In the south of France, a 40-minute drive east of Montpellier, lies the otherworldly resort town of La Grande Motte. Named after a nearby sand dune, the city is characterized by futuristic, pyramid-shaped apartment blocks in various relief forms, adorned with diverse vegetation including pines, planes, olives, poplars, and cypresses. Artists Charly Broyez and Laurent Kronental describe this unique character as "a fairy-tale vision of a land emerging from the uncharted territories of our psyche, loaded with memories, images, sounds, colors, history." Through their meticulous images, they reveal the city's distinctive architecture.
Beyond just a visual record, architectural photography is a powerful medium that holds the ability to reveal and explore architectural spaces from unique perspectives. Through the lens of a skilled photographer, architecture showcases its interplay of lights and shadows, the tectonics of its structural elements, the careful detailing of joined materials, and the larger narratives of cultural heritage. On World Photography Day 2024, we celebrate this unique art form by highlighting the work of 25 distinguished photographers who have captured architecture in its most evocative forms.
Among the featured photo series, Paul Clemence explores the minimalist precision of Swiss museums, Iwan Baan offers a visual narrative of Prague, while Simone Bossi highlights the contrast between man-made structures and their natural surroundings. Additionally, Marc Goodwin continues his series on architecture studios from around the world, providing a glimpse into the profession’s creative spaces. Erieta Attali’s work transports viewers to ancient ruins to explore historical juxtapositions and cultural landscapes.
To create this collection, Marc Goodwin collaborated with Italian architect, publisher, teacher, and curator Alessandro Martinelli, who is based in Taipei. He selected the participants with the help of Mr. Chung-Hsiung Wang, the curator of the Taiwan Pavilion at the Venice Architecture Biennale 2018. The series will continue to develop with the creation of scale models for each studio, which will be exhibited alongside the photographs in the Taiwan Pavilion of the Venice Biennale.
Starting on June 30th, 2024, Edmund Sumner presents the “Traces” exhibition, a solo show at Rodic Davidson Architects in London featuring architectural photography that explores cultural identity and historical significance across diverse landscapes. The show offers a profound exploration of architecture and design across diverse landscapes, including Europe, India, and Mexico, presenting a compelling intersection between photography and the built environment. Additionally, the photographer is expected to release his fifth book with Thames & Hudson in 2025.
The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.
The Sony World Photography Awards 2024 has announced its category winners and shortlist, showcasing the best single images from around the world captured during the last year. With over 395,000 submissions from 220 countries and territories, the competition aims to highlight established and emerging photographers from around the world. The Open Competition is divided into 10 category sections, covering a diverse range of themes, from Architecture and Landscape to Portraiture, Lifestyle, and Wildlife photography.
For the Architecture category, ArchDaily collaborator Ana Skobe has been declared the winner with a photograph titled “Falling Out of Time.” Bathed in the soft hues of evening light, a sleek geometric structure rises from the coastal landscape, its clean lines contrasting with the natural elements surrounding it. Positioned at the base of the lighthouse, a solitary figure gives a sense of scale to the composition, as it contemplates the vastness of the ocean.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
The heritage of Mexico City is extremely rich and diverse due to a long history that overlays like layers above the urban fabric since pre-Hispanic times. Currently, it is one of the largest cities in the world, and its heritage is reflected in its architecture, museums, historical sites, cultural traditions, protected sites, gastronomy, and much more. This chronology has been evidenced through various historical records. However, contemporary recording is essential in moments where we are writing history immediately with different digital tools.
Sameer Makarius was born in Cairo in 1924. In 1933, he immigrated with his family to Berlin. At the age of ten, his father gifted him a camera, marking the beginning of his journey with photography. Following the outbreak of the Second World War, in 1940, they moved to Budapest, where he completed his secondary education, began his artistic training, and connected with the protagonists of the local avant-garde. In 1946, he embarked on his return to Egypt with a prior stop in Zurich. There, he organized an exhibition of Hungarian modern art with the support of Max Bill. Back in Cairo, he worked as a decorative artist for advertising and also for an architecture and construction studio.
His artistic work arrived in the Río de La Plata a few years before he did, through his partner Eva Reiner, who was already living in Argentina with her family. In 1948, she lent one of his works for the MADI art exhibition organized in the workshop of the German sculptor Martin Blaszko. After marrying Eva in Egypt in 1952, they traveled together to Paris, where they worked as pattern designers. They finally arrived in Buenos Aires in April 1953, a city that would become their permanent residence. His migratory journey was marked by the drama of war. At the same time, during these displacements, Makarius built a network of relationships around photography, visual arts, and architecture that allowed him to unfold his work in various territories and formats.
