The Australian Institute of Architects has announced the Creative Directors for the Australia Pavilion at the upcoming 19th International Architecture Exhibition - La Biennale di Venezia in 2025. Selected to lead this project, Dr. Michael Mossman, Emily McDaniel, and Jack Gillmer will present "HOME", a pavilion dedicated to Australia's natural environment and Indigenous knowledge systems.
Iceland has announced its National Pavilion for the 19th International Architecture Exhibition – La Biennale di Venezia, presenting Lavaforming, a project led by architect Arnhildur Pálmadóttir, founder of s.ap architects. This pavilion, commissioned by Iceland Design and Architecture, will showcase an innovative approach to creating sustainable building materials from controlled lava flows.
In celebration of Urban October, a month dedicated to recognizing the significance of innovative urban spaces, this curated selection presents 8 conceptual projects that demonstrate the transformative potential of public spaces. These projects, submitted by the ArchDaily community, showcase the myriad ways public spaces can enhance cultural identity, community interaction, and environmental quality. Conceptual projects and competition entries serve as a platform for architectural experimentation, challenging the norms and sparking discussions about the future of urban landscapes. From rural settings to layered historical squares or small-scale urban interventions, the designs engage with their contexts, aiming to improve the experience of residents and visitors, highlight the histories of the space, and ensure accessibility for all.
Each month, ArchDaily's editors select a collection of conceptual projects centered around a theme or program, submitted to ArchDaily. These projects are developed by small and large-scale architecture offices from around the world and submitted openly to the ArchDaily platform, thus forming a worldwide community of practitioners sharing their work, be it purely conceptual, a competition entry, or an early-stage design phase. Submissions are open to everybody. If you wish to contribute, send in your work by following the instructions here.
How do pavilions emerge in architecture? What role do they play in urban spaces? Beyond the multiple interpretations that exist around the world, the pavilion, as an architectural principle and typology, tends toward extroversion, often associated with a centrifugal nature and visual openness toward the horizon, which is linked to its origins as a tent offering shelter from the elements. Pavilions are usually identified as isolated and independent structures that can promote lateral openings in the urban space, panoramic or introspective views, technological reflections, and material experiments that are recognizable from the outside or once inside.
The Republic of Azerbaijan has just revealed its design for it's pavilion at Expo 2025 in Osaka, Kansai. Shining a spotlight on the country's culture, history, and forward-thinking approaches, the pavilion aims to promote connection and sustainability. Designed by Bellprat Partner in collaboration with Eleven, the pavilion will offer visitors a journey through Azerbaijan's rich traditions while emphasizing its modern goals for sustainability and international cooperation.
The Suzhou Museum of Contemporary Art, spanning 60,000 square meters, is envisioned as a village of 12 pavilions, presenting a contemporary take on the city's historic urbanism, architecture, and landscape. Designed by Bjarke Ingels Group - BIG, ARTS Group, and Front Inc., the project is part of Suzhou's development around Jinji Lake. It reimagines the classical garden 'lang,' or corridor, framing gardens with outdoor art installations. The pavilions' layout draws inspiration from Suzhou’s garden heritage, guiding visitors through an artistic, natural, and aquatic journey. The museum, which recently celebrated its topping out, is scheduled for completion in 2025.
Until July 14, 2024, the pavilion ¡Qué faena(r)! ('What a Task!') by Óscar Cruz García and Pablo Paradinas Sastre will be installed at Puerta del Sol in Vigo, one of the two winning temporary pavilions of the third edition of TAC! Urban Architecture Festival. Reflecting on public spaces and the regeneration of urban centers as the main theme of this new edition, the proposal combines tradition and innovation, involving local producers and artisans during the process and simultaneously reusing materials considered waste, such as fishing nets, rusty 'bombos,' recovered wood from bateas, and granite blocks that gain a second life after fulfilling their mission in the sea.
From April 25 to May 1, 2024, Logroño hosts the tenth edition of Concéntrico, a celebration of urban innovation and transformation. This year, the festival explores the future of cities, incorporating new formats, engaging diverse audiences, and tackling urban challenges through the lens of time as a catalyst for change in design. Featuring 20 interventions and activities involving over 100 professionals from 17 countries, the program encompasses processes such as renaturalizing public spaces, reimagining urban structures, and integrating recycled materials from previous editions.
Additionally, collaborations with educational centers ensure a lasting impact beyond the festival, fostering new collective practices in public spaces. Special projects such as "The street in 10 years" or initiatives involving students and pupils from local schools and educational centers further enrich the festival's engagement with communities across Spain.
Winter Stations, now in its 10th year, has unveiled the winning designs selected from a pool of hundreds of submissions worldwide. Following an international design competition launched in November 2023, designers, artists, and architects contributed with bold proposals to reimagine the lifeguard stations along Toronto’s east-end beaches for the winter. Launched by RAW Design, Ferris + Associates, and Curio in 2014, the event aims to gather an international design and art community to join in this playful exercise of rethinking public spaces through bold temporary interventions. The winning designs were realized with the support of Anex Works, a Toronto-based fabrication group, and will be on display until the end of March.
