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet.
Singapore Pavilion - Designed by DP Architects group in collaboration with Kingsmen Exhibits. Image Courtesy of Singapore Pavilion
DP Architects group, in collaboration with Kingsmen Exhibits, unveiled the Singapore Pavilion design for the Expo Osaka 2025. The concept centers around the tagline ”Where dreams take shape,” aiming to offer an insight into the country’s culture and impactful innovations. The pavilion, taking the shape of a 17-meter-high sphere clad in recycled disks, creates a multi-sensorial exhibition showcasing actions and innovations that encourage a more sustainable future.
LAVA Architects has just revealed their design for The German Pavilion at Expo 2025 Osaka. Highlighting the theme of the circular economy, the pavilion is titled “Wa! Doitsu,” translating to “Wow! Germany.” Conveying enthusiasm, The Pavilion explores concepts around circularity, showcasing the “terminological culmination of the sustainability discussion.” Focusing on returning all consumable goods to the cycle of the economy, achieving zero waste, and minimizing resource consumption, the theme is visible throughout the entire design.
RUÍNA Arquitetura aims for greater socio-environmental awareness and the appreciation of materials while advocating for reuse as an alternative within the construction industry. In their practice, they explore new avenues for reclaimed materials, diminishing demolition waste and supplying construction materials with a reduced environmental footprint. In 2024, they were selected as part of ArchDaily’s 2024 Best New Practice for their unique attention to context, aiming to minimize its impact on the built environment through the effective reuse of materials and construction waste. Their participation in the 2023 Sharjah Architecture Triennale exemplifies how local ideas can achieve global recognition.
Recycled Ceramic Washbasin. Image Courtesy of VitrA
Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.
Embracing this perspective and demonstrating a commitment to sustainability through waste reduction and resource conservation, VitrA has created an entire washbasin with 100%* recycled waste materials, including discarded ceramics from its production process. This innovative product has been designed to have a minimal environmental impact and reduce the global warming potential of its production by 30% per product, transforming materials once considered waste into valuable resources.
https://www.archdaily.com/1016103/repurposing-discarded-waste-materials-into-a-100-percent-star-recycled-washbasinEnrique Tovar
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
From April 25 to May 1, 2024, Logroño hosts the tenth edition of Concéntrico, a celebration of urban innovation and transformation. This year, the festival explores the future of cities, incorporating new formats, engaging diverse audiences, and tackling urban challenges through the lens of time as a catalyst for change in design. Featuring 20 interventions and activities involving over 100 professionals from 17 countries, the program encompasses processes such as renaturalizing public spaces, reimagining urban structures, and integrating recycled materials from previous editions.
Additionally, collaborations with educational centers ensure a lasting impact beyond the festival, fostering new collective practices in public spaces. Special projects such as "The street in 10 years" or initiatives involving students and pupils from local schools and educational centers further enrich the festival's engagement with communities across Spain.
As construction materials costs increase, builders and developers are seeking alternatives to traditional home construction methods to address housing shortages. In response, an expanding construction technology field is the 3D printing sector. This technology promises quicker, cheaper construction and the potential to extrude local and recycled materials. However, due to the slow-changing nature of the construction industry, a radical shift involving large-scale 3D-printing machines on-site and a complete overhaul of the construction process seems unlikely shortly.
Prefabricated 3D printing modular housing offers a compelling solution, providing the benefits of 3D printing advancements while leveraging standard construction machinery and labor. In off-site 3D-printed construction, there is no need to transport massive 3D-printing machines on-site. Instead, components are printed in a controlled environment and then assembled on-site. These types of 3D-printed residential modular kits of parts are already being manufactured and are attracting significant investment.
The idea of a community or public playground is about creating an accessible recreational space for all. However, in many cases, initiating a playground project might fail due to insufficient funds or regulations/restrictions. The first challenge is largely to set the project in motion and, most importantly, get the community’s positive reception and, if possible, its involvement, thus ensuring the project's success and sustainability.
For a long time, the construction industry has followed a linear process - extract raw materials, build structures, demolish them, and then dispose of the garbage in landfills. This approach has serious negative effects on the environment and society and is inherently unsustainable. Reconsidering traditional methods and workflows requires support from all stakeholders and a sense of urgency proclaimed by authorities. In the United States, city organizations have begun to implement new policies to keep construction waste out of landfills and support circular practices. Several cities like Seattle and Pittsburgh, have started implementing deconstruction ordinances that require older buildings to be carefully deconstructed rather than demolished. How might their key provisions influence circular practices in the country?
The principles of the circular economy have been most influential and applicable to the construction industry. Emphasizing the efficient use of resources, models around reuse and recycling of components and materials are increasingly being pioneered by global architecture practices. The concept of "design for disassembly" has emerged as an innovative approach especially in the case of building facades. Striking a balance between the demands for new infrastructure and the transition towards sustainability requires a review of traditional facade design throughout its lifecycle.
For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.
In this context, and similarly to the idea expressed by Alvar Aalto, who stated that "modern architecture does not imply the use of new materials, but rather employing existing materials more humanely," it is crucial to reconsider how we manage our resources and waste. This shift in direction provides us with new opportunities to address the challenges that the ongoing climate crisis has brought. In response, various actions are now being taken, using materials such as food waste, recycled wood, and plastic debris, among others, exploring innovations in a context where raw materials are becoming increasingly scarce.
https://www.archdaily.com/1013787/casting-furniture-with-upcycled-plastics-and-urban-debris-los-colados-projectEnrique Tovar
pixel application. Image Courtesy of Rieder Group / Florian Voggeneder
Nowadays, the concepts of reducing waste and upcycling have experienced a remarkable expansion in various fields of architecture, driven by the need to change the paradigm of consumption habits in both society and industry. This wave not only responds to sustainable approaches but has also demonstrated significant benefits in economic terms. Today, the transformation of various resources, from excavated earth to agro-waste and plastics, is being carried out to create new materials, thus consolidating the efficiency and feasibility of more environmentally friendly practices.
Within this context, technology and data have contributed significantly to a better understanding of materials and to exploring new processing methods. In this regard, artificial intelligence has become a valuable ally. In addition, innovations in software have made it possible to maximize the potential of what was previously considered waste. Correspondingly, Rieder has introduced a product innovation named pixel, aimed at minimizing waste in the production of facade elements constructed from glass fiber-reinforced concrete.
https://www.archdaily.com/1012597/transforming-waste-into-pixels-of-glassfiber-reinforced-concreteEnrique Tovar
3D printing holds vast potential due to its ease of large-quantity manufacturing, its flexibility in terms of material exploration, and its ability to materialize all kinds of geometries. This year, architects and designers have looked at 3D printing technology to decarbonize construction materials, integrate contemporary aesthetics with traditional construction methods, and add a layer of craft and artistry to interiors and facades.