Digitization has revolutionized the way we experience art on platforms like SINGULART, which combines multiple influences from various artists.. Image Courtesy of SINGULART
The relationship between art and architecture is a recurring topic of discussion, seeing as architecture can be positioned at the intersection of structure, technology, and aesthetics. Despite the utilization of technical knowledge, architecture, and interior design also incorporate artistic concepts into their processes. From captivating illustrations during the design development phase to murals and artistic pieces that form an integral part of spatial conception, art plays an essential role in architectural production and society.
In the context of contemporary society, many of our activities are carried out digitally, from booking accommodation for travel to manufacturing materials and creating art exhibitions. In this sense, digitalization has also permeated the art world, conceiving initiatives like SINGULART, which challenges the traditional concept of art galleries by existing in a digital format. This platform combines works from various sources of inspiration and artistic techniques, encompassing everything from sketches and paintings to architectural photography. It fuses multiple influences from various contexts, including architectural work.
https://www.archdaily.com/1006625/from-sketch-to-painting-a-digital-art-gallery-to-inspire-everyday-architectural-workEnrique Tovar
Rosetta Bonatti – Untitled. Image Courtesy of URBAN Photo Awards
The URBAN Photo Awards 2023 has announced its list of Finalist Photographers, marking the penultimate stage of the international contest. The finalists, categorized by section and thematic area, are presented without hierarchical ranking, encompassing a collection of over 70 single photos, 20 projects & portfolios, alongside 5 Book Award volumes selected by the jury. As the competition unfolds, the internationally-recognized World Photography Day adds another layer of relevance to this display. Commemorated annually on August 19th, this celebration strives to bridge the divide between photographers and the broader public. This year's iteration revolves around the theme "Landscapes." The URBAN Photo Awards 2023's diverse showcase serves as a fitting nod to the upcoming World Photography Day, where the camera highlights facets of our urban surroundings.
Roland Halbecame into photographyentirely by accident, discovering it at the age of 15 in a class on optics. His physics teacher presented camera obscura effects, which immediately triggered his fascination. He then started borrowing his father’s old camera quite regularly. While still in high school, Roland worked part-time at a camera shop, eagerly discovering everything there is to know about photography. Those were the circumstances that kindled Halbe’s lifelong romance, first with black and white, and, eventually, color photography with a focus on the built environment.
While most architectural critics and theorists agree that architecture can only really be learned on site –by experiencing its volumes, textures, sounds and smells– hardly anyone would have the time and resources to see all the projects they would like to in person. Ways of documenting a building or a city have aroused the curiosity of painters, photographers and artists throughout history. From the traditional classical portrait with perfectly adjusted proportions to disruptive forms such as Michael Wesely's long exposure images, Heinz Emigholz's experimental film set, or Tuca Vieira's Photographic Atlas of the city of São Paulo, there are myriad ways to portray the built environment. 360° cameras bring yet another set of possibilities to documenting architecture and urban scenes. We spoke to Romullo Fontenelle, architect and architectural photographer, who tested the new RICOH THETA X 360° camera and provided an account of how this technology can improve the efficiency and precision of his design processes.
The link between architectural photography and archaeology in my work is rather personal. It has more to do with the experiences that can shape one's aesthetic vision, and less with a conscious underlying theoretical framework. A framework still exists of course, as does a particular mode of looking at structures and surface materiality that stems directly from the skill-set acquired through archaeological research.
Brutalism is a deeply dividing architectural style - a subcategory of the Modernist movement that featured bare concrete finishes, unusual shapes, and an undoubtedly unique aesthetic. Whilst emerging into prominence in 1950s Great Britain, the most iconic examples of this architectural style are arguably found in Eastern Europe - particularly in the territory formerly known as Yugoslavia.
Architectural photographer Marc Goodwin adds one more photo series to his Atlas of Architectural Atmospheres, this time capturing 12 architecture offices in the Austrian capital of Vienna. The series includes the intimate workspaces of AllesWirdGut, Feld72 Architekten, querkraft architekten amongst others.
Goodwin has been working on this project for several years, and the collection holds photographs of work environments of architecture offices in Madrid, Frankfurt, Berlin, Istanbul, Seoul, and many more.
Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected.
