Over the past year, architecture exhibitions have significantly addressed pressing global issues such as climate change, resource scarcity, and social advocacy. According to the Harvard Graduate School of Design, architecture exhibitions can foster dynamic engagement with contemporary issues, serving as platforms for experimentation and critique. These events, such as the Venice Architecture Biennale, Sharjah Architecture Triennial, Milan Design Week, and Concéntrico, serve as essential platforms for creatives to showcase and explore new ideas. Moreover, they have been instrumental in addressing the urgent challenges posed by the climate crisis by promoting sustainable practices.
Politics: The Latest Architecture and News
The Energy Efficiency Policy Package: Key Catalyst for Building Decarbonisation and Climate Action
The buildings and construction sectors are key players in the fight against climate change –Combined, they are responsible for 30% of global final energy consumption and 27% of total energy sector CO2 emissions. Further, energy demand from buildings and construction continues to rise, driven by improved access to energy in developing countries, growing need for air conditioning, greater ownership and use of energy-consuming appliances, and a rapid growth in global floor area. Without targeted policy actions, the energy used in buildings could increase up to around 70% in 2050.
Whom Does Architecture Serve Today?
In 1969, ‘The Architects' Resistance’, a collective of students from Yale University, Columbia University, and the Massachusetts Institute of Technology (MIT), published a manifesto titled ‘Architecture: whom does it serve?’
With this manifesto, the group sought to place the practice of architecture in a broader economic, social and environmental context than the one taught in their university lecture rooms. In just two and a half pages, we find a powerful call to reclaim a more social and ecologically conscious architecture. It unambiguously denounces the role architecture played during those years as a practice in service to those in power while adding that “the architect's submission to the system begins with the belief that they possess special skills and knowledge that are inaccessible to the general public.”
A 2021 Moment In Architecture That May Define The Future
Some years end up being cultural pivot points. 2021 was one such year, with COVID-19 as the first existential threat to our culture since World War II. Architecture will change as a result, and may evolve in public perception to value motivations as a criteria for understanding it, versus valuing outcomes as the validation of any particular aesthetic.
The Spatial Stories of Ousmane Sembène
When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.
The Restroom Pavilion at the 2021 Venice Biennale Displays how Restrooms are Political Battlegrounds
"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.
Assault on a Sacred Place
This article was originally published on Common Edge.
For most people, calling a place “sacred” designates it as an important location, one usually associated with spirituality. It might be the setting for religious rituals (the sacred space of a church, synagogue, or mosque), a spot where some event described as “miraculous” has occurred (such as the reported sighting of the Virgin Mary in Lourdes, France, which became a pilgrimage site), or a place which held the body of deity (think of the Church of the Holy Sepulchre in Jerusalem, built upon what is believed the be the tomb of Jesus Christ).
Modern as Metaphor: Where the Tate Stands in a Post-Brexit World
Editor's Note: This article was originally published on 30 June, 2016. While the debate surrounding the terms of the UK's exit from the European Union continues to rage, the Tate remains a steady icon for London and the UK. But the building has also become a symbol in a new fight: one between the capital's elites and the general public. As the political sands in Britain continue to shift, it may be interesting to see how - and with whom - the building aligns in the future. - Katherine Allen, Managing Editor
AD Classics: French Communist Party Headquarters / Oscar Niemeyer
In March 1972, an article in The Architectural Review proclaimed that this structure was “probably the best building in Paris since Le Corbusier’s Cité de Refuge for the Salvation Army.”[1] The article was, of course, referring to Brazilian architect Oscar Niemeyer’s first project in Europe: the French Communist Party Headquarters in Paris, France, built between 1967 and 1980. Having worked with Le Corbusier on the 1952 United Nations Building in New York and recently finished the National Congress as well as additional iconic government buildings in Brasilia, Niemeyer was no stranger to the intimate relationship between architecture and political power.[2]
Have Your Say on the Landscape of Emerging Practices With the Interactive Architectural Political Compass
If you were to identify, categorize and map the 21st century’s emergent architectural practices from the world over, all on one diagram, what would it look like? Considering how the current architectural landscape consists of several different approaches, attitudes and political stances, how would you map them without being too reductive? And how would you ensure that out of hundreds of emergent practices and firms across the globe, you don’t leave anyone out? Perhaps the Global Architectural Political Compass V 0.2 could offer a clue.
Created by Alejandro Zaera-Polo and Guillermo Fernandez-Abascal, the diagram is part of an ongoing inquiry into “the state of the art in (global) architectural practice” [1]. In 2016, Zaera-Polo explored the subject in a comprehensive essay for El Croquis titled “Well into the 21st Century” in which he set down the framework for 11 political categories that now form the compass diagram.
Andrés Jaque: "Architecture Is Always Political"
In the context of the XX Biennial of Architecture and Urbanism in Chile, we spoke with the Spanish architect Andrés Jaque, founder of the Office for Political Innovation. In a conversation named Lucha Libre Jaque argued that "all architects are politicians" by default and the real question is what forms of policy we are willing to defend.