Cotter & Naessens Architects have been selected to represent Ireland at the 19th International Architecture Exhibition - La Biennale di Venezia in 2025. Their project, Assembly, will explore architecture's role in shaping spaces for gathering, discussion, and democratic exchange. The selection was made through an open call by Culture Ireland, in partnership with the Arts Council, and was announced in April by Minister for Tourism, Culture, Arts, Gaeltacht, Sport, and Media, Catherine Martin T.D.
Serpentine has announced the Play Pavilion, a new structure designed by British architect Peter Cook in collaboration with the LEGO Group. Set to open on June 11 to mark World Play Day, the Pavilion will be located next to Serpentine South in Kensington Gardens, London. Developed with Pablo Wheldon and Cong Ding, the Pavilion is a collaboration between Serpentine, the LEGO Group, The Royal Parks, and CONSUL. The project builds on Serpentine's broader efforts to connect architecture, design, and public engagement through temporary installations in the park.
What is our vision of public spaces from the past? Consider, for instance, a park—arguably the most iconic example of this typology. It is an environment designed with winding paths and rest areas, where we often find tables and fixed benches, positioned along the way. Its design prioritizes permanence and contemplation. But when we turn to the present, how do we envision it now? Indeed, the traditional concept of public space has not disappeared entirely. However, our way of interacting with it has changed, driven by the need for flexibility in ever-changing environments. This shift has sparked the exploration of new design approaches. As a result, modular seating systems have become a dynamic field of experimentation, continuously adapting to changing uses and perceptions.
https://www.archdaily.com/1027386/are-modular-seating-systems-redefining-our-perception-of-public-spacesEnrique Tovar
Architecture and its atmospheric qualities have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is deeply personal—rooted in emotions, sensory perceptions, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of evoking emotions and leaving a lasting impression on their occupants.
College of Europe's Tirana Campus . Image Courtesy of MIR, Designed by Oppenheim Architects
Tirana, the capital of Albania, is undergoing a remarkable transformation fueled by an ambitious vision for the future outlined in the Tirana 2030 (TR030) Master Plan. This plan, devised by renowned Italian architect Stefano Boeri, aims to reshape the city into a sustainable, green, and inclusive urban hub, with a focus on increasing density while enhancing the quality of life for its residents. Central to this vision are projects such as the creation of an "orbital forest" with two million trees, the revitalization of rivers with green corridors, and the redesign of public spaces like Skanderbeg Square, which has become the largest pedestrian area in the Balkans. According to The Guardian, these initiatives aim to reverse the sprawling urban chaos that followed the fall of communism and accommodate a population that has quadrupled since 1992, while prioritizing quality of life and accessibility.
At the heart of Tirana's transformation is a renewed focus on architecture as a tool for connection, combining cultural identity with contemporary design to create spaces that invite public interaction and engagement. Recent projects announced by renowned architects and international firms including Coldefy, OODA, Oppenheim Architecture, and CHYBIK + KRISTOF showcase a common thread of reimagining the rejuvinated city for the public. These designs emphasize social sustainability, cultural references, and accessible public spaces, redefining how residents and visitors experience Tirana's urban fabric. From mixed-use vertical villages and pedestrian-friendly streets to eco-conscious campuses and civic hubs, these new developments collectively highlight the city's ambition to position itself as a progressive model for urban renewal in the Balkans.
With escalating land values in urban centers, there has been a growing trend to float public spaces from ground level to elevated locations, such as rooftops or podiums between buildings. From a development perspective, maximizing floor area has become crucial as urban environments expand. Ground-level spaces are highly sought after for retail use due to their strategic location, which attracts foot traffic and potential customers and drives city development and economics.
This financial consideration, which often guides building activities and directions in urban centers, contradicts design principles advocated during the modernist era for the benefits of better outdoor space for the public, such as the concept of 'Freeing the Ground'. Architects like Le Corbusier championed this concept through projects like Villa Savoye and Unite d' Habitation. These modernist designs envisioned a future where buildings were elevated to restore open, accessible outdoor ground-level spaces for its users. However, for the reasons above, many contemporary projects instead seek to replicate the function of public grounds within the building's structure.
Courtesy of [applied] Foreign Affairs, Institute of Architecture, University of Applied Arts Vienna
Public Markets are complex cases that beautifully combine an engineering exploration with the instigation of a beneficial public function. In fact, it doesn't take much to designate an open and accessible commercial hub that would encourage commercial exchange and economic development for small or local businesses. All one needs is a lot and a sheltering roof. However, many designers and architects have chosen to take this exercise beyond the social level and into further material and technical exploration.
In a city, celebrating the act of walking has become a form of non-traditional planning. In the age of cars, challenging the dominance of vehicular transportation by championing the pedestrian experience is not very common. For this reason, pedestrian bridges worldwide stand as symbols of connectivity and architectural ingenuity. These soaring structures embody the urban experience for its core user: the pedestrian. Although the structures began as practical solutions to traffic management, they have evolved into iconic landmarks and pivotal components of city planning.
The significance of these projects represents a shift towards human-centric design in urban landscapes. The Kusugibashi Bridge in Japan, rebuilt by Kengo Kuma & Associates symbolizes resilience, while the Hangzhou Riverfront Public Space’s Silk Bridge showcases urban connectivity through revitalizing the waterfront. The Donnguan Central Area Slow-Traffic Bridge addresses connectivity and greenery, and SBE NV’s Vlasburg Bridge dedicates itself to enhanced water routes for the community. Collectively, these bridges drive urban revitalization into the future, emphasizing sustainability and integrating with community needs.
Despite the bad reputation of public housing in the United States, organizations, planners, and architects in Portland, Oregon are determined to create affordable housing that does not sacrifice quality or aesthetic appeal. While Portland has developed a bad reputation regarding its homelessness problem, in the past four years resources have flowed in the right direction, and designers have taken this in stride to design livable and striking buildings, within very restrictive budgets. Through innovative and creative approaches to construction and design, these organizations and designers have utilized federal, state, and city resources to make these types of projects a reality.
Social responsibility and the desire to improve society has long been influenced by the built environment. Looking at city centers, architecture has contributed to the improvement of the urban fabric, whether it being through planning and zoning strategies, integration of public spaces, or small interventions. In some cases however, these interventions are in fact used as tools to keep the homeless off the streets, disguised as art or conceptual designs. Several public urban policies have all implicitly prohibited the homeless and other marginalized social groups from city centers, claiming that their presence and “irregular” use of public space could compromise the reputation, security, and desirability of the city.
Ever since the tramline’s closure, the 800-meter-long strip in the center of Corso Gabetti and Ponte Regina Margherita in Turin, has been abandoned. To make use of the dead area and give residents an extra space outdoors following Italy's severe pandemic repercussions, non-profit cultural association Torino Stratosferica has transformed the tree-lined strip into Precollinear Park, a temporary public space fit for socially-distanced leisure.
There has been a lot of focus recently on community engagement in architecture. Some building by some architect is designed to be the next 'community hub,' but what does it take to deliver on the design intent?
In order to promote a community atmosphere, a design must engage a large and variable audience, while also offering something unique. This new design from AIX Arkitekter intends to create a new multicultural center called "The "Meeting Point" in Täby, Sweden. The center combines unique sports and cultural activities, at the heart of an existing ecological infrastructure, to promote community opportunities and engagement.
"The Meeting Point" center utilizes both indoor and outdoor activities. This dynamic also translates throughout the design language of the building through transparency and landscape elements. The intersecting masses cause various activity spaces to overlap, promoting happenstance interactions between both people and program.