For its 10th anniversary edition, the chosen theme for this year is “Resonance,” hoping to challenge designers to reflect on the artistic legacy and enduring impact of the Winter Stations and to embark on a journey of reinvention and reimagination. The projects were invited to recreate and reinvent installations from previous Winer Stations editions, offering moments of contemplation and remembrance. The event also continues the tradition of the Lifeguard Sands, inviting designers to incorporate them into their designs without structurally altering the stands in any manner.
Whether temporary or permanent, pavilions and urban installations represent an opportunity for architects to experiment with different shapes, materials, and textures. The results are often theatrical, welcoming visitors to new types of spaces, and blending the exterior and the interior. Pavilions are often commissioned for events, exhibitions, or cultural programs, offering opportunities to explore innovative materials, construction techniques, and spatial concepts on a smaller scale. Some events, like the Serpentine in UK or the MPavilion in Australia, propose a yearly reimagining of their structures, offering opportunities for established and emerging architects to express themselves. Others, like the Venice Biennale, reuse the permanent garden pavilions, but invite curators to prepare exhibitions to reimagine them for every edition.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community showcasing pavilions and urban installations proposed in various environments, from urban plazas to agricultural fields or even airports. In Frankfurt, a translucent foliage-covered structure aims to honor the memory of a lost synagogue. in Ukraine, a visitor center reimagines an industrial landscape into an attractive meeting place, while a decentralized installation in the Netherlands hopes to bring communities together by collecting and sharing stories on scents. Whether temporary or permanent, these projects aim to provoke reflection and contemplation, while addressing larger themes of sustainability, resource availability, or the role of social spaces.
In July, Las Vegas unveiled an extravagant spectacle - a colossal LED-wrapped spherical structure, standing 366 feet tall and 516 feet wide. This entertainment event venue instantly captured the public's gaze, becoming a local landmark and attracting global attention through extensive news coverage. Similar spherical concepts have been proposed in London and at a smaller scale in Los Angeles. These massive display structures open up questions about facades as digital canvases. What role can architecture take as an urban canvas other than as a billboard? And what are different ways for architecture to engage the public through digital art besides gigantic LED spheres?
From October 12 to 18, NYCxDESIGN presents the Design Pavilion, a prominent public architectural exhibition in New York. Occurring during Archtober, a month-long celebration of architecture, this year's Design Pavilion highlights three imaginative installations spanning materiality, sustainability, social justice, and more.
Two tangible installations have been designed to transform Gansevoort Plaza in the Meatpacking District into urban retreats, while the third exhibit offers a digital art projection at the World Trade Center Podium, addressing the nation's history of enslavement and the quest for healing. Along with the pavilions, the Design Talks program highlights and opens discussions on relevant issues of the profession, centering around themes of sustainability, repurposing, and waste reduction.
What role will bicycles play in the cities of tomorrow? Their implementation as a more sustainable form of transportation for commuting to work or school, as well as for various household and recreational activities, has become an opportunity for thousands of architects and urban planners.
For the ninth time, the MEXTRÓPOLI Architecture and City Festival held the Arquine Competition No. 25 | MEXTRÓPOLI 2023 Pavilion, a platform where architecture, urbanism, and art converge to contemplate and celebrate Mexico City. The event also aims to engage the public by occupying public spaces with architectural pieces that can be activated by visitors. Celebrating public spaces or offering a different perspective on the places routinely traversed is the reason MEXTRÓPOLI showcases these ephemeral architectural pieces.
Until October 16, 2023, the second edition of TAC! Urban Architecture Festival will take place in the city of Valencia under the temporary Mediterranean pavilion designed by Manuel Bouzas. Located in the Plaza Músico López Chavarri in the Carmen neighborhood, the pavilion pays homage to vernacular architecture in response to the Mediterranean climate and the role of the Mediterranean shutter, a mechanism that for centuries provided an effective, simple, and lightweight solution for sun protection, allowing habitable spaces to adapt to climatic conditions.
As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.
In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.
Once a year, in the vast and unforgiving Black Rock Desert of Nevada, a city arises. Thousands of people unite to form a temporary metropolis with a collective spirit. Burning Man 2023 removes all restrictions on expressing oneself, allowing forms to be unexpected. This year, Burning Man Festival’s theme was Anamilia, transforming The Black Rock Desert into a blank canvas for creation, a playground for self-discovery, and a haven for radical self-expression.
The topic "ANIMALIA," encouraged participants to set off on a voyage that blurred the line between reality and fantasy. ANIMALIA pays tribute to the animal kingdom's diversity, from the animals that live in the transitional areas of the desert to the mythical and fictitious animals that appear in our dreams. Inspired by the sea, the sand, the sky, and the imaginative, this year’s installations and pavilions range from a fish installation representing fresh waters to a living knit work pavilion that takes form with textiles, to a geometric structure showcasing a cube’s potential.
Burning Man, the annual festival taking place in Nevada’s Black Rock Desert, has opened on August 27th, with thousands of festivalgoers gathering to create the Black Rock City, a ‘temporary metropolis’ complete with numerous installations, artworks, and pavilions that celebrate “community, art, self-expression, and self-reliance.” This year, however, the festival experience has been different, as heavy rains inundated the desert and festival site, creating thick, ankle-deep mud. The roads to and from the festival have been closed as large vehicles risk remaining stuck in the mud. While some people have left the site by walking out, the majority of the 70,000 campers remain stranded, as reported by CNN.
