Populous and Oualalou + Choi have just released the design for the of Grand Stade Hassan II in Casablanca, Morocco. Set to be the largest football stadium globally, the stadium boasts a capacity of 115,000 people. Drawing inspiration from Morcco’s traditional ‘moussem,’ a type of social gathering, the design features a grand, tent-like roof that integrates dramatically into its forested surroundings.
With the proper know-how, readily available earth, sand, chalk, lime, or gravel can yield a versatile, strong, and durable construction material. Its colorful results vary from region to region, depending on the natural soil component, climate, and treatment. While some prefer to minimize any added processing, others relish the exploration of rammed earth surfaces. Different textures and mesmerizing layers of multitoned or multicolored earth can be used to create a solid surface that enriches the visual quality of a space and carries a sense of warmth to any project.
The Association of Arab Architects has announced the winners of the 2022 Arab Architects Awards. This year’s winning architectural projects highlight the importance of inclusive design, taking into account sustainability and designing with a sensible response to the local communities and landscapes they inhibit. The two-day ceremony was held in Amman, Jordan on November 16-17, 2022, and gathered hundreds of regional architects, urban planners, engineers, and designers of all demographics to explore and engage in discussions about architecture and the future of the built environment in the Arab region.
The Moroccan Pavilion at the 2020 Expo in Dubai explores traditional Moroccan architecture and how it can be reimagined in contemporary construction techniques and urban developments. The pavilion is designed by architects OUALALOU+CHOI, and will display a first-of-its-kind structure with a 4000 m² rammed earth facade, pushing the boundaries of the material and exploring its full potential.
OUALALOU + CHOI has designed the Morocco Pavilion at the 2020 Expo in Dubai, showcasing traditional Moroccan design and construction techniques. The pavilion brings “rammed earth construction to new heights”.
Modern Moroccan architecture is reinterpreting vernacular traditions. Taking its name from the Arabic al-maġhrib, or the “place the sun sets; the west”, the kingdom is a sovereign state home to numerous examples of Islamic design, as well as detailed art and ornamentation found within geometric patterns, friezes and open courtyards.
The Pavilion of Morocco at the 14th Venice Biennale, Fundamentals, focused on territorial speculations in the Sahara: Inhabiting the Uninhabitable. For the exhibition, which was the country's first representation at the Biennale, Paris-based practice OUALALOU+CHOI proposed an urban structure for this desert territory – "a means of putting down roots, implanting urbanity and civilization. The Sahara, with its extreme geography and climatic conditions, remains unexplored territory for architectural speculation."
In conjunction with the Contemporary Morocco exhibit (Le Maroc Contemporain) at the Jean Nouvel-designed Institut du Monde Arabe in Paris, a giant tent has been constructed on the plaza in front of the building. Designed by Tarik Oualalou and Linna Choi of OUALALOU+CHOI, the tent harmonizes contemporary design and technical innovation with traditional fabrication methods. Constructed from more than 650-square-meters of camel and goat wool woven by female cooperatives in the Saharan desert, the tent serves as an urban landmark and a symbol for the Contemporary Morocco exhibit. The rhythm and scale of the tent’s silhouette renders a topographic dimension to the structure which pays homage to the nomadic traditions of southern Morocco.
Morocco was heavily influenced by European modernism due to its strategic position in Northern Africa. It was governed as a European protectorate for much of the 20th century, and it was in this region that the modern movement found a place for experimentation; a place where modernist ideals met such particular climate conditions that they evolved a unique regional expression.
The Morocco Pavilion for the 2014 Venice Biennale—their first presence at the event—acknowledges this particular expression aligned with the theme of Absorbing Modernity under the title of Fundamental(ism)s. Curator Tarik Oualalou erected it over a ground of desert sand to create a setting for Morocco’s architecture in the past, entitled Living in the City, and the future, Inhabiting the Desert.
The hill of Montabo looms over the city of Cayenne and provides a dramatic backdrop for an architectural project which addresses the raw and unremitting power of nature. The winning competition entry by OUALALOU + CHOI derives from a dual strategy to conserve the natural environment and to protect the building from an undesirable degree of the jungle’s encroachment. The project preserves as much of the natural hilltop as possible, transforming it into a public space by creating a park at the crown of the hill. Thus, the highest point in the city becomes a part of the public realm. More images and architects’ description after the break.
