Parametric: The Latest Architecture and News

There are many building materials that have experienced minimal changes since their initial inception in the field of architecture. However, this does not imply that they are outdated, but rather that their qualities and simplicity make them highly versatile materials also demonstrate the resilience and durability of materials that withstand the test of time. An example of this is brick, a timeless material that has been able to adapt over the years, serving functions such as walls, cladding, and flooring, among others. Under this premise, Louis Khan referred to the expressive possibilities of brick, stating, "Even a brick wants to be something. It aspires."

Thanks to the progress of new technologies applied to materials, disruptive proposals have arisen that converge in new construction systems. On many occasions, these new technologies are combined with materials considered "traditional," generating new concepts in which materials such as brick find new applications and possibilities. One of these new concepts is Flexbrick, a ceramic textile with an industrialized system that combines flexible sheets to wrap architectural spaces. This opens up new possibilities for applications at the forefront of the parametric architecture revolution, using a flexible, adaptable, and sustainable material.

In this episode of PA live interviews, Hamid Hassanzadeh, founder of ParametricArchitecture, spoke to Mexican architect Michel Rojkind. The discussion focused on Michel’s story of becoming an architect, career, his passion for running, the impact of music in his architecture, his projects, and his advice for young professionals.

At an altitude of 2735m, architecture students at the École Polytechnique Fédérale de Lausanne (EPFL) in Switzerland have built The Bonatti Bivouac, a temporary refuge for the A Neuve’s glacier. The shelter uses the envelope as a structural object, eradicating the need for metal, screws, or nails. Informed by theoretical architect Semper, their design uses the joints to form a piece of architecture.

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Complex wood joineries have long been staples of Japanese architecture and construction, demonstrating an impressive and even artistic craft passed down through generations of Japanese carpenters and woodworkers. In recent times, with increasingly available resources and technology, these techniques have been further explored and made publicly accessible, be it through demonstrative gifs or downloadable fabricated joints.

In relation to these resources, Aryan Shahabian, a researcher at the University of Applied Arts in Vienna has developed an algorithm that generates over a billion distinct combinations of interlocking 3D objects, inspired by Japanese joineries. Both single joints and free forms are smoothly handled by the software, combined with endless resultant forms.

Zaha Hadid Architects unveiled a new experimental structure as part of Milan’s White In The City Exhibition during the city’s annual Salone del Mobile. Held at the Accademia di Belle Arti di Brera in the heart of Milan’s design district, the exhibition explored the contemporary use of white color in design and architecture across various locations in the city. Named the Thallus – after the Greek word for flora that is not differentiated into stem and leaves, the sculpture is the latest in ZHA’s investigations using 3D printing technology. Thallus continues Zaha Hadid Architects’ Computational Design (ZHA CoDe) group’s research into generating geometries through robotic-assisted design.

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Responding in part to recent debates on how big data will affect our built environments, Synthesis Design + Architecture have teamed up with IBM Watson Analytics to design an interior feature wall for the Watson Experience Center in San Francisco. The project, named Data Moiré after the dizzying patterns created by overlapping sets of lines, uses data from the influence of mobile phones on monthly consumer spending to create a precise screen material that defines the wall.

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Videos

A luminous tetrahedral mesh spanning 10 meters, (Ultra) Light Network is the latest 3D printed innovation achieved by Singapore University of Technology and Design (SUTD) Professors Felix Raspall and Carlos Banon, who were also behind this mesh pavilion last year. Displayed at this year’s iLight Marina Bay in Singapore, the interactive light sculpture is an exploration of how full-scale 3D printed components can create a system to “address not only structural requirements but also power transmission, and information communication within a seamless and continuous aesthetic.”

Suspended over its visitors, the display engages the public through responses to their movements below, controlled by over 50,000 distinct LED pixels and their parent algorithm. This is made possible through five Teensy microcontrollers, working in conjunction with three ultrasonic sensors at the base of the structure, resulting in a lively and illuminating experience.

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Following the success of their highly intricate Arabesque Wall, Benjamin Dillenburger and Michael Hansmeyer have once again achieved new levels of ornamental eye candy – this time, with a full-scale 3D printed grotto created from seven tons of sandstone. Commissioned by the Centre Pompidou in Paris, the grotto is an example of how the spatial expression of computational technologies can make for remarkable architectural experiences.

“Digital Grotesque II is a testament to and celebration of a new kind of architecture that leaves behind traditional paradigms of rationalization and standardization and instead emphasizes the viewer’s perception, evoking marvel, curiosity and bewilderment,” state Dillenburger and Hansmeyer.

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Of all its bells and whistles, the focal point of Herzog and de Meuron’s latest successful endeavor, the Hamburg Elbphilharmonie, is arguably the central auditorium, as explored in this new article by WIRED. An incredible example of the possibilities of parametric design, the hall is comprised of 10,000 individual acoustic panels that line the walls, ceilings, railings and balconies. Each of the panels consists of one million “cells” of varying dimensions, created to help define the sound within the space.

Far from the common dismissal of Margot Krasojevic’s work as (in her own words) “parametric futurist crap,” her work has always revolved around concepts of sustainability. As she explained to ArchDaily last year, she aims to focus on the ways that sustainable technology “will affect not just an architectural language but create a cross disciplinary dialogue and superimpose a typology in light of the ever-evolving technological era.” For the second project in a series of three proposals for the city of Belgrade Serbia, the architect is proposing a “Trolleybus Garden” that functions as a waiting shelter and park while simultaneously harnessing kinetic movement to produce electricity.

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With their latest facade construction, Iranian architecture firm Sstudiomm explores the potential that brick can offer by utilizing parametric architecture. Instead of relying on unique construction elements for assembly on-site at a later date, in their new project (called, in full, "Negative Precision. On-Site Fabrication of a Parametric Brick Facade // A DIY for Architects") the firm considers how a simple mass-produced element like the brick can be assembled in unique ways by taking advantage of digital technology. While firms like Gramazio Kohler have already developed industrial methods of assembling brickwork following parametric designs, Sstudiomm aims for a more lo-fi approach, creating parametric brick walls using little more than the traditional construction methods found in Iran and a dose of ingenuity.

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BIG’s unzipped wall for the 2016 Serpentine Gallery Pavilion has been a critic and fan favorite so far this summer. Its simple parametric design has inspired the array of captivating photos and even a virtual model that allows you to adjust the parameters of the structure in your browser window. Now you can play with its design wherever you go, thanks to a new app by Studioclam.