In 2019, as the world was on the brink of facing one of the most significant pandemics in recent history, Ailton Krenak, a Brazilian indigenous leader, environmentalist, and philosopher, published a book titled Ideas to Postpone the End of the World. This brief booklet, comprising slightly more than 80 pages, came into circulation at a critical juncture, providing both reassurance and a cautionary message to humanity during a time when it observed the rapid evolution of history.
Krenak has a unique talent for transforming his life experiences into profound concepts, which he conveys through oral and poetic language. His worldview blurs the boundaries between landscapes, human beings, animals, rivers, and mountains. He strongly advocates for a reassessment of our lifestyle, emphasizing the importance of 'breaking up the ground to allow the channeled waters to resurface.' On September 5th, he participated in a discussion in São Paulo during the Archtrends Summit 2023, organized by Portobello. During this event, he shared his insights on topics such as cities, forests, and the future of our planet.
The Triennale Milano and Fondation Cartier pour l'art contemporain present the exhibition Siamo Foresta, inaugurated in June and open until October 29, 2023. Curated by Bruce Albert and Hervé Chandès, the exhibition features works by 27 artists from different countries and cultures, mainly from Latin America and indigenous communities.
The exhibition is the result of a partnership between the two institutions — which has already produced six projects over eight years — and seeks to reach diverse audiences and promote artists from different geographical contexts. Designed by Brazilian artist Luiz Zerbini, the exhibition highlights the importance of the forest as a central theme and provides an emotional connection between the works.
https://www.archdaily.com/1003303/siamo-foresta-exhibition-at-the-milan-triennale-addresses-the-future-of-the-planet-through-indigenous-artistic-perspectivesArchDaily Team
Climate issues have been the main topic of discussions about the future of cities, but they are certainly not new. The warning about human irreversibility on the planet has been part of scientific discourse since the 1980s. Faced with increasingly frequent environmental urgencies, Donna Haraway, in her book Staying with the Trouble: Making Kin in the Chthulucene, suggests a change in attitude on the part of humans to ensure not only partial environmental recovery but the species' survival.
Ayrson Heráclito, "O Sacudimento da Casa da Torre e o Sacudimento da Maison des Esclaves em Gorée", 2015, video installation. courtesy of the artist
Questioning the canonical history of architecture and shedding light on long-invisible spatial practices, Gabriela de Matos and Paulo Tavares propose the exhibition “Terra” [Earth], at the Brazilian pavilion at the Venice Architecture Biennale 2023. "It's our way of shaking things up," say the curators, who turn their attention to ancestral ways of dealing with the land, aiming for more fair and complete possibilities for the present and future.
Addressing "earth" in all its meanings, the curators overlay issues related to soil and territory with the planetary problems. They propose an approach to reparations and decoloniality - emerging in Brazil - with broad topics such as decarbonization and the environment, decisive in the contemporary global debate. The Brazilian Pavilion titled Terra [Earth], won the Golden Lion for Best National Participation at the 2023 Venice Architecture Biennale, on Saturday 20th of May, selected by a jury comprising Italian architect and curator Ippolito Pestellini Laparelli as president, Nora Akawi, Thelma Golden, Tau Tavengwa, and Izabela Wieczorek.
https://www.archdaily.com/1001311/earth-as-ancestral-and-future-technology-an-interview-with-gabriela-de-matos-and-paulo-tavares-curators-of-the-brazil-pavilion-and-winners-of-the-golden-lion-at-the-2023-venice-biennaleRomullo Baratto e Victor Delaqua