The MonacoPavilion at Expo 2025 Osaka explores the fusion of Mediterranean and Japanese landscapes, creating a unique cultural dialogue through architecture and landscape design. The pavilion's design, centered around a harmonious blend of Mediterranean and Japanese garden elements, embodies Monaco's global initiatives and its commitment to environmental stewardship. Reflecting the Expo's theme, "Take Care of Wonder," the pavilion invites visitors to experience a captivating and serene environment that celebrates both nature and culture.
The Indonesia Pavilion at Expo 2025, Osaka, showcases a combination of tradition and forward-looking vision, aligned with the Expo's theme, "Designing Future Society for Our Lives," and symbolizes the philosophy of "Diversity in Unity." Drawing inspiration from Indonesia's rich maritime history, the pavilion's structure takes the form of a stylized boat hull, representing progress and resilience. The rising shape of the design reflects Indonesia's optimistic outlook—moving forward, facing challenges with determination, and striving to achieve ambitious goals.
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
The Belgian Pavilion for Expo 2025 Osaka, designed by the winning consortium of Carré 7, Beyond Limits, One Designs, Pirnay, and Poly-Tech, embraces the Expo's overarching theme, "Designing the Society of the Future, Imagining Our Life of Tomorrow." With a focus on "Saving Lives," the pavilion' explores the universal significance of water and its vital role in creating and sustaining life. By highlighting water's interconnectedness with all living beings through the metaphor of cells, the pavilion aims to reflect humanity's relationship with the environment and the importance of preserving it for future generations.
The Chile Pavilion, recently revealed by Constructo Architects for Expo Osaka 2025, blends contemporary industrial design and traditional Mapuche textile artistry. Constructed using industrialized wood (CLT) and featuring handwoven textiles, the pavilion emphasizes both innovation and cultural heritage. The structure is designed to be a "nomadic pavilion," easily assembled and disassembled, allowing it to travel from Chile to Japan and back.
In preparation for Expo 2025 Osaka, Kansai, Japan, The "Grand Ring," designed by renowned architect Sou Fujimoto, has reached a significant milestone. As of August 2024, the wooden construction of this structure is now complete, fully connecting the 2-kilometer ring into a continuous loop. This achievement is a crucial step in the development of the Expo site on Yumeshima, an artificial island on Osaka's waterfront, where the Expo will take place from April 13 to October 13, 2025.
The Kingdom of the Netherlands has recently unveiled the theme and design of its Pavilion for Expo 2025 Osaka, Kansai, Japan, in a presentation held in Osaka City. The pavilion's theme, “Common Ground: Creating a New Dawn Together,” emphasizes the Netherlands’ dedication to fostering mutual understanding to address global challenges. Designed by RAU Architects, the pavilion's circular design features a prominent illuminated sphere at its center, symbolizing a new era of unlimited clean energy, akin to a “man-made sun” signaling a future powered by sustainable resources.
Uzbekistan has just revealed its pavilion for Expo 2025 in Osaka, Japan. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country’s vision for the future under the Expo’s broader theme, “Designing the Future Society for Our Lives.” Composed of modular, reusable wooden elements, the pavilion’s architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.
The pursuit of an ideal city has long been a topic of debate among architects and urban planners. In addition to aesthetic identity and cultural heritage, the quality of life in every city represents perhaps the most important marker in this pursuit. This year, the Economist Intelligence Unit (EIU), a sister company of The Economist, has released its Global Liveability Index 2024, highlighting the cities that excel in this ongoing quest. For the third consecutive year, Vienna ranked as the most liveable city in the world. European cities Copenhagen, Zurich, and Geneva also rank high, attributed to their smaller populations, which contribute to lower crime rates and less congestion. In comparison with the 2023 ranking, the numbers for North American and Australian cities have been dragged down by the ongoing housing crisis.
The assessment ranks 173 cities from around the world. Each city is scored based on 30 qualitative and quantitative factors evaluating 5 categories: stability, healthcare, culture and environment, education, and infrastructure. The scores are based on external data points, in-house analysts, and in-city contributors. The category of stability has registered the biggest decline, as protests and armed conflicts increased in incidence. At the bottom of the cist, the city of Damascus, Syria, continues to be ranked as the least liveable city in the survey, followed by Tripoli, Libya, reflecting severe instability.
BWM Designers & Architects has just revealed the design for the Austrian Pavilion at Expo Osaka 2025. Titled “Austria. Composing the Future,” the pavilion reimagines the expo’s theme, “Designing Future Society for Our Lives,” through a music lens, suggesting a future that is not only designed but also composed. In collaboration with facts and fiction, the pavilion and exhibition embark on a journey through Austria’s musical heritage and witness its transition into the future.
More than half of the world's population resides in urban areas, with over 4 billion people depending on cities as their main environment. According to the United Nations’ latest report on populations in cities, this number is expected to continue to increase over the next 50 years, prompting cities worldwide to strive to find better ways to accommodate their growing population while transitioning to more sustainable urban practices. To highlight this responsibility, the United Nations has declared July 11th the World Population Day.
Under this year’s theme, “To Leave No One Behind, Count Everyone,” the UN aims to also draw attention to the importance of data collection for reflecting societal diversity. The growth of world cities is part of this equation as an important measure for understanding global population trends. The following list presents the top 20 cities worldwide in 2024, ranked by the population size of their metropolitan areas. Comparing the results to the previous editions, the only cities to reduce their size are the two cities from Japan, Tokyo and Osaka. The highest growth rates can be observed in African mega-cities, Kinshasa and Lagos, while China continues to be the most present country in the list, with 5 metropolises present in the top 20: Shanghai, Beijing, Chongqing, Tianjin, and Guangzhou.
During a groundbreaking ceremony, the UAEPavilion has just announced its participation in Expo 2025 in Osaka, Japan. Scheduled to begin in April 2025, under the theme “Designing Future Society for Our Lives,” the pavilion is located in the “Empowering Lives” zone. Designed to work under the broader theme, the UAE Pavilion will offer diverse programming and interactive exhibits and will serve as a collaborative platform for co-creating solutions that “drive collective progress.”
LAVA Architects has just revealed their design for The German Pavilion at Expo 2025 Osaka. Highlighting the theme of the circular economy, the pavilion is titled “Wa! Doitsu,” translating to “Wow! Germany.” Conveying enthusiasm, The Pavilion explores concepts around circularity, showcasing the “terminological culmination of the sustainability discussion.” Focusing on returning all consumable goods to the cycle of the economy, achieving zero waste, and minimizing resource consumption, the theme is visible throughout the entire design.
Lebanese French architect Lina Ghotmeh with her Paris-based studio Lina Ghotmeh – Architecture has revealed the design for the National Pavilion of the Kingdom of Bahrain for the Expo Osaka 2025. The design draws inspiration from the traditional Bahraini dhow boats, employing the country’s historical boat-building technologies to showcase Bahrain’s craftsmanship and manufacturing heritage. The pavilion is also a not to the hosts of the world expo, drawing parallels with Japanese wood artistry.
